Kakutogi Road: The Complete History of MMA *Mega-Thread*

[Mbetz1981]

*Archives of this series can be found at https://www.patreon.com/KakutogiRoad *
(Note: These chapters were previously posted piecemeal over in the Worldwide forum, but that was a mistake, by putting this all in one giant thread, then it will be easier for everyone to follow.)

Kakutogi Road: The Complete Historyof MMA Vol.1 "Genesis"

Welcome to the beginning of what may be a long and winding story, as we begin a quest to (almost) completely document the history of modern MMA. Over the course of many chapters, I hope to expose myths, answer questions, raise new inquires, and shine some light on how the way of the fist intersected with the art of the armbar, and how we got to be here today. I intend to go through every MMA event, (within what is available), in chronological order, from the early 90s-00s, and highlight the various highs and lows, that have led us to where we are today.

Because modern MMA is such a relatively new phenomenon, such an undertaking, while potentially arduous, is possible. The main thing is deciding on where to start. I debated starting at UFC 1, but the fact is, that so much of modern Mma has roots in Japanese pro wrestling, it seemed like I would be doing a disservice on just skipping over all of the Shoot leagues/events that gave us many of the stars and concepts that would wind up becoming important later on down the road. Although the main point of this project is to cover Vale Tudo/NHB/MMA, to not give a solid look at the events that proceeded it, is to leave out giant pieces of its tapestry. Therefore, I have decided to start in 1991, right after the collapse of the UWF, in which several pro wrestling organizations sprouted up, in an effort to sell, "real fighting," to a thirsty audience that didn't know any better.

So consider this a prologue of sorts, and thus we will begin in the realm of shoot-wrestling, (which as we will see had their share of actual shoots as well), and we'll also make some detours into K1/Kickboxing, BJJ, etc since by this point in time the MMA world was so small and blurred that there is a lot of natural overlap within these separate undertakings.

Also, I hope to include media, and interviews from the time period in question, to try and add some of the perspectives that were current at the time. I also encourage all of you to add, whatever you know, be it anecdotes, media, interviews, etc, so perhaps we can get a clearer picture together.

So, without further ado, let us look back into the depths of a "sport" with a murky past, and no clear future. A culmination of events that has one foot in the Budo spirit of Samurai long dead, and the other in the more recent shenanigans of carnival performers. Yes, let's take a journey through time and see what led us to where we are today, as we glimpse down the Kakutogi road, that is simultaneously both one of the noblest of pursuits, and one of the most vainglorious, (in that it rewards ingenuity, creativity, sheer force of will, and sacrifice, but at the end of the day...is still an endeavor that reduces it's practitioners to a spectacle, fighting to prove oneself has led to many sorrows, as men vainly chase their identity and self-worth in something that can never provide such a thing.

We find ourselves on 3-4-91 as the very first PWFG (Pro Wrestling Fujiwara Gumi) event is set to take place. Before this happened it's wise to note (for those reading that might not be familiar with the history) the initial cataclysm that led to Japan's interest in MMA was the birth of the original UWF. The original UWF was a Japanese wrestling promotion that started in 1984 as fairly straightforward Pro Wrestling fare and later evolved into something never seen before, once several key members migrated to it from New Japan Pro Wrestling. Yoshiaki Fujiwara, Nobuhiko Takada, Satoru Sayama (the original Tiger Mask), and Kazuo Yamazaki, found a home with this fledgling outfit, and this prompted the change the orientation of the UWF's wrestling to a more martial arts direction.

They became the hottest ticket in Japan for a brief period, until infighting over the essence of the product, and a clash of egos between Sayama and Maeda led to its demise. The contention between Sayama and Maeda arose partly due to philosophical disagreements over what the essence of the UWF should be, with Sayama wanting more of a kickboxing flair and Maeda wanting it more rooted in submissions.

They would eventually come to blows, when on 9-2-85 the two began what started as a worked pro wrestling match, but quickly devolved from there. After starting somewhat benignly enough, they started to stop pulling their punches/kicks and were striking each other for real. Eventually, they seemed to regain their composure and things went back to normal when towards the end of the match, Maeda simply gave a super hard kick to Sayama's balls and forced a disqualification from the ref. Maeda was fired for this, and Sayama quit pro wrestling in disgust. He would later go on to form Shooto, which was the first true MMA organization, and whose history we will be exploring in greater detail down the road.

* Here is a link to a video that features this match in its entirety. The match starts around the 7:53 mark: *

After the initial collapse of the UWF in 85, most of the roster went back to work for New Japan Pro Wrestling, for the next few years. This was until 1988 when Maeda, yet again, couldn't keep his temper under control and decided to deliver a shoot Muay Thai kick to Riki Chosu's face, supposedly due to jealously of his position within the company. This left NJPW in an awkward spot, as to how do you punish someone for doing something that was "legal," within the world of pro wrestling? They opted to penalize him by insisting that he be banished to a tour of Mexico for a while, but Maeda refused and opted to restart the UWF, taking a chunk of the roster with him.
They had initial success until an economic downturn in Japan, coupled with disagreements on inter-promotional booking with more traditional pro wrestling companies, led to yet another demise for this promotion. Only this time, several key players splintered off to start their own promotions/vanity projects, and thus the shooting boom was born, and as we continue this story we will see how this led to forming much of what modern MMA is today.

Yoshiaki Fujiwara was a Judoka that transitioned into pro wrestling in the early 70s and has the distinction of being the first graduate of the New Japan Dojo system. He continued to wrestle for New Japan until the first UWF incarnation and tried to stay in their good graces after Maeda initially left to restart the promotion in 1988. However, in 1989 he felt the need to continue in the ways of the shoot, only this time he brought young talents Masakatsu Funaki, and Minoru Suzuki with him. Perhaps this decision, more than any other, led to MMA being around today as we know it because if it wasn't for Funaki taking an interest in shooting, (or at least fake shooting), and in turn training a young Ken Shamrock, the UFC might not exist today. (More on this later).



The beginning of a destiny

 

[Mbetz1981]

So here we are at the Korakuen Hall in the early days of March circa 1991. The show starts with the seemingly ancient tradition of having all the performers/combatants enter the ring with much music and fanfare, as a way to kick off the show. Only this has the legendary German wrestler extraordinaire, Karl Gotch, as a guest of honor. They give him a microphone and he said a few kind words about wishing success upon this promotion. Karl Gotch was a legend in Japan at this time, and also trained many of the Fujiwara crew, so having his blessing upon the promotion was surely seen as a badge of realism by the audience.

The first man out to the ring is Wellington Wilkins Jr, who was mainly an opening performer on the Japanese circuit in the mid-90s, wrestling for various promotions. He hit a bit of a skid when he was busted with marijuana while working for Michinoku Pro Wrestling, and subsequently thrown in a Japanese jail, and deported. He worked a bit in the states after that, but never really took off.

Here his opponent is Takaku Fuke, who wound up being a Pancrase mainstay in a few short years, amassing a rather abysmal 16-29-5 record, though to his credit was able to get victories over the great Manabu Yamada, Jason Delucia, and Vernon White.

The first couple of mins set the overall tone of what was to come with this promotion. An emphasis on having realistic looking matches, but perhaps done at the expense of entertainment value, (certainly when compared to its rivals at the time.) These two worked well together and, there was a good flow between the two that saw them obtain and reverse positions on the mat several times, but it was a fairly dry affair that wasn't going to light any fires. It also was a bit odd that they chose the ever so realistic "leg-split," as a finish.

The legendary Leg-Split

Yoshiaki Fujiwara vs Johnny Barrett.

Fujiwara is up next and has always had the unenviable ability to look like he was pushing 70, regardless of what decade he happened to be in. He was rather slow and nonathletic, but he was someone that you had to have a certain amount of respect for, as he always patterned his after realism, (at least realistic by pro wrestling standards), and could sometimes turn sadistic and become way too stiff in the ring. His opponent here is Johnny Barrett, who I'm assuming only was able to find work here due to his connections to Dean Malenko because his physique wasn't doing him any favors here. He's a huge guy that could have been a replacement for a Heel of the Month in the WWF, his size was the only thing about him that was of any note.

Not much to say here... Fujiwara wisely kept most of this on the mat, as Barrett had no discernible skills on his feet, but that isn't saying much. After a few uneventful mins of rolling around on the ground, Fujiwara put us all out of our misery but ending the bout with an Achilles hold. The match was fairly believable, and thankfully brief, but wasn't pushing the needle in any significant way.

Now we get to the first glimpse of magic in this shoot-world. Ken, "Wayne" Shamrock vs Minoru Suzuki. Fujiwara should get a lot of credit here, as he was willing to put himself in the mid-card and allow some of the younger talents a chance to shine, which was something that eluded a lot of the young Japanese talent in those days. Here we find a very young Suzuki facing an incredible-looking specimen in Shamrock, and it's rather amazing to see that right from the jump, Shamrock was an awesome performer that shined in this kind of format. One has to wonder if he had jumped back into Japanese pro wrestling instead of the WWF in 1996 how his later career would have turned out, as all he seemed to get out of his tenure there (outside of a fat stack of cash) was a lot of injuries.

This match opened us all up to a whole new world of possibilities that "shooting," could provide. While this contest was not the smoothest and being a 30min draw it did have its fair share of dead spaces, both fighters did an excellent job of parlaying intensity and frustration, throughout. They constantly looked for submissions, even in bad positions, and you could see an example of a grappling mentality before the positional thinking of a BJJ influence crept in. The match also had a nice progression to it, as it was mostly submission orientated in the beginning, saving the flashier stuff like a belly-to-belly suplex, and much nastier striking until later in the match, which gave it a natural feel, as if the stakes were getting higher, and it was time to pull out all the stops. Although it was a little dry in spots, it was still a great start to this and a fantastic insight into the fact that maybe...just maybe... there was a future paying audience to be found in real fighting.



Next up, is Masakatsu Funaki vs Bart Vale, and was, unfortunately, something that was never going to be able to cut it as the main event, let alone trying to surpass the great match that came before it. Vale was someone that was already a bit past his prime when PWFG came around, and while his striking was decent, and his overall work passable, it lacked crispness, and he wasn't someone that had the stamina to have a long high-intensity match. Also, he was best served by placing him with another striker, and it didn't do anyone any favors, by placing him with a grappling wizard such as Funaki. This match would have been fine had it been placed early in the card, but as it was, only served to be anti-climatic.

As it's all said and done, we see a couple of things. Namely that this promotion had some great talents in the top end, (such as Funaki, Suzuki, and Shamrock), some passable ones with Fujiwara and Vale, but the mid to bottom tier of the roster looks like they all came from the Acme jobber unemployment line. It makes perfect sense why they weren't able to make it once most of their serious shooters left to form Pancrase in 93, as there was no point in the promotion any further. Pancrase was probably what this promotion should have tried to be from the get-go, but perhaps that wasn't possible until this group, and others like it, paved the way, and opened a door for real MMA to prove viable.

Miami’s favorite son

Here is the event in full:

Now after reading all of this, you were probably wondering, "Yeah, this is all great, but what was Maurice Smith up to during this time?" Well I'm glad you asked. Here he was fighting Kees Bessems in Japan at an All Japan Kickboxing event during 3-30-91 *Mo's fight starts around the 30:00 min mark.*


In other news:

Don Wilson lost a breathtaking 12 round split-decision loss to Marek Piotrowski at Odem Arena before a sellout crowd of more than 5,000 people. Wilson's World Kickboxing Association crown was unaffected, however only the Professional Karate Council's and the Fight Factory Karate Association's 180-pound vacant titles were at stake.

Piotrowski, who also recently defeated Rick Roufus, won by a half-point margin on the judges' cards after a thrilling seesaw bout. Wilson, who normally fights in the 175 pound class has extended an invitation to Piotrowski to fight him for his WKA title.

In Modesto California two kickboxers and a passing pedestrian met in a dangerous way recently. The two martial artists, sparring at the North Bay Martial Arts Clubm got into a clinch, then rolled each other out of a third floor window, landing directly on an unfortunate passerby. The pedestrian was treated at a local hospital and released, while the two kickboxers were hospitalized with more serious injuries.

Former Kickboxing champion Louis Neglia recently hosted the first of several pro-am kickboxing competitions, featuring three professional and seven amateur bouts. In the professional matches, Dennis Schuette knocked out Robert Shandrick in a cruiserweight fight, Roger Heidlebaugh, and Brad Morris fought to a draw in a middleweight bout, and Anthony Salerno scored a technical knockout of Peter Olanich in a super-welterweight battle.

 

[Mbetz1981]

*Vol 1 Continued*

The Mighty Mike Lorefice, (MMA, Kickboxing, and Puroresu scribe extraordinaire, who's work can be found at quebrada.net), has decided to weigh in, and offer his astute commentary before weighing in on the 9-2-85 match that we already covered.

Here is what Mighty Mike has to say: 7/25/85 Tokyo Ota-ku Taiikukan: Akira Maeda vs. Super Tiger 16:01. While this has much more in common with their 1/7/85 match as a conventional worked pro wrestling match, and is actually far less interesting, I feel it pairs more with their 9/2/85 sort of shoot as the battle of wills between Sayama & Maeda was coming to a head outside the ring, even though they still kept it together inside the ring.



Maeda exerted his will throughout this contest, making it very submission oriented match, and not a very good one, leading to Sayama getting his way in the standup oriented rematch. Sayama was largely on the defensive trying to stay on his feet & then get back up, though he obviously didn't try very hard at the latter because with Maeda doing nothing to actually control him on the ground, he could literally stand any time he wanted to.

The problem with this match is Sayama needed to make the match interesting, but by just being the good soldier & telling the story of why he's losing as best he could, he wound up just going along with Maeda grounding him & putzing around with his feeble contortions. Maeda had a number of exciting matches during his career, but was never a particularly good or credible ground fighter even though that was the that he enjoyed, it was always the guys who actually knew what they were doing like Yamazaki & Han making the match, both pulling a few things out of him as well as putting him in the better role for the audience where he provided some fireworks with his strikes & suplexes rather than grinding things to a halt as he did when just left him to his devices.

The match still started strong as Maeda's efforts to engage in a grappling match with Sayama were so much more fervent here than on 9/2, actually getting Sayama down early with his idea of (a very poorly executed) double leg takedown, after catching a kick, with his captured suplex after catching one of Sayama's clinch knees, etc. Sayama used more footwork in this one, in part because Maeda showed little interest in striking with him, but also didn't deliver on his early promise. Instead of playing the small man vs. big man game, he increasingly served himself up on a platter by fighting on the inside with Maeda so Maeda could get him down off a suplex.

The bout hasn't aged that well because they just keep going for submissions while displaying no real knowledge of how to get them, focusing 99.9% on cranking a limb while just laying across the opponent not doing anything to control any other portion of their body or help them actually isolate their joint of choice.The match eventually ended in oh so credible fashion when Sayama missed an enzuigiri & Maeda clumsily secured that most credible of pro wrestling standbyes, the Boston crab!

There was very little striking in this match, and consequently, even though these were the two biggest stars in the company, the crowd was pretty much dead throughout, which supports Sayama's tract that the kickboxing base was necessary to the success of the This was better than watching Hogan flex his muscles or Flair do another spot for spot performance of his one match, but it's close to the least interesting Sayama match of the 1980's.

*Match starts around the 16min mark*


Here is is take on 9-2-85:
9/2/85 Osaka Rinkai Sports Center: Akira Maeda vs. Super Tiger 18:57. A truly fascinating contest where the clashing alpha personalities of the two dominant forces in the promotion came to a head inside the ring as they probably battled with some vague notion of deciding the future direction of the company, and instead just decided that the company had no future.

Though the U.W.F. had grown increasingly shoot oriented in the year and a half it existed, morphing from the humble origins of luchadors & WWF show wrestlers into something more & more hardcore & legitimate, Maeda & Sayama were two huge stars that always wanted to win, both in front of the audience & behind the scenes. It would surely be reductive to say it came down to a matter of tastes, styles, egos, or whatever, and that even kind of comes off in the bout they wound up having. Even though they had something of a shoot, the supposed rift between Sayama's kickboxing & Maeda's submission grappling still actually didn't play out, as they ultimately did a match that was essentially in Maeda's version of Sayama's style.

By that I mean, Sayama wasn't using the footwork that elevated his worked shoots toward the realm of believability, nor was Maeda really doing his remedial matwork. It really looked like Maeda's usual style of striking, except that as they pretty much stood in front of each other & bombed away, they were much more violent & aggressive in putting their whole bodies into throwing faster & harder shots that they weren't pulling as usual.

Actually, rather than the art of kickboxing that Sayama managed to bring even though the opponents stood around flatfooted, this fight still exemplified that main problem with pro wrestling striking, except they did try to avoid & defend themselves in a basic sort of way, not exiting the pocket, but at least reacting to the blow they saw coming & blocking it or maneuvering their body out of the primary damage range/zone if they could. It's possible Maeda was unhappy that they were doing Sayama's standup match this time instead of his submission match as we saw on 7/25/85, but the bout definitely didn't devolve into a shoot as someone got prickly, as had been the case in the past with Maeda, they clearly were wailing on each other from the outset.

One could say this was one of the first Pancrase matches, as they were not pulling their strikes, but they not only didn't use closed fists, they were clearly cooperating to some extent at points even though they were putting each other in danger & trying to legitimately damage each other most of the time. I shouldn't make it sound like Sayama wasn't fighting with strategy, he was surely giving up at least 50 pounds and even though he had superior striking technique & more explosion, he couldn't just stand toe to toe with Maeda.

He tried to land the middle kick and circle off to maintain some space, but he was going backwards too much & clearly didn't have the stamina to fight what Lyoto Machida would later establish as a karate style MMA fight, so instead of capitalizing on his speed and movement advantages, Sayama spent way too much time covering in the pocket while he withstood Maeda's onslaught & poised for his next offensive. The striking portions were legit, but neither had any kind of a wrestling base, so getting the fight to the ground was rather awkward, and that's really why fights could play out much easier & better in Sayama's style than in Maeda's, which normally required him to hit a suplex to get started. Sayama wasn't taking bumps for Maeda, but still conceeded to ground portions, which basically occured when the person in the disadvantageous position surrendered further rather than finally try/work to disengage.

The mat wasn't really a threatening position for either though, as when you add no BJJ background to no wrestling background, they weren't doing much beyond playing footsies, and when you combine a sweltering building with the stress & overexertion of actually trying to make things work without the usual cooperation, I think Sayama was mostly just happy to get a break while Maeda muddled around, daring him to actually come up with something to make him regret that decision. Unlike the standup where there was a very obvious difference in how aggressive they were landing blows, they didn't appear to be be applying any more pressure than usual when they actually had something of a submission, and the audience was dead silent as they were throughout the 7/25 match.

As they spent more and more time delivering comatose inducing matwork, you almost forgot that a few minutes ago they seemingly wanted to kill each other on their feet. One would actually have thought that they were getting along again until Maeda grabbed the rope to get the bout returned to their feet, and proceeded to knee Sayama low for no apparent reason, leading to the DQ. It's almost certain that Maeda was supposed to lose given he defeated Tiger in their previous match, so one can deduce that Maeda may just have been looking for an out, as he should have been growing calmer, if anything, given they'd gotten away from actually shooting on one another and there was nothing new to give him a reason to pull a stunt.

However, one can't be certain from the camera angle if the knee clipped the groin or not, so it's perhaps as likely that someone finally did enough damage with a legitimate blow to make whatever the planned finish was irrelevant. Maeda has always been a shady character, but from what I can see, I'm leaning toward Sayama just claiming it was a low blow. Maeda was subsequently reprimanded & never worked for the promotion again.

The workers, who were already resentful of Sayama for being the booker & primary creative force in the promotion didn't side with him though, and while he did step in a U.W.F. ring six more times as this was playing out, he quit the promotion and then pro wrestling entirely. U.W.F. never ran another show after Sayama's final appearance on 9/11/85, with Maeda & co. returning to New Japan for the next 2 1/2 years before taking the next step toward blending the barrier between fake and real fighting. Very good match.

And just in case you were wondering what Dave Meltzer had to say about any of this:

"Yoshiaki Fujiwara's version of the new UWF opened on 3/4 in Tokyo's Korakuen Hall before a packed house of 2,306 fans. Karl Gotch made an appearance at the show and announced that he was staying in Japan for two months to train the young wrestlers for this group, which got the biggest pop of the night. Results of the show was Wellington Wilkins Jr. beat Yasuhiro Fuke in 12:00 with a leg split submission, Fujiwara made Jumbo Barretta submit to a toe hold in 7:12, Minoru Suzuki went to a 30 minute time limit draw with Wayne Shamrock (Vince Tirelli) and the main event saw Masaharu Funaki make Bart Vail sibmit in 17:36 to a chicken wing cross face.

 

[Mbetz1981]

*Archives of this series can be found at https://www.patreon.com/KakutogiRoad *

Kakutogi Road: The Complete History of MMA Vol.2 "Takada Rising"

With the inaugural PWFG event behind us, we now move on to the first offering from UWFI, and straightaway we can see the difference in essence between these two promotions. While PWFG was about presenting a product heavy on realism, and lacking in entertainment value, we see no such qualms here. In fact, this is the exact opposite approach: Entertainment First!

Yes, this is much stiffer than your standard pro wrestling fare, but we will see that entertainment is the foremost concern here. While this was definitely the flashiest/least realistic of the shoot style promotions, it was by far the most important in the evolution of mma, thanks to it's leader Nobuhiko Takada

We can all laugh now, with the benefit of hindsight, (after all we've all seen this man completely embarrass himself in an mma ring,) but at this point in time he was THE STAR. Aikira Maeda was already towards the end of his career, (and towards the end of having a usable knee), Fujiwara was never going to be more than a cult figure, and while Shooto was producing great fighters, even in 1991, it wasn't going to produce any well known stars.

Yes, Takada was the face of "Real" fighting in this era, at least until Yoji Anjoh ruined everything and issued a challenge to Rickson Gracie that he had no chance of backing up, (more on that later of course).

We now find ourselves, once again, at the infamous Korakuen Hall, home of all things mma and wrestling in Japan. We are treated with the best theme song to ever come out of Japan, (the UWF theme of course!), and no Japanese event would be complete without the entire card of wrestlers coming out to the ring to be introduced to their enamored public. Right away we see a big contrast with the production values of this and the PWFG, whereas both used a fairly small venue in the Korakuen hall, this has the feel and presentation of a big event, while the PWFG felt like it had three hours to spare in a high school gymnasium.

Random Worker...hoping this will all pay off one day.

We are now treated to an introduction to the rules, courtesy of two random hands, that were probably fetching Gatorade and towels just 20 mins prior. Still, thanks to their sincere efforts, we learn that the UWFI will not be home to such tomfoolery as, headbutts, elbows, kicks to the head of a downed opponent, and head stomps. The thirst for Pride rules has not quite caught on yet, it seems.

After that's all done we get a couple of interviews, and an introduction to one of the greatest pro wrestlers of all time, and a very solid, underrated, mma fighter, in Kiyoshi Tamura. Who was by far the better pro wrestler compared to Sakaraba, and IMO, a better overall mma fighter than Sakaraba as well, although that opinion might get me tarred and feathered in these parts. Really, his only downfall was that he seemingly had the personality of wet bread, whereas Sakaraba was always humorous and engaging.

Kiyoshi Tamura vs. Masahito Kakihara

Things start off quick with Tamura and Kakihara feeling each other out, and it's not long before Kakihara lays in a very nice, and stiff combination of palm strikes to Tamura, who instantly shoots in as a response. Kakihara pulls guard, while attempting a guillotine choke, but Tamura quickly passes guard, and goes to a side mount, and wastes no time attempting an armbar.

The armbar attempt didn't work, so after being stood back up by the ref, Kakihara goes right back into some suprisingly crisp striking, in which Tamura shoots in again, after eating a palm.

So we are already seeing a nice match that establishes Tamura as the better grappler, vs Kakihara, as the superior striker. Where Pwfg started things off with a very realistic, albeit dry, opening, we are instantly getting a highly entertaining bout, that must have played very well to a naive audience that didn't yet know what a shoot really looked like.

The seesaw battle continued for the duration of the match until Tamura was able to secure an ankle lock. The match was always fast paced, and very stiff. In fact this was much stiffer than I expected it to be. It also contained lots of beautiful Tachi-waza from Tamura. While it being a work is no question, this was a very entertaining match, and a great way to kick this promotion off.

In the end....no ankle is safe.

Kazuo Yamazaki & Tatsuo Nakano vs. Yoji Anjo & Yuko Miyato


Yamazaki was a wonderful pro wrestler that never really became the star that he should have. He was one of the very first of the shoot-style guys to really incorporate a lot of feints and parrying into his style, and always made his opponent work for their offense, as opposed to the usual pro wrestling, "I'm just going to stand here and let you do what ever you want," style.


Yoji Anjo is familer with many of you, for his many embarassing forays into MMA, but truthfully he was a great pro wrestler, and had some legit fighting skills. He had a background in Judo, and Muay Thai, and was considered by the rest of his UWF alum to be the best shooter they had, (hence his going to Los Angeles to challenge Rickson Gracie), he also had cardio for days, as he seemed to prefer long matches, and never showed any signs of gassing out.


This being a tag-team match already strains credulity in and of itself, and also shows that this promotion was again, the most rooted in standard pro wrestling, as compared to the other main shoot leagues at the time. Rings, probably, never would have even considered putting up a tag team match, yet here we are. To be fair, this match was highly entertaining, but really... will just feel like stiff pro wrestling to a modern audience. Anjo & Miyato were the winners via KO at 22:57.


Nobuhiko Takada vs Tom Burton


Tom Burton was a Journeyman Pro Wrestler having worked for various American promotions, (including the Wwf), before really finding a bit of a home in Japan. His greatest accomplishment was perhaps a non-title victory via knockout, against Kazushi Sakaraba at the 1994 best of the world tournament. He unfortunately passed away in 2010.


Here we are introduced to him, via a promo where he says that American Wrestling is the best, and he is unimpressed with the Japanese wrestlers, specifically Nobuhiko Takada. He comes across like a much more genteel Mark Coleman, and like Coleman, will probably not be allowed a victory over Takada, either.

Another Gaijin....ready for the woodchipper.

Takada's double chin...cutting a promo.

Apparently Takada did not deem it necessary to get into fighting shape here, instead opting for a more muscular dad bod.


Both fighters come out to a light muzak synth beat, that would be great in any elevator from the 90s, and after the referee does his due diligence by checking for foreign objects, we get underway.


The match starts off with Burton executing some basic mat wrestling to good effect, while Takada unsuccessfully tries to pepper Burton with high kicks. After one such failed kick, Burton takes Takada down, and goes for an awful looking armbar, (which is probably my biggest gripe against Shoot-Style is the plethora of mediocre armbars), which is promply dismissed, and turned into an ankle lock counter.


This forces a rope escape, in which both fighters start with fifteen points, and with each submission escape, or getting knocked down, they are deducted a certain amount of points.


Burton then takes him down again and tries to Americana his way to victory with all the horse-meat rage he can muster, only to have it reversed on him, leading to another rope escape. Takada then throws some more useless high kicks, which allow Burton to take him down again, and go back to some basic mat work, before busting out the realest of real submissions: the camel clutch!


This most fearsome of holds causes Takada to take his first rope escape, in which he promptly returns the favor with some kind of wrist-lock armbar combination. He then starts to unload on Burton with thigh kicks, and palm strikes, landing quite a few before being taken down to the mat again. Takada then did something that I actually thought was a cool technique, he kept hip escaping until he was able to torque himself into the right angle to attempt a toe hold. This actually looked like something that might be doable in a real Jiujitsu match, under the right circumstances, and will probably be one of the few times I will witness impressive waza from him.


They continue in a back and forth fashion for a while, until Burton hits a couple of nice suplexes on Takada, only to simply walk over and slap on the laziest single leg Boston crabs I have ever witnessed.
Not to be undone there, he then attempted a slightly less lazy double leg Boston crab, which of course gets a rope break.


Takada then decides his had enough, and after slapping his opponent a few times, executes a super flashy suplex, followed by a much better looking Boston Crab, and wins the fight. This was a rather silly, but entertaining match, that basically showed Takada in a nutshell. A Charismatic Pro Wrestler that really gave the impression that he had no idea how to really fight.


Conclusion: Fujiwara and Aikira Maeda were both Pro Wrestlers that never fought for real either, (to the best of my knowledge), but both at least seemed like they had a good understanding of fighting, and could probably handle themselves against most people that lacked serious martial arts training. We could also see why this promotion was such a hit in Japan until Takada and Anjo foolishly exposed themselves by insisting on challenging Rickson Gracie, as it had undeniable entertainment value. Like PWFG, the roster was a bit thin, but everyone here could have a fun match, and it showed.

Here is the event in full:

 

[Mbetz1981]

*Part 2 Continued*
In other news:

Rorion Gracie was working tirelessly to spread and market BJJ, here is a transcript from a letter he sent to Black Belt Magazine. It was published in the April 91 issue.: "What made Gracie Jujitsu the worlds most effective form of self defense was the strong determination of my father, Helio Gracie. to perfect a system that would satisfy his self defense needs in spite of his small stature. The simplicity and effectiveness that resulted from that quest have changed the lives of thousands.

Bigger and stronger opponents have provided a realistic and necessary testing ground for over half a century. The techniques that my brothers and I share have been successfully proven and we have absolute confidence in them. That's the only reason we teach them.

The Gracie challenge is a belief that we are indeed teaching the best system in the world. Consequently we have a moral responsibility to ourselves, as well as our students, to keep the Gracie Challenge standing. The fact is we are not cocky or boastful, like some jealous characters describe us, but instead we feel the need to alert people interested in finding out about a truly effective form of self-defense.

They can use the Gracie challenge to put pressure on their incompetent instructors, who should have the dignity and courage to admit how limited their systems really are. Unless, of course, those instructors want to step forward and prove us wrong. Nothing worries the rats more, than the cats meow."

What did Mike Lorefice (of quebrada.net fame!) have to say about this? Let's check in with him.

"Though UWF split into three different promotions, what you really ended up with is Maeda doing his own thing, Fujiwara maintaining his top proteges, and UWF just reopening under slightly different name with a style that was even friendlier to both pro wrestling fans and to top star Nobuhiko Takada. UWF-I obviously missed the name value of Maeda, who was the #1 player in the sport, as well as the promise of Funaki, who had quickly cracked into their top tier and had seemingly unlimited potential both as a fighter & as a draw, but there should never have been any real doubt that they would succeed, at least in the short term.

There was enough depth on the UWF-I roster with two of the UWF's three top fighters in Takada & Yamazaki, two of the most promising young fighters in Tamura & Kakihara, and you still had the solid, good working mainstays such as Anjo & Nakano that had made the UWF a promotion of hard workers that you watched from opening bout to final. That's not to say they didn't have issues though, as they were simply short a few wrestlers. While they could fill out the cards with random foreigners, these guys weren't even names in America much less Japan, and you couldn't just throw your every day stomper & eye gouger into this style, it was a paired down style, but that often made it tougher to do rather than easier. While the first year of PWFG was likely the best in the history of the promotion, the first year of UWF-I was rough because they neither did anything useful with their best worker, Yamazaki, nor built any other native into that #1B role he needed to fill if they wanted to actually promote big shows & keep fans showing up. Instead, they just had everyone toil in the midcard while Miyato rolled out Takada vs. some random foreigner on top, which was often really the worst situation for both Takada and the foreigner as the fans wouldn't take the opponent seriously & while Takada did flashy pro wrestling things extremely well, he wasn't the sort of highly adaptive opponent you wanted to be leading you through a "new" style.

Giving their brightest new lights the opportunity to usher in the new era of shootfighting was a great way to start the new promotion. Tamura and Kakihara did themselves and the promotion proud with a crisp and energetic contest. As is always the case with the early shoot style, the standup was a lot more credible than the mat because kickboxing and muay thai were well established sports, while judo and amateur wrestling had their place in the Olympics, but had never been deemed entertaining enough to be ticket selling sports, and thus the fighters were probably less encouraged to fully utilize what knowledge of them they had or really develop those styles. Instead, they just incorporated the spectacular end game of the throw rather than teaching the audience to be patient while they set one up. When all else failed, they could always get the bout to the canvas with a good old fashioned leg scissors, as Kakihara did here.

This was a good match but obviously nowhere near their best work. One has to keep in mind that Tamura was out from 10/25/89 when sloppy Maeda accidentally fractured his orbital with a knee until the final UWF show on 12/1/90. Then there were no shows for the next 6 months as everyone reorganized, so this was only the 7th match of Tamura's career, which still put him 2 ahead of Kakihara, who debuted on 8/13/90. What Kakihara had right from the outset was a very infective, wild passion. He may not have been cut out for real fighting, but if he were, he would have been one of those high risk all action fan favorite fighters who goes for bonuses and finishes, one way or the other, rather than just trying to win safe. Kakihara certainly had his routine, but he may have been the only wrestler that, no matter how many times you saw him engage in those rapid fire palm barrages or wild kicks, you still felt his match was legitimately getting a bit out of control. Tamura was a good compliment to him because he could ground him just enough that they could strike a balance between an out and out highlight real and a technical fight.

22 years before Scott Smith failed to become one half of MMA's first tag team champions in Gladiator Challenge, UWF-I debuted the doubles style. While tag team wrestling obviously differentiated them from their rival shoot leagues, it mainly just made the promotion seem that much more like the plethora of rival pro wrestling leagues, with the whole ring position & exchange game largely just being a credibility straining distraction. There's just an odd tension when the goal is sort of to get on top of your opponent, except since there's no real ground control you'll lose that position and be in danger of submitting almost as fast as you gain it, and then wish you were standing so you could make the tag. Kazuo Yamazaki & Tatsuo Nakano vs. Yoji Anjo & Yuko Miyato otherwise sounds good on paper, as none of these four are less than good workers, but while not dull, it never seemed like anyone's match or found its rhythm. Miyato was a much better wrestler than booker, and you already saw things going greatly awry as instead of Yamazaki being set up to finally getting his wins over Takada so they'd have two main stars and a lights out main event program, Yamazaki, who basically only lost to Maeda & Takada in UWF, was already jobbing to a perpetual midcarder in Anjo. Having an upset on the first show to shake up the old pecking order & establish new challengers is not a bad idea, but Anjo proceeded to lose to Nakano on the next show, and went on to post a whopping 1-5 record in singles that year.

Having grown up a dedicated daily viewer of GWF on ESPN despite it pretty much only being good for the Lightning Kid vs. Jerry Lynn or Chaz Taylor matches in the early stages of the promotion, I was shocked to learn that the "brother" of Mike "I'm Not Crazy" Davis headlined the first UWF-I show, and was considered a serious tough guy in Japan. Burton was an amateur wrestler who was trained professionally by 2-time Olympic wrestler Brad Rheingans. His background allowed him to just be thrust into a UWF-I match, but it's likely he was the only fighter on the show with legitimate training in the discipline, so it didn't really help him as much as newer fight fans who are used to wrestling being the prominant discipline in real fighting would suspect. This match was okay, definitely better on paper than in actuality as the strategy of Burton controlling by grounding Takada but Takada thrilling the crowd with a flashy flurry of kicks when he could get back to his feet was sound, but the work was just so loose and no one took Burton the least bit seriously. Takada gave Burton a lot of control time, but there isn't much drama when one guy is basically toying with the other and will win when they got bored."

 

[Mbetz1981]

*Vol.2 Continued*
And we must also see what Dave Meltzer had to say about this as well...."The April issue of Kung Fu magazine has a story about former wrestling great Satoru Sayama's attempt to start his own sport called "Shooting." Sayama's sport, which according to those who have seen it, is legitimate in that the foes don't work with one another, combines punching, kicking, wrestling and judo throws and wrestling submission holds. The match can end with a knockout coming from a throw punch or kick or a submission coming from a wrestling hold. The concept is to employ all the martial arts into a competitive sport situation. There are now two martial arts schools in Southern California that teach Sayama's shooting as a competitive sport.

Nobuhiko Takada's UWFI had a press conference on Friday, {5-1-91} to announce the debut card in two weeks. Both Yoshiaki Fujiwara (PWF head man) and Seiji Sakaguchi (New Japan vice president) sent flowers to the press ceremony, which had several famous sumo wrestlers including a Grand Champion in attendance. Naoki Sano was also at the party and challenged Takada to a match in the future. This makes it appear that SWS is going to have a loose affiliation with Takada's group as well.

The next two weeks will be very interesting because all three versions of the formerly red-hot UWF promotion have cards. Nobuhiko Takada's UWFI debuts on Friday night in Korakuen Hall and all 2,000 tickets were sold out within 15 minutes of them going on sale weeks ago. Akira Maeda's "Rings" debuts the next night at the 17,000-seat Yokohama Arena. I've heard tickets are selling for this show, but as of a few days ago, there were still ringside tickets remaining so this isn't the "hot" ticket Maeda once was. In addition, the PWF (Pro Wrestling Fujiwara-group) runs Korakuen Hall on 5/16.

The big news this week was the debut of Nobuhiko Takada and Akira Maeda's new promotions. Takada's group debuted before a sellout 2,300 fans at Korakuen Hall on 5/10, with all tickets sold out in something like 15 minutes the first day they went on sale. The group, called UWF International or UWFI for short, is the closest thing to the old UWF which had a two-year run as the hottest promotion in the world before fizzling out as shooting stars are wanton to do because of problems between Maeda and office boss Shinji Jin.

The show wasn't really very good, but what remains of the legion of UWF fans were there and felt good about being there. Takada grabbed the house mic before the show and said the group was the only one left "with the feeling of the UWF" which got a big pop. The card itself consisted of three matches, a prelim match between Masato Kakihara and Kiyoshi Tamura, won by Tamura. Then came a "doubles" match (tag team) with Shigeo Miyato & Yoji Anjyo beating Kazuo Yamazaki & Tatsuo Nakano with the surprise finish of Yamazaki doing the job when he was knocked out by a series of kicks from both guys in 23 minutes.

This was different from the old UWF, which didn't have any tag matches. The rule were that a guy couldn't tag out while in a submission hold unless he got to the ropes or was able to break the hold. It was different since Yamazaki is really the group's second biggest name and he did the job. The main event saw Takada beat Tom Burton (who worked as a Dirty White Boy in Memphis some months back) with a boston crab in 10:46. The match was disappointing to most because Burton really had no idea of the style and Takada was giving him lots of openings and trying to carry him for ten minutes but the fans saw it as Takada could unload on him and beat him at anytime.

At the 10 minute call, Takada seemingly proved them right because he got a quick win at that point. After the match in the press conference Takada apologized and said "my opponent was poor." They also confused fans by instituting new rules. On the scoreboard, each man starts the match with 15 points. You lose three points every time you go to the ropes to break a hold, and lose one point every time you get suplexed. The match can end with a pinfall (which almost will never happen), a submission (usual finish), knockout, five knockdowns or if a man's point total goes down to zero.

When the press asked Takada after the show what his goal a year from now was, he said honestly, "I'm only thinking about one card at a time." In the sense that they drew the full house so easily, the card was a financial success. But the truth is, it has been so long since there has been a "real" UWF show in Tokyo, which was the home base of the UWF, that the first house was easy. Whether this group, with only eight wrestlers and access to only no-name Americans can book shows that will draw over the long haul or be able to draw outside of Tokyo is another story. The next show is 6/6 at Korakuen Hall with Takada vs. J.T. Southern on top."

 

[Mbetz1981]

*Archives of this series can be found at https://www.patreon.com/KakutogiRoad *

Kakutogi Road: The Complete History of MMA Vol.3 "Enter the Astral World"

Greetings!

It's that time once again, as we pick up where we left off, lonely sojourners on a road less traveled. Yes, the Kakutogi highway is beckoning us once more, and we thus must answer the call. When we last convened, we had just witnessed a truly cataclysmic moment in the space time continuum, as the forces that kept the UWF together fractured into several directions and are each spiraling towards their own path to nobility.

Yes, we all witnessed the birth of the PWFG and the UWFI, and now we get to behold the beginning of what is in this humble scribe's opinion, the finest of the Pre/Quasi Shoot Leagues: Fighting Network Rings.

While Nobuhiko Takada's effect on the sport of MMA is undeniable (due to his shenanigans with Rickson Gracie being the impetus behind Pride FC) the total influence that Rings had on what is now MMA, is probably far deeper than most casual observers have initially perceived.

As we continue to go through this series, we will see events unfold, stars rise, and narratives form, from the most unlikely of sources. An outfit that seemingly would never be more than a pro wrestling farce, wound up evolving to be a home for many of the personalities that created an impact that's still felt to this day. For example, where would modern MMA be without Frank Shamrock meeting Maurice Smith, and Tsyoshi Kohsaka, thus starting one of the most bleeding edge teams of it's day and becoming the prototype of what a modern mixed martial artist should be? What would our current landscape look like today if Fedor Emelianenko (under the watchful tutelage of Volk Han and the rest of the Russian Top Team) didn't have a place to hone his brutal craft, in his formative years? How would current striking theory look like without all the various Dutch/European kickboxers that were closely connected to Rings, and had a training system/platform to hone their abilities, in-between local events, and K1 competitions?

Hopefully, all these, and many more questions will be answered, examined, and discussed as we continue along the Kakutogi Road.....

Date: 5-11-91

Location: Yokohama Japan (Yokohama Arena)

11,000 Estimated in attendance.

We are at first greeted to a plug from the WOWWOW network, while a hard drum machine beat (that wouldn't be out of place on an early Boogie Down Productions album), plays in the background. We are then introduced to a montage of the bouts to come. (FIRE, WATER, EARTH, and UNIVERSE respectfully). Thankfully Akira Maeda quickly shows up in a suit, otherwise I may have accidently thought I was relapsing into my old Captain Planet addiction (no I shouldn't have to apologize for wanting a green mullet, it's totally ok).

After some routine pleasantries we are greeted to prior footage of Judo Ace Chris Dolman giving an exhibition with Dick Virj (who as legend has it once gave 6x time Mr. Olympia Dorian Yates a stiff beating for organizing a bodybuilding competition in the Netherlands without "permission.")

"Cold as Ice" by Foreigner blasts through the speakers during this display, and yes, it's every bit as ridiculous as it sounds. After this, Maeda starts kicking some pads while a lowly (and surely underpaid) lackey holds them in fear and trepidation. Dolman beholds all of this in disgust, knowing that surely such an underling isn't worthy of Akira's ministrations.

Only Dolman was found worthy....

Fast forward to present: We are now moving to the opening ceremonies of this event, which has the entire ensemble coming to the ring to the Hip-Hop version of the Rings Theme. This manages to be the very quintessence of 90s positive rap spectrum, which makes me wonder if Maeda spent his free time proudly wearing Cross Colours t-shirts, while breaking out his vinyl copy of De La Soul's 3 feet high and rising.

After this tasteful foray, we are now ready for business, in this case: Herman Renting vs Pieter Smit. Renting was a Dutch heavyweight fighter, who is perhaps best known for losing to Akira Shoji via Armbar at Pride FC #11. (There is of course no shame in that, as last I heard Shoji is forever eligible for Grand Cordon status, due to his being considered a national treasure in Japan.)

Back to the action: Things are underway, and after both fighters give off some weak striking attempts, Renting get the first takedown with an awfully genteel throw (where he just sorts of lifts his opponent with no resistance) that immediately shows the worked nature of this bout. The fight is a very grappling heavy affair, with a lot of position changes, and leg lock attempts, but it's readily apparent that they really haven't figured out this yet. Compared to standard pro wrestling of the day, it's amazing, but coming to this after witnessing the debuts of PWFG and UWFI, we see that it may take some time for this outfit to really find it's tone, as the competitors so far seem too unsure of exactly how stiff they need to be when they strike, and change their positions way too often on the ground. This has the effect of neither having the dry realism of PWFG or the high-octane fun of UWFI, and kind of lands somewhere in the middle of the two. This match was mostly a meandering affair as the competitors spend most of the time playing footsie. The two redeeming takeaways are the tachi-waza of Peter Smit (he hit a couple of nice Harai-Goshi throws) and the finish. After a rather sloppy armbar attempt, Smit hits an Omoplata/straight armbar variation, which would probably make this the first appearance of such a submission in the shoot- spectrum.

The First Shoot-Style Omoplata??

Next up is Willie Peeters vs Marcell Haarmans in the WATER BOUT

Willie Peeters, who in later years will be known for his cheating antics, and steroid assisted physique, is looking surprisingly fresh-faced and horsemeat free here. He faces off against Marcell Haarmans, who still remains a mystery to me. Th action starts off with a couple of stiff knees from Peeters, who immediately goes for a hip throw, only to fail, and get deflected into a very nasty looking Bully Choke (think of how Carlos Newton beautifully finished off Pat Miletech at UFC 31). This is already leagues better than the last match, and is making me wonder if this card is about to turn around from its lackluster first match. Peeters manages to explode and twist out of the chocke and answered with a very stiff elbow to his downed opponents' midsection. This is an odd sight, as Rings become notorious for not allowing any striking whatsoever on the ground, but apparently that rule hasn't gone into effect, as of yet.

Peeters kicks his downed opponent some more, before the ref intervenes and allows Harrmans to stand up. They engage in a clinch and trade some hard knees, before Petters executes a very explosive headlock takedown, which leads to Haarmans taking a rope escape, and both getting stood back up. Peeters then channels his inner Shane Douglas with a belly-to-belly suplex that sees its momentum quickly reversed by Haarmans and causes Peeters to fail like a fish which grants him a break from the ref (without having to use a rope escape). After some terse striking exchanges, Haarmans catches one of Peeters kicks, and makes him pay by taking him down and doing what any self-respecting wrestler would do...assault his opponent with a single-leg Boston Crab! This most fearsome of submissions costs Peeters his first rope escape, and perhaps his dignity. They exchange in more striking which continues to see Peeters land a lot of stiff shots, even while his opponent is on the ground. The back and forth continues until Peeters wins with what appears to be a very stiff high kick to his opponents head.

While this match is clearly a work, and the kick did seem to be the intended finish, it does seem like Peeters is prone to taking some liberties with how hard he has been hitting. I'm beginning to think the stiffness just stems from Petters being a jerk (which we will see much more of in his actual shoot career).

This was a fun match, perhaps due to Peeters unprofessional antics, but was still a nice change from the first bout.

Now he have the EARTH BOUT, which starts off with a rather dapper Dolman, saying that no American professional wrestler wants anything to do with Kazmaier, apparently to show us that only he has the requisite courage to face such a monstrosity of a man. Kazmaier was a best known for his achievements in Powerlifting and Strong Man competitions, but he tried his hand at pro wrestling in the late 80s/early 90s, his most notable success being a short stint in WCW in late 91, in which he chased Lex Lugar for the U.S. Heavyweight title.

This bout will be seven 3-minute rounds, as opposed to 1 30-minute match, perhaps owing to Kazmaier's cardiovascular limitations. Round one was fairly uneventful, outside of a nice hip throw from Dolmamn. Dolman's credentials were never in doubt as he was a multiple champion in both Sambo and Judo, but even at this early stage, he was well past his prime, and moves like molasses. Things picked up a bit in round 2, in which Kazmaier went into full Zangief mode, and started throwing some super-slow, super-heavy hands, and was able to force a knockdown after a gut shot to Dolman. The action proceeds a brisk pace....as brisk as these two can move, and the round ends with Kazmaier in the middle of trying to neck crank/choke Dolman into submission.

Nothing interesting happened in rounds 3&4, and all were thankful in round 5 when Dolman ended this tripe with an armbar. The finish was actually neat, as Kazmaier tried a modified powerbomb to get out of it, but Dolman held on before eventually securing the submission.

Ugh. Hopefully the UNIVERSE BOUT will cleanse our palate, and take us all into the shoot-stratosphere that we so long to abide in.

First, we get Dick Virj who looks like he would have been an excellent ending boss to a Double Dragon game, saying things in Dutch, that I do not comprehend. Maeda on the other hand goes out before the match, and finds another underpaid young man, and proceeds to kick him, which was always my preferred method of warming up. They come out to the ring, and if we learn nothing else today, at least we go away knowing that Maeda was OVER. The crowd is totally into this/him, and it probably shows us that Maeda was important to MMA history, if nothing else, then by his simply existing, as he was the de facto reason this promotion existed, and got any attention at all, let alone lucrative tv contracts.

The match is now underway, and this will be 1 round with a 45 min time limit. (Which is hysterical as neither man could probably put in half that time.) The match gets underway after an intense staredown, and we're off. Maeda feels out Virj with a few kicks before taking him down, and attempting an Armbar, which Virj escapes. They then proceed to slug it out, with Maeda actually taking some rather stiff kicks from Virj. It would appear that Maeda is really wanting to put this show over and is willing to take some punishment as a result.

The fight is well paced, with plenty of back and forth striking action, and when it did hit the ground, they didn't spend all day looking for a reverse toe hold but moved things at a fast clip. The match ends with Maeda catching a kick and doing the only thing that one would do in such a situation, breaking out the single-leg Boston Crab, and securing the win.

What's the takeaway here? This show (other than the surprisingly entertaining last match) was pretty weak sauce, as much as that pains me to say it. Maeda has definitely nailed the best presentation as in terms of presenting it as a legitimate sporting contest, with the international flavor, and using real martial artists, instead of random jobbers from the most obscure corners of American professional wrestling circles, but the actual execution is lacking. It's to be expected though, as they are in a position to be trailblazers, they will of course have some growing pains to try and figure out what they want to be. The most fascinating thing about all of this, is to know that they eventually morph into a full blown MMA promotion, and we are ever so fortunate to be able to take part in the journey.

 

[Mbetz1981]

* Vol.3 Continued*

In other news....

On April 1st 1991, Koji Kitao was supposed to have a standard pro wrestling match with "Earthquake" John Tenta at an event for the Japanese SWS promotion. However, booker The Great Kabuki put Tenta up to provoking Kitao in hopes of getting Kitao expelled from the promotion, so from the outset Tenta didn't really cooperate with Kitao's attempts to engage, provoking him by making him look too slow & deliberate. Kitao threw a fit on the outside after Tenta took him down hard, and stopped cooperating with Tenta, who hadn't been cooperating with him in the first place, taking a two fingered posture and trying for an eye gouge when Tenta grabbed his arm. No one really connected with anything before Kitao got himself disqualified for kicking the ref, but Kitao made things public afterwards, grabbed the microphone on the outside and breaking kayfabe by telling the crowd that pro wrestling is fake, and that his opponent Tenta, also a decorated sumo who was undefeated in his brief career, is fake. Kitao and Kabuki were promptly fired after this incident.

We are excited to announce that Bart Vale is now offering his vast wealth of shootfighting knowledge via instructional tapes, and seminars, contact him today to increase your skills.

Martial Artist and film star Steven Seagal lost a lawsuit over writing credit to the film Marked for Death. Seagal had recently gone before the arbitration board of the screen actors guild, along with the film's producers: Michael Grais, and Mark Victor. Seagal lost a decision, in which, he argued that he rewrote 93 percent of the script himself.

Let's check in with Scribe Par Excellence, Mike Lorefice, and see what he has to say about all this:

"Renting vs. Smit was a poor match because most of the strikes barely connected, but helds some interest for the odd judo based takedowns where they almost twisted each other to the mat, as well as for Renting using low kicks to work kick combinations. The finish was just odd. It didn't strike me as an omoplata, but rather two guys who simply didn't understand that there's no finishing leverage on the armbar when the guy applying it is on his side and the guy receiving it shifts to his stomach. You felt like Smit needed to go belly down also, but there was really no way for that to even work because he was just scissoring his legs on Renting's bicep.

Peeters was the most interesting of the original roster in that he more or less really went at it, and his matches were extremely intense and sometimes baffling because of that. The match wasn't a straight up shoot, but they often didn't work with each other either, and Peeters always seemed to be at the center of this. Peeters might not have been actively trying to knock Haarmans out, but he wasn't really pulling his strikes either, which made for an odd constrast given Haarmans was, and I kept looking for Haarmans to complain about the way Peeters was laying into him. What's actually more interesting though, and makes the match look very much ahead of its time, is the lack of cooperation on the throws and various attempts to get each other down resulting in a style where both guys exploded and whatever happened, happened.

Seemingly Peeters would sort of cooperate by not specifically resisting the lockup or immediately trying to get back to his feet in the grappling, allowing Haarmans to toy around with crabs, but he wouldn't necessarily cooperate with the throws and transitions. There was a lot of flash though, mostly from Peeters with spinning kicks and belly to belly suplexes since Haarmans was much more obliging, but they both made each other work for things & didn't sacrifice the essence of the fight for entertainment value.

Maeda's idea to broker talent from all corners of the world was a solid one, but one of the major problems of doing this in a worked league that pretended to be a shoot league is he was somewhat at the mercy of the leaders of these various gyms who were always going to be above their underlings despite current ability and marketability. In his prime, Dolman was likely the best real fighter on this show, and even in these days, the Gracies were still regularly ignoring his challenges.

Unfortunately, he was pudgy 46-year-old when RINGS started and should just have focused on his role of running his gym & training the Netherlands stable for their actual real and worked fights rather than being Maeda's first big rival and winning the inaugural Mega Battle tournament. Given none of these guys were probably capable of having a good match with the fighter who would more aptly be dubbed Dullman, I suppose feeding him legendary strongman Kazmaier wasn't the worst idea. This match should have been 5 minutes or less though, but that's a tough go when you are running a major arena with a 4 match card. The real value of a guy like Yoji Anjo is he could give you an entertaining half hour, thus allowing time to be shaved matches that were never going to be MOTYC.

The first half had some moments, but they were both blown up in the second half. Certainly, it was much better as a "shoot" than as a work, by that I mean it was fairly credible, it just wasn't slickly performed. I have no problem calling it more believable than anything on the PWFG or UWF-I debut shots, but graceful it was not. Kazmaier actually did a good job of striking as though it were a kickboxing match rather than his usual pro wrestling match, and generally came off as a real RINGS fighter even though this was a one off, but his muscles got in the way of his actual striking technique. Similarly, Dolman had the right footwork & movement, but his actual blows were performed with action figure flexibility.

RINGS was a lot more believable than UWF because the card was filled with martial artists rather than pro wrestlers who trained other pro wrestlers in a martial arts oriented pro wrestling style, but unfortunately Maeda himself hadn't evolved. Maeda vs. Vrij could have taken place on any UWF show, in fact it was probably less realistic than Vrij's three UWF matches. Vrij had a good intimidating look as the icy musclebound cyborg who was a lot more charismatic than that description suggests, and was capable of being an entertaining striker when someone built a match around that and pulled the match out of him, but he wasn't much of a worker on his own. Still, given what they had, he was a good option to be Maeda's initial rival, held back mainly by having failed previously in UWF (he beat Anjo in between loses to Fujiwara).

Thematically, this was the expected match with the kickboxer Vrij winning the standup and the grappler Maeda winning the ground, but there wasn't much interplay, which was disappointing given Vrij had progressed a lot since his initial mixed match with Fujiwara where he wore gloves to being willing to challenge Anjo & Fujiwara in their domain in his '90 matches. Generally, you had Vrij standing there with his right arm tight and his left arm fully extended, fist clenched, landing strikes until Maeda got him down & mostly just held him in some loose positions that beared some resemblance to amateur wrestling except nothing was actually being done to keep Vrij in place.

The primary reason the first Fujiwara vs. Vrij not only worked, but was so much more intense is anytime Fujiwara got a hold or Vrij or took him down, Vrij would immediately try to scramble back to his feet, with Fujiwara desperately grasping & clutching for dear life to keep Vrij from getting another opportunity to work him over on his feet. Against Maeda, Vrij did a decent job of mixing in low kicks and body blows to keep Maeda guessing, but Maeda was still really just standing totally relaxed in front of him, and Vrij wasn't hitting all that hard compared both to some of the stuff on the undercard and his own later bouts. Much of Vrij's illusion was shattered when Maeda inexplicably scored the first knockdown, though Vrij did a good job of playing heel within the rules to regain the intensity and generally seem pissed & out of control.

Though it was easily the least credible bout on the card, the length was right, containing enough action and entertainment value to please Maeda's fans without becoming too unbelievable. Still, it's the kind of match that looks worse with each passing year, particularly due to the hokey finish that would surely make clown prince Angle proud where Vrij landed some kind of jumping movie kick then Maeda ate a high kick, but caught Vrij's leg on the recoil and somehow twisted and turned into an ankle lock then continued into a 1/2 crab for the victory.

 

[Kdup]

Holy fuck TS

 

[Mbetz1981]

*Archives of this series can be found at https://www.patreon.com/KakutogiRoad *

Kakutogi Road: The Complete History of MMA Vol.4

Greetings and salutations!


It is that time most hallowed, where we once again come together in the spirit of Kakutogi to observe the latest wanderings before us. This time we find ourselves back at the Korakuen Hall, ready for another chapter of the PWFG. So far, we have witnessed the birth of a nexus of Shoot-Style promotions that will eventually help solidify and define MMA in the years to come (with RINGS and the UWFI being the other two promotions).


It’s 5-16-91, and we are greeted by a soothing synth beat, while infamous catch-wrestling legend Karl Gotch, puts the PWFG crew through their paces. One look at this, and we can see a glimpse as to why PWFG went on to produce some of the best fighters of the early MMA era, due to the watchful tutelage of Gotch.

In fact, Gotch may be an unsung hero in the annuls of MMA history, because if his influence hadn’t saturated Japanese Pro Wrestling since the early 70s, and had he not been a forerunner in the formation of the original UWF promotion, there probably wouldn’t have be a Shooto, Pancrase, Pride, or any Japanese MMA for that matter, and thereby many of the early stars of MMA would be noticeably absent. It’s very possible that the UFC would have been regulated to a quick infomercial for Gracie Jiu-Jitsu, if we didn’t have people like Ken Shamrock, or Dan Severn (who both got their start in MMA by way of Japanese Shoot-Style wrestling) providing a stylistic foil, or counter narrative, in those early chapters of its history.


This event is kicked off with the PWFG roster honoring Gotch in the center of the ring, and allowing him to kick things off with a short speech which is as follows: “Ladies and Gentlemen, the road to success is made of luck, sweat, and tears. The first steps have been made, and a lot of work lays ahead of us. With the spirit of Fujiwara-Gumi we can face the future with confidence. I hope we can give wrestling back the honor it deserves. So, it can be done with the same respect as it is in boxing, which it once had. The time has come to give the public what it pays for, and not to take their money under false pretenses by impersonating a professional wrestler.”


The speech is rather fascinating as it clearly shows the essence of what MMA has always wanted to be, which is REAL pro wrestling, and it offers a glimpse into what was surely the vision of people like Gotch, Lou Thez, Billy Robinson and other wrestlers from a bygone era, in which carnival wrestling had roots in effective martial art techniques, and its practitioners honed and perfected their techniques via a subculture that was happy to exchange its esoteric secrets with one another.


It may also reveal how insecure the powers that were in charge, may have been about actually providing real shoots. One must wonder, if somebody like Fujiwara, simply didn’t think there was a paying public for real pro wrestling and had no choice to pull the wool over the eyes of its fanbase. In any event, Gotch’s vision didn’t really take formation until the founding of Pancrase in late 93, and we are given even more evidence that Pancrase is the culmination of what the PWFG should have been from the beginning.


After the formalities, we are treated to a very young, and very fresh faced, Minoru Suzuki, who these days looks like he may just be a tad under 800 years old. This saddening observation has made me ponder many of the deeper things in life, such as if the rigorous shooting career Suzuki had in the mid-late 90s added about 750 of those years to his body.


Here Suzuki must face Kazuo Takahashi, who in a short time later, became one of the first fighters to conquer a BJJ black belt (with a win over Wallid Ismail at UFC 12) thus garnering a reputation as a very tough opponent, regardless of whatever fighting skills he may have lacked.


Suzuki and his opponent start off in the clinch, and the first couple of mins look a lot like a Greco-Roman wrestling match, until Takahashi shoots in and aggressively goes for a double. Suzuki tries to ward this off with a sprawl, but after struggling for a couple of seconds, he defaults to a nasty knee to the midsection of Takahashi, with a couple of palm strikes thrown in for good measure. I’m really digging how Suzuki incorporated striking in his shoot-style days. He seemed to use his strikes as tools to open up submission attempts, or as a way to break a stalemate when his normal grappling tools were being stalled out, and to me, this added a lot of nuance to his matches.


Takahashi continues his strategy of trying to blast through Suzuki with a power-double but can’t seem to get the job done. He switches to a single-leg attempt, to which Suzuki briefly tried a guillotine counter, but couldn’t get the requisite leverage with one of his legs in the air, so he let go of Takahashi and was able to side step into a slick Kimura (Double Wrist Lock) attempt. He quickly gives up on the Kimura and goes for an armbar, in which he sets up by squishing Takahashi’s face with his forearm/palm, to which I wholly approve of.

Always make the Uke Suffer!

This was a great way to open the show and set the tone for the event. A realistic match, that was faced paced, and didn’t have any real holes, or lulls in the action.


Next up is Yusuke Fuke vs Bart Vale:


They really tried to sell this as a lighting fast/undersized grappler vs a monstrosity striker, and it probably worked well for its era, but under a modern eye it isn’t believable due to the oafish slowness of Vale. When Vale is throwing kicks his offense looks passable, but when he gets taken down to the ground, by someone as lithe as Fuke, he simply doesn’t have the movement or the ability to make it seem like he would be any kind of credible threat, despite having a significant weight advantage. The match is entertaining, fast paced, and contains several great takedowns by Fuke, but the credibility is lacking.


Yoshiaki Fujiwara vs Wellington Wilkins Jr:


Another well-paced, entertaining bout, that lacked credibility. In this case, it wasn’t due to the matchup itself, as both Wilkins and Fujiwara complemented each other, and came across as equally skilled opponents, but rather it was because it was simply too flashy to be a good example of this new style of wrestling. A lot of flashy suplexes and takedowns, mixed in with some stiff striking, and goofy antics from Fujiwara. Fun, but definitely the most rooted in the more common pro wrestling spectrum, compared to the other matches on the card.


Naoki Sano vs Ken Shamrock


Here we get to a true treat, and the highlight of this card. PWFG’s lack of star power on the bottom tier of their roster definitely led to some unfortune excursions into the more obscure corners of the jobber universe, but in this case, their subcontracting out some talent led to a homerun. Sano started his carrer in the 80s as a jobber for NPJW before getting a chance to hone his craft in Mexico in 87 and he was able to parlay that experience into a successful run in the Jr. Division of NJPW, with some memorable matches against Jyushin Liger.


When SWS (Super World of Sports) started doling out the cash in the early 90s he jumped aboard the gravy train, and was plying his craft there, when PWFG worked out an agreement to have him loaned out for a couple of matches. His stay here was brief, as Kazuo Yamazaki, and Nobuhiko Takada lured him over to the UWFI shortly thereafter.


If Sano is known at all to a modern MMA fan, it is probably for his surprisingly good showing against Royler Gracie at Pride 2, in which he was able to nullify a lot of Royler’s offensive tools, and could have possibly caused a major upset had he not been so tentative in that fight.


The fight starts and is already looking to be amazing, as Sano seems like a perfect opponent for Shamrock. Both were of a similar height, and both had impressive bodybuilder physiques, so this is looking like a clash between the unstoppable force vs the immovable object, straightaway.


Unstoppable Hair vs Immovable Mullet

The first few mins start off with the fighters feeling each other out on the ground, with Ken ever looking for a leg attack entry. This is interesting to watch from a modern vantage point, as it was clearly by people that weren’t in the BJJ mentality of “position over submission.” Sano will attempt to place Ken in a bad position, and as soon as Ken is able to reposition himself, he instantly goes for the attack, which was the mindset of Catch Wrestling.


Both men jockey back and forth on the ground for a while, with both trading kimura, toe hold, and choke attempts. This goes on for a while, until Shamrock is able to secure a rear naked chock, thus forcing a rope escape from Sano.


They get stood back up and escalate the entire affair with some stiff palm strikes, and nasty knees from Sano. Everything is looking very snug and believable until a momentary show of flashiness takes place with a jumping DDT from Sano. This didn’t really amount to a whole lot, as Shamrock quickly reversed his position by applying a hammerlock variant, into another rear naked choke attempt, and rope escape.


After trading a couple of kicks, Shamrock hits an explosive Northern Lights suplex into a Kimura, which is super impressive looking, but admittedly fake as all get out. This surprisingly didn’t accomplish much as Sano was right back up with some more kicks and managed to score a knockdown against Shamrock. Shamrock gets back up and they continue to trade submission attempts, but one thing I’m starting to notice is that this has a great back and forth feel, without the sometimes-scripted feeling that a Rings match would give off. The limited rope-escape format of RINGS could add a lot of drama to a match, but oftentimes produced matches that felt very formulated. The PWFG approach of unlimited rope escapes allows for a much more organic match to take place, although can also lead to bouts of meandering if not done correctly.


The match continues to seesaw all the way until the 25:00 min mark, when everything culminates into an explosive crescendo, as both men give everything they have into knees/palm strikes towards one another. Sano gets behind Shamrock and hits a dragon suplex, followed by a straight armbar, for the win. While not perfect, this was a great match that really showcased the new and uncharted territory that this style could deliver. It was fairly credible, outside of a few highspots and Shamrock’s striking needing to be a bit stiffer. Still, this was a glimpse of some of the magic to come, and Sano proved to a perfect foil to the powerhouse that was Ken Shamrock.


Now, much like the Hindenburg, this show must come crashing down in similar fashion. We have Masakatsu Funaki vs Johnny Barrett, which if this had to exist at all, should have at least been towards the bottom of the card. Having someone as slow and out of shape as Barrett in a main event, is truly baffling. Funaki does what he can with him, and while it isn’t completely horrible, it was a totally anti-climatic letdown, after the greatness of Shamrock/Sano.


Conclusion: While they haven’t quite hit their stride, we are starting to see that the PWFG has the most potential of the three Shoot-Style leagues to really break into greatness. Although they weren’t able to keep a consistent stylistic tone, all of the matches were entertaining, and if they can manage to broaden the shallow end of their talent pool, then they might be a dangerous force to reckon with.


Here is the event in full:

 

[Mbetz1981]

*Vol.4 Continued*

In Other News:


*Japan* Maurice Smith recently squared off against Peter Smit at an All Japan Kickboxing event on 5-21. There was a lot of trash talk and dirty looks from Smit and his crew leading up to the first round, and Smit continued to act arrogant after the round started. Surprisingly though, despite all of his bluster, Smit had absolutely nothing for Smith, and was never able to generate any significant offense. At one point during round 1, smith become irritated at Smit’s antics and picked him up and slammed him to the ground. This caused a look of confusion and bewilderment from Smit, who seemed puzzled as to how Maurice could just have his way with him like that.


Smit regained his composure by round 2, but still wasn’t able to effectively break through Smith’s defenses. Round 3 is when things started to get interesting… Smit was finally hitting his stride and while he wasn’t landing any bombs, he was able to stifle Smith, which seemed to frustrate him, and shortly before the 2min mark, Smith bodylocked Smit, took him down, and initiated some ground and pound. This caused several people in Smit’s corner to jump onto the ring apron, and threaten Smith, while the referee panicked. The ref managed to break it up and declared Smit the winner. Smith then calmed down and apologized to Smit and asked him to come back into the ring and finish the fight. The ref seemed unwilling at first, but after cutting to a montage of the melee, apparently an agreement was worked out and everybody agreed to resume the bout.


Smith don't play around......

They were both on their best behavior for round 4, but by the time Round 5 started it was clear that Smith had enough of the shenanigans, and proceeded to knock Smit out in just over a min. Things were surprisingly calm after the win, but one must wonder if Maurice had any trouble getting out of the building unscathed that night.


Full Event: (Maurice Smith fight starts around 36:30) :

Rings has been getting a lot of attention in the Japanese media lately, as it is being reported that this promotion is, and will be, a complete shoot (although as we reported last time, this is not the case) and Maeda’s decision to break away from Yamazaki and Takada was due to their not wanting to be in a full shoot organization.


*Chicago* Chuck Norris proved that he can do more than just act and roundhouse people, when he set a speedboat record of 12 hours 8 mins and 42 seconds for the 605 mile nautical trip between Chicago and Detroit. Michael Regan (son of President Ronald Regan) held the record before Norris, but Norris was able to beat him by about 26mins. Norris is an avid powerboat racer and was also able to beat the San Francisco to Los Angeles record last year, during his second attempt.

Did Dave Meltzer have anything interesting to say? Let's see: MAY 20, 1991 "The big news this week was the debut of Nobuhiko Takada and Akira Maeda's new promotions. Takada's group debuted before a sellout 2,300 fans at Korakuen Hall on 5/10, with all tickets sold out in something like 15 minutes the first day they went on sale. The group, called UWF International or UWFI for short, is the closest thing to the old UWF which had a two-year run as the hottest promotion in the world before fizzling out as shooting stars are wanton to do because of problems between Maeda and office boss Shinji Jin. The show wasn't really very good, but what remains of the legion of UWF fans were there and felt good about being there. Takada grabbed the house mic before the show and said the group was the only one left 'with the feeling of the UWF' which got a big pop. The card itself consisted of three matches, a prelim match between Masato Kakihara and Kiyoshi Tamura, won by Tamura. Then came a 'doubles' match (tag team) with Shigeo Miyato & Yoji Anjyo beating Kazuo Yamazaki & Tatsuo Nakano with the surprise finish of Yamazaki doing the job when he was knocked out by a series of kicks from both guys in 23 minutes. This was different from the old UWF, which didn't have any tag matches. The rule were that a guy couldn't tag out while in a submission hold unless he got to the ropes or was able to break the hold. It was different since Yamazaki is really the group's second biggest name and he did the job. The main event saw Takada beat Tom Burton (who worked as a Dirty White Boy in Memphis some months back) with a boston crab in 10:46. The match was disappointing to most because Burton really had no idea of the style and Takada was giving him lots of openings and trying to carry him for ten minutes but the fans saw it as Takada could unload on him and beat him at anytime. At the 10 minute call, Takada seemingly proved them right because he got a quick win at that point. After the match in the press conference Takada apologized and said 'my opponent was poor.' They also confused fans by instituting new rules. On the scoreboard, each man starts the match with 15 points. You lose three points every time you go to the ropes to break a hold, and lose one point every time you get suplexed. The match can end with a pinfall (which almost will never happen), a submission (usual finish), knockout, five knockdowns or if a man's point total goes down to zero. When the press asked Takada after the show what his goal a year from now was, he said honestly, "I'm only thinking about one card at a time." In the sense that they drew the full house so easily, the card was a financial success. But the truth is, it has been so long since there has been a "real" UWF show in Tokyo, which was the home base of the UWF, that the first house was easy. Whether this group, with only eight wrestlers and access to only no-name Americans can book shows that will draw over the long haul or be able to draw outside of Tokyo is another story. The next show is 6/6 at Korakuen Hall with Takada vs. J.T. Southern on top.


Two interesting notes were that Koji Kitao sent flowers to Takada's opening show, which gets an interesting rumor going, although he'd certainly be out of place. Even more interesting was the front page news in one of the newspapers this past week that this group is trying to put together a Takada vs. George Foreman match for the Tokyo Dome in January, but you can imagine how astronomical the odds would be of being able to pull that one off.


Speaking of Kitao, I got a chance to see the 4/1 'Wrestle Dream in Kobe' SWS-WWF show so I saw the match with Earthquake John Tenta. Anyway, aside from it being just about the worst match of the year (negative four stars), it did appear that it was Tenta who "started it." The first genuine shoot move was Tenta going behind Kitao and taking him down hard amateur style (Tenta was the teenage world superheavyweight champion back in the early 80s), but almost like a football lineman just throwing down a back. Tenta was riding Kitao, who got to the ropes. Kitao then got out of the ring and kicked over the press table and got a real po'd look in his eyes.

When they got back in the ring, it seemed the communication was gone but Kitao put his hands up as to do a test of strength as if they were working. When they locked up, Kitao quickly tried to move for the Fujiwara armbar but Tenta just got out of the way. Don't know if Kitao was doing the move for shoot or not, but Tenta clearly wasn't going to try and find out. At that point, the match was over as both guys just glared at each other. Neither guy would make a move. It seemed as if, since every fan knew the match had gotten out of control, neither guy could back down but both were very happy that the other wasn't quick to make a move.

They just stood there and glared for like four minutes and neither guy had a way out of it other than get in a real fight which neither seemed to really want to do even though they had to give the impression to the other that they did, so finally Kitao kicked the ref real hard for the DQ. The TV version of the match cut immediately, but at that point Kitao grabbed the house mic and made his comments about Tenta being fake and wrestling being fake. I was told it was funny to see how fast people stormed the ring and tried to get the mic away from him. Anyway, apparently Kitao's version that Tenta came after him first under the provocation from Kabuki has some substance. . .

That was a really sad show, by the way. With the exception of Bret Hart vs. George Takano **3/4, nothing was better than **1/4. The real disappointment was Tenryu-Savage. Savage looked bad but Tenryu looked a lot worse. I don't know if it was a bad night or if a lot of us didn't realize just how valuable Sherri Martel has been to Savage over the past year because he didn't look like a good wrestler. Savage also tried to break the bump on the power bomb (since he probably had never taken one before) finisher and the crowd erupted in laughter. It was said Tenryu's performance was so bad because of all the problems underneath, but Tenryu has really looked bad of late a lot of nights. Hogan-Yatsu was interesting if only because Hogan tried to wrestle the entire match on the mat and did one take-down and ride on Yatsu after another. The match was dull since Hogan's mat wrestling isn't entertaining, but it was different and unlike the other Americans that worked SWS shows, Hogan at least tried to change his style. It seemed to hurt his feelings that the crowd took the match as comedy even though Hogan tried to wrestle seriously. Hogan didn't take any bumps except for one powerslam from Yatsu and basically took the entire match and made it one-sided.


Maeda's 'Rings' promotion debuted 5/11 at the Yokohama Arena before 11,000 fans. The crowd was impressive because there were very few freebies (by Maeda's own decision) and it was really Maeda alone as the drawing card. Maeda's main event against kick boxer/bodybuilder Dick Leon-Fry from the Netherlands turned out to be Maeda's best match in a long time. The matches were all worked, although the crowd seemed to be convinced otherwise and popped big when Maeda pulled out the win after giving Fry a lot of the match. The other matches involved Dutch guys trained by Chris Dolman (sambo) and Wilhelm Ruska (judo); however, the fans weaned on the UWF noticed the guys did judo and sambo submissions and not the Karl Gotch-UWF style submissions that the fans were used to. Dolman worked against many time world champion powerlifter Bill Kazmaeir, in a match said to be awful. Dolman won by submission in the fifth round. Maeda is also plagued by a front office that includes nobody that has ever worked previously within the pro wrestling business."

 

[Mbetz1981]

*Vol.4 Continued*

What does Mighty Mike Lorefice have to say about all of this: "Not to take anything away from Karl Gotch, or especially Billy Robinson, who was the most gifted pro wrestler of his generation, but everyone involved in these "shoot leagues" was continuing to perpetuate the myth of reality by screaming really loudly about being different while actually only inching further from the long established norms of pro wrestling.


This, of course, is exactly what one would expect, people grouping with those who are seemingly most similar and continuing to do more or less exactly what they've always done, not attempting to enact legitimate change but making the easy & safe choices that simply shif things ever so slightly, mostly by excluding from their clique and directly or indirectly running down those who don't fit into their current needs, in this case the phony posers.


While Gotch, Robinson, Lou Thesz, Nick Bockwinkel, etc. were assets as trainers given the style the new generation was going to be working, certainly worlds more useful than doing 1000 squats in sync for Buddy Lee Parker, and in some cases such as Sakuraba & Tamura actually helped provide some tools that translated into legitimate fighting success, instead bringing in current or recently retired tournament or Olympic competitors in judo, amateur wrestling, BJJ, kickboxing, karate, taekwondo, etc. to train would surely have led to a more unique style & pushed things toward legitimate fighting a little quicker, probably still not under Fujiwara though, as taking on guys half his age for real was obviously not going to be a recipe for success or longevity. Rorion Gracie's ulterior motive for starting UFC was to prove that Gracie BJJ was the essential martial arts discipline, but with all the established players in the shoot leagues being from the same rigged discipline, there was no advantage, especially for Fujiwara, to removing his own safeguards. That being said, I think we are already starting to see a very important change due to Gotch, who helped instill the much needed Greco-Roman wrestling discipline that was largely missing in the UWF.


The main evolution we were seeing in these shoot leagues in 1991 is that the splintering of the UWF resulted in leagues needing to find new fighters to fill out their cards. One of the most important of these fighters was Kazuo Takahashi, a high school state champion in amateur wrestling who also had some training in karate. While Takahash's wrestling in this match was still too upper body centric, his attempting double & single leg takedowns was still an important step forward from the hokey status quo that, bereft of any real wrestling knowledge, included Akira Maeda relying on the captured suplex to transition to the mat. While nowhere near as entertaining as Suzuki's match with Shamrock on the 1st show, you can clearly see that Suzuki was forced to up his game here, combating the then unusual wrestling style of Takahashi by timing & countering his explosions with strikes & submissions. The match was very brief with Takahashi not really doing anything but looking for the takedown, and while the finish was not that impressive, overall it showed Suzuki to really get it in terms of being able to adapt to his opponent and counteract them through good timing.


Fuke debuted the prior August, going 1-1-1 against fellow rookie Masahito Kakihara before UWF closed. As with the previous match, the quality of amateur wrestling was much higher than it has been, with Fuke quickly hitting a single leg, which was also good strategy giving he was giving up a lot of weight to a kickboxer with a background in kenpo karate. Fuke showed a lot of potential, but Vale, while not awful, lacks any of the elements that make a fighter interesting such as speed, grace, & fluidity. He did some downright weird things, such as escape an armbar attempt by rolling to his left side & kicking Fuke in the head with his right leg, which drew a delayed chuckle from the Korakuen faithful. While I'll credit Vale with his willingness to allow Fuke to take him down & put him on the defensive rather than forcing a standup contest, Vale really didn't possess the skills necessary to put over his comebacks off his back.


After two examples of why PWFG was an improvement because you had new blood taking things in a more credible, martial arts based direction, Fujiwara comes out against a badly overmatched Wilkins, and because he doesn't take him the least bit seriously, does the PWFG version of a comedy match. Sure, this was credible by the standards of Hogan & Flair, but even if the work was arguably within the absolute loosest definition of shoot style, the desired reaction to their spots was giggling. They probably could have done a good match if they wanted to, but instead they did a cringeworthy exhibition that probably embarrassed some of the other performers because it was so obviously illegitimate in virtually every way.


Sano is something of a controversial figure, a guy who left NJPW at the height of his potential after a brilliant fued with Jushin Thunder Liger to compete in a promotion that supplied him with no legitimate rivals opponents, and spent the next several years paying for it when they failed. While Tenryu made Sano the flagbearer for the SWS light heavyweight division, a position he never would have held in NJ given Liger (as Tenryu never would have been tops in AJ given Jumbo Tsuruta), the overroided Model version of Rick Martel and a pre slapnuts J-E-FF J-A-RR-E-TT, were not the sort of opponents you were going to have futuristic matches with, as Sano had with Liger. Luckily, Sano found a home in the shoot style leagues, and while after leaving New Japan, perhaps only his program with Minoru Tanaka could be said to have approached the upper eschelons of junior heavyweight wrestling, he was a consistently good performer in the more realistic PWFG & UWF-I styles, with high quality matches against Minoru Suzuki & Kiyoshi Tamura. These highlights were somewhat overshadowed though by a bad run in MMA where he went 0-4 and just hanging on 12 years and counting beyond his expiration date (why didn't he retire with Liger, or instead of him...), making people forget that he was reasonably good during his first 5 or so years in NOAH by terrorizing audiences with his terrible perpetual tag contending duo with clutzy uncoordinated Takayama, a team he clearly needed to be totally carrying, except sadly he was very obviously far too broken to do so.


Suzuki's match with Shamrock on the previous show was considerably better because he has a lot more ability to both lead & react, and is by far the most creative of the three, but while Shamrock was forced to initiate a lot more here, he was able to maintain his patience & do a good job, with Sano bringing some good things to the match. Sano was the better standup fighter, landing some solid low kicks early (though he didn't really attempt to follow them up) and a lot of good openhand shots that helped force Shamrock into a more grappling centric performer. The basis of the match was ultimately Shamrock controlling with superior wrestling, forcing Sano to make things happen. It's unfair to compare a shoot debuting Sano to Suzuki in the style Suzuki has been training in for 2 years, but in any case Sano obviously wasn't totally ready to match is ability in junior heavyweight action yet. He was good in the striking exchanges and had some submissions in his arsenal, but most his transitions & counters would have taken the bout to a more puroresu place, and he was trying not to go there too often.


While the bout had the long match vibe too it throughout, emphasizing position changes on the mat over finishing opportunities, that was mostly okay because they kept the credibility a lot higher than it would have been, even if things thus meandered a bit more. I don't want to make it sound as if credibility was near the top of their priorities, Sano got a takedown with a jumping DDT and a knockdown with a jumping spinning heel kick that mostly missed and Shamrock did a few of his suplexes, but they built the match up well to these meaningful highlights, and didn't lose the plot when they failed to finish with them. Sano began to press in the standup, with Shamrock happy to get involved in a flurry because it would help him grab Sano & land his clinch knees, which tended to result in the bout hitting the mat one way or another. The finish didn't really work for me because by continuing to exchange the openhand strikes on the inside, Sano getting behind Shamrock when he missed one of these short shots without much hip turn was pretty clunky. Nonetheless, Sano did a released version of one of his wrestling favorites, the Dragon suplex, turning into the wakigatame for the finish. Definitely a good match, you could certainly argue very good, but my memory of it was better than it looks to me today.


Funaki almost had a match against himself tonight, and managed to look great anyways, with his slick execution and calm, in control demeanor. Barrett brought absolutely nothing to the table, pretty much just standing there and allowing Funaki to have his way with him because he was way too slow and unskilled for Funaki. While this was a passable exhibition where Funaki only broke a sweat because he felt like it, but exhibitions are supposed to start the card, not be the conclusion after a high quality, long, competitive bout like Shamrock/Sano.

 

[Mbetz1981]

*Archives of this series can be found at https://www.patreon.com/KakutogiRoad *

Kakutogi Road: The Complete History of MMA Vol.5 "Enter the Wild West"

*Editors note: Mike Lorefice's comments will be integrated in the main body, and be designated by his initials, ML.*


Welcome back one and all, for the next breathless wonderment, in our ongoing journey to fully document the early years of free fighting history. We no longer find ourselves at the epicenter of all things combat related in Japan (why the Korakuen hall of course) instead opting for the more extravagant settings of the Tokyo NK Hall. The NK Hall was a 7000-capacity sports venue that operated within Disney Tokyo, from 88 to 05, and makes perfect sense here, as nothing speaks to the Mickey Mouse aesthetic more than Shoot-Fighting. We are greeted to the usual training montage, and opening interview segments, which I'm sure I would get much more fulfillment out of, if I simply understood more Japanese.

Suzuki....seemingly aging backwards

Kazuo Takahashi vs Mark Rush: No longer content with just dredging up obscure American Pro Wrestlers that actually had a bit of job resume, (however scant) it would now seem that Fujiwara has taken to scouring local Tokyo bars, searching for gaijins with amateur wrestling experience, and thus is the story with Mark Hunt. PWFG is the only promotion that Hunt worked for, and I have so far been unable to find any more information about him, but here he is, ready to scrap with the scrappiest of them all, Takahashi.


After refusing to shake Hunt’s hand before the match we are underway with a beautiful single leg takedown by Takahashi, in which he showed excellent technique by “turning the corner,” in splendid fashion. This match was almost all faced paced mat-work, with Takahashi in constant pursuit of the armbar. The match lasted 11:45 with Hunt, strangely enough, going over Takahashi with a nasty looking neck crank/choke. I thought this was a great way to start the event. This was a realistic (outside of a few tasteful slams, there wasn’t anything to really betray that this was a worked bout) match, that was paced just long enough to not wear out its welcome. Granted it wasn’t flashy and didn’t really have any striking outside of a couple of knees, and a brief flurry of palm strikes by Rush, but it did set a serious tone, and was a good representation of this style.

ML: Takahashi vs. Rush exemplifies all the problems of having two amateur wrestlers with no BJJ knowledge going at it. This wasn't a bad match per se because they were active on the mat, but even though they changed positions often, it was basically 12 minutes of fiddling with each others arms. Rush gets a tip of the cap for being the first fighter in our series to try the arm triangle. As incredibly loose as they were, it would have been much better if he won with that or the Americana than this "facelock" where Rush basically put his forearm on Takahashi's chin, clasping both hands near the center rather than one hand on his upper forearm/elbow, but tried to make up for that by resting the side of his head on the opposite side of Takahashi's cheek to help close the gaping hole a little bit.


Vale IS America...

Bart Vale vs Lato Kiraware: Lato seems like the dude that you would call, if you totally had to have an awesome block party in three days and had to find a quick replacement for your father-in-law to man the bratwurst station. He is not however Pro Wrestling material. This match basically went as you would expect, with Vale using Lato as a kicking pad, which garnered lots of puzzled expressions from Lato. This was a total squash match for Vale, and while it did nothing in terms of helping with the PWFG’s credibility, it was bizarrely entertaining, so it gets a pass.

ML: Realizing that Vale appeared to be in slow motion against any spry opponent, Fujiwara came up with a perfect opponent in Lato, an inflated Oliver Hardy shaped wrestler. In this setting, Vale's combos almost looked slick, and at least he didn't have to lean left to throw the right roundhouse kick as Lato did. Though it was something of a precursor to the dreaded PRIDE freakshow matches, and nothing much happened, at least at 5:49 they didn't overstay their welcome too much.


Wayne Shamrock vs Duane Koslowski: Here is a match I’m looking forward to. Koslowski was perhaps best known as a competitor in the 1988 Olympics, as a Greco-Roman wrestler. His pro debut was in 1989 at the UWF Cosmos event, and he wrestled another 8 times for PWFG, before calling it quits in 93. The match gets underway with Koslowski attempting to get the clinch, and Shamrock delivering some stiff kicks, and palm strikes as a response. After a couple of mins, Duane is finally able to clinch and take Shamrock to the mat and attempt a keylock to no avail. Shamrock escaped the keylock, to attempt a rear naked choke which led to a creative sequence, where Koslowski kept bridging to alleviate pressure from the choke, and then managed to press off with his legs and escape flip out of the hold. Not the most realistic scenario, but interesting, nonetheless.


The match continued in the same pattern for a while, as it would seem that clinch/takedown/keylock is the only thing that Koslowski knows how to do at this point, but in his defense he looks believable, and moves/acts just like you would expect a Greco expert to do so, one that doesn’t know anything about submission or BJJ, that is. The match ends soon afterword’s with a Northern Lights suplex, followed by a straight ankle lock from Shamrock, which was a rather jarring, considering they had kept things at a realistic tone before this. All in all, I enjoyed this match, as Shamrock’s striking is getting better, he was stiffer, and looks to be more confidant, and while one could argue that Koslowski was a bit dull, he had an air of credibility to him, and came off fine. The most interesting side note to this, is that in Shamrock’s autobiography he claimed that Koslowski did not want to Job to Shamrock, as he thought that he would get tons of grief from the Greco-Roman community, so Fujiwara decided to have them both shoot in a private, behind-the-scenes affair, that saw Shamrock as victorious, and afterwards Koslowski agreed to job to Ken.

ML: Shamrock vs. Koslowski was a big step up from the previous matches. Though Koslowski was in just his second match and didn't have a vast array of techniques, he could get away with it because he's such a high level athlete. Koslowski's wrestling technique is so good that his belly to belly suplexes were believable, but he just generally looked like a guy who knew how to fight. Though Shamrock was the better striker in a pro wrestling sense, Koslowski looked to have the best standing self defense training so far on the show, fighting out of a boxing stance and showing some footwork. I enjoyed this match, and while it probably didn't need to go any longer in terms of Koslowski having more to show, the finish was rather abrupt & too seated in pro wrestling.


No escape...from the Northern Lights

 

[Benoitthegr8]

Subscribed, your efforts are appreciated

 

[Mbetz1981]

*Vol.5 Continued*

*****************************SHOOT ALERT******************************************


Yes, here we are! The very first full shoot that we get to cover, here on the Kakutogi road, which is an absolutely hilarious match between Yusuke Fuke and Thai Boxer, Lawi Napataya. This was a hot mess in every sense of the word, but important from a historical perspective, as outside of Shooto (which was all shoot, but somewhat under the public radar) this is the first real fight that we get to witness in the Kakutogi spectrum.


There is no question about the realism of this bout, as right from the get-go, Napataya lights Fuke up like a Christmas tree, with a barrage of kicks, and combinations. Fuke takes some nasty shots, before finally being able to take the boxer down to the ground, only for Napataya to dive for the ropes like a wounded animal. We now see that we are in totally uncharted territory, and clearly no one really thought this through. Having unlimited rope escapes in a shoot-fight, is a recipe for disaster, as great strikers are always going to be at an advantage, especially in a small ring like the one that we see here. (We will see later on, how Gilbert Yvel, and Valentijin Overeem completely abuse multiple rope escapes in Rings).


The remainder of round 1 sees Fuke taking a beating, before managing a takedown, only to see an instant standup, for all his trouble, due to the small ring, and limitless rope escapes. The hilarity really starts at the end of round 1, when Napataya’s team brings out a can of grease, and starts to rub grease all over their fighter. They start round 2, and after a min or so, Fuke was able to get his first takedown, in which Napataya slipped right out, and grabbed the ropes, which caused Fuke to look at his hands with a very puzzled expression. I’m not sure if he fully realized what was happening, just yet, but by the 3rd round he absolutely did. During one of his 234 takedown attempts he started to get really upset, pounding the mat, and complained to the ref. He even wiped some of the grease off onto his shorts.


This nonsense continued until the break in-between rounds 4 and 5, at which point the ref actually decided to come over and investigate, and of course witnessed Napataya being greased down by his two cornermen, and only then, did he decide to take a towel and dry off Napataya. Once he was done drying him off, and walked away, (at which point the ref was wiping grease off on his pant legs), the corner men simply pulled out their grease can back out, and resumed their work. There have been several greasing accusations and scandals in MMA over the years… Marco Ruas, Eugenio Tadeu, Yoshihiro Akiyama, and GSP, have all been accused in times past, but none have anything on the Grandfather of Greasegate: Lawi Napataya.


Right before round 5 started, I guess the ref realized that Napataya’s corner basically just ignored his command to stop greasing, so the ref wiped Napataya down a 2nd time right before the start of the 5th round. Fuke WAS super upset about all of this, and no one would have have blamed him at all for just walking out of the ring, and giving Fujiwara a piece of his mind, as he was basically in a fight that was impossible to win, between the unlimited rope breaks, constant grease, and the fact that he was getting battered with the constant clinic of stiff kicks he was having to take.


Greasegate 1.0

The fight was announced a draw, and a visibly frustrated Fuke still tried to show his opponent respect, but you could tell he was not happy about the whole mess. Super entertaining match, albeit for the wrong reasons.

ML: This was sort of like mixing a bout from UFC 1 onto a puroresu show, and you know Fujiwara was envisioning a display of superiority from his diverse pro wrestler over the limited muay thai fighter who went into a full rules fight wearing traditional 8 ounce boxing gloves. Fujiwara had already triumphed over kickboxer Dick Vrij in completely worked matches of the sort, and his old promotion New Japan had their share over the years, with Antonio Inoki making his name off more comfortable ones after the debacle that was the endless snoozefest vs. Ali.

Now that Fujiwara's boys were receiving real MMA training from retired pro wrestlers, what could there possibly be to fear from allowing the striker to actually strike, they'd still just get taken down & submitted like in the NJPW & UWF fantasies, right? And that might have been the case had the rules actually been thought out, but those who believe rules are meant to be, shall we say shaped to your best possible advantage can hail the Sultan of Slime. This was the sort of fight where you wouldn't have blamed Fuke for just walking out.

You had an obviously skilled kickboxer lighting him up in standup, and all he could hope to do was get Napataya to fight him in almost the exact center of the ring where he couldn't just grab the ropes if he went down, and then not slip off the gunk that was all over Napataya's body, and then manage to keep Napataya from just squirming or diving toward the ropes, and then manage to submit him before the round ended. Sure, no problem... Even though this was the greasiest roots of shooting, both literally & figuratively, I think both fighters actually fought smart fights.

Fuke was willing to eat a strike to counter into a takedown, but Napataya wisely allowed Fuke to take the center, so when Napataya came forward with his fast kick, even if Fuke succeeded, he was still close enough to just grab the rope for the immediate standup. When Fuke 's response to Napataya coming forward was to back away, Napataya would literally stop once the ropes got out of reach, then backpedal until his back was almost against them, waiting Fuke out.

As much as we like to laugh at our old pal One Glove Jimmerson, under these rules a boxing glove would actually have been a big advantage because Napataya could go all out throwing his hands to set up the rest of his offense, whereas Fuke could only threaten with the palm strike that Napataya knew was never going to hurt him. However, Napataya never really threw his hands, his offense was a single inside or outside leg kick or a middle kick then either grabbing the ropes if Fuke caught it or backing to them if he didn't. Both fighters started the bout wearing foot guards, but seeing that Fuke's strategy was to get the takedown by catching the kick, Napataya's corner took his off after the 1st round.

While criticizing Napataya for being a human oil slick is valid toward the integrity of the competition, the truth is it really didn't matter because he was always conscious of his ring positioning, what would have mattered was limiting the rope escapes the way UWF-I did (though they were still way too generous for actual competition). Napataya was clowning Fuke from the get go, and the fight began to break down in the 2nd as Fuke started taunting Napataya back, trying to get him to fight in the center like a real man, but Napataya would just mock him some more while sticking to playing things smart & safe, so Fuke pretty much just sucked it up & took his beating.

The fans booed from time to time, but not nearly as much as you might think because even though this was repetitive as hell and their hero was being given no chance to succeed, they also must have realized they were seeing something out of the ordinary. Fuke never gave up, but he just didn't have the tools to be remotely competitive, as trying to strike with Napataya just allowed Napataya to open up a little in the 5th, countering with a knee or his one short punch that dropped Fuke.

 

[Mbetz1981]

Now that we have had our dessert first, we will attempt to cleanse our palate, with the main course, an excellent showing, from Minoru Suzuki and Naoki Sano. This was a treat, and one of the best matches, shoot-style or otherwise, that we have seen up to this point. This was a fast paced 30 min war, that featured all sorts of grappling that was ahead of its time for most audiences. Guillotine chokes, ankle picks, half guard work, armbars, and heel hooks, were spliced together with more standard pro wrestling fare, and terse striking exchanges. The striking in this match was also very logical, in that they would focus on the grappling first, and when that seemed to stall out, then one would break up the monotony with strikes, in an effort to force a change, or create an opening. There was some pro wrestling tomfoolery, (at one point Suzuki gave Sano a piledriver as he was warding off a takedown with a sprawl/underhook technique) but it didn’t detract from the match, in fact because the flashier spots were used sparingly and towards the end of the match, it did have the effect of spicing things up a bit, towards the end. This match showed us, that despite their flaws, the PWFG was the best of the Shoot-Style promotions at this point in time, and had the potential for something truly extraordinary

ML: I need to revisit Suzuki's U.W.F. work to see where things really clicked for him, but he's feeling really ahead of the curve right now, and worthy of inclusion in the top pantheon of worked shooters with Kiyoshi Tamura, Volk Han, Tsuyoshi Kosaka, Kazuo Yamazaki, & Satoru Sayama. The previous two high end PWFG matches were Shamrock vs. Suzuki and Shamrock vs. Sano, but with Suzuki being the man in his matches vs. these opponents, and these matches both being notably better than Shamrock vs. Sano, it's more clear that he's the leading light in this promotion.

Suzuki is really grasping the urgency as well, if not better than anyone. Even though his arsenal floats somewhere between pro wrestler & what we'd come to know as an MMA fighter, he does it with so much speed & desperation that the same technique comes off almost completely different than in a traditional pro wrestling style match. This feels like a struggle, like there's real danger if you are unable to react to them before they can react to you.

The fact he was not only able to accomplish this, but keep it up for the majority of a half hour match where he also managed to take things down seemingly not to rest, but rather to set up further escalation with another wild dramatic burst that didn't feel false was pretty remarkable. It's difficult to keep the illusion of a shoot alive for 5 minutes, but the remarkable tension that these two are able to sustain throughout such a long contest is really what sets it apart. I don't want to make it sound like this was all Suzuki, Sano was growing in this style by leaps and bounds.

You can see that his confidence is so much higher here than it was against Shamrock, and he's just flowing a lot better, really on point with his reactions as well so it doesn't feel like pro wrestling cooperation. Sano again allowed the opponent to lead, but Suzuki is a lot better leader than Shamrock, and Sano is a better opponent for Suzuki in the reaction style because speedy offense & counter laden chain wrestling are the backbones of the junior heavyweight wrestling he's used to.

Although Sano is the newbie in U-style, he's the veteran in this match, and he's able to show that by staying composed and trusting that he has the counter/answer to anything Suzuki can throw at him. The match was very spot oriented, but they did a good job of just avoiding or immediately defending the submissions so they weren't straining the credibility for so called drama with the minute armbar before the opponent finally finishes sliding to the ropes shenanigans. I won't say that they didn't strain credibility, I mean, Suzuki even tried a dropkick, but they did so only by performing fast, explosive moves. Still, I liked the first half better when things were more under control than the second half when, ironically, what began to make the match look like it would be a draw was that they started hitting high spots that would have been finishes if they were used at all in PWFG, but they weren't getting the job done.

That being said, this managed to be both exciting enough to be a great pro wrestling match of the era and credible enough to be a great shoot style match of the era. The weakness of the match was the transitions from the striking sequences to the mat sequences, not so much because they lacked great ways to get it to the mat, though that's also true, but mainly because they really only knew a bit of Greco-Roman based wrestling, so the action kind of artificially stalled out in a sort of minimal exertion mid-ring clinch while they plotted their explosion to get into the next great mat sequence.

This aspect did improve as the match progressed with the introduction of knees, but this is also where they started incorporating the pro wrestling maneuvers. Though Sano is the spot merchant in pro wrestling, it was actually Suzuki that was initiating the more suspect spots here, with Sano shrugging them off. I though the no cooperation belly-to-belly suplex was good precisely because it wasn't cleanly performed, but I could have lived without the later versions, the piledriver, and a few other flourishes. Suzuki did a great job of blending pro wrestling affectations with shoot style desperation though.

For instance, chopping Sano's wrist to try to break his clasp that was defending the armbar or slapping his own face to keep himself from from going to sleep in a choke were nice dramatic nods even though they obviously aren't what you'd learn from Firas Zahabi. The crowd was pretty rapid throughout for this big interpromotional match, probably the best reactions PWFG has gotten so far as they were really eating this up. It felt like Sano really pulled ahead midway through the contest when Suzuki initiated a barrage of strikes, even using body punches, but Sano ultimately won what turned into a palm blow exchange, dropping & bloodying Minoru. However, Suzuki had more stamina than Sano, and as the match progressed he began to be too quick for Sano, and was now getting strikes through that had previously been avoided. Sano may well have just been blown up, but it added to the story without reducing the quality in any way. The contest finally climaxed with both working leg locks as the 30-minute time limit expired. You'd think PWFG would want Sano back as soon as possible, and the draw should have led to a rematch at some point, but sadly Suzuki was the only native Sano ever fought in PWFG, with his remaining 3 bouts being against Vale and Flynn. ****1/2

MB: Last, and certainly least… We have the final match between Masakatsu Funaki and Yoshiaki Fujiwara. Once again the mind numbing decision to put the crappiest match at the end is made, to the utter bafflement of everyone. Funaki was legend, and Fujiwara could be good in the right setting, but these two combined, simply strains all credulity. Even by 1991 standards, odds are that it would only take Fuanki roughly 23 seconds to destroy Fujiwara in a shoot, and I don’t see even the faithful Japanese audience buying this. It doesn’t help that even 30 years ago, Fujiwara looks like he was a retirement home extra from Cocoon.


If you can manage to suspend disbelief, then this bout was moderately entertaining, though the finish, while creative, was beyond the pale in terms of any sort of believability. Funaki shoots on Fujiwara, who manages to do some kind of sprawl, in which he is basically able to do a single-leg hamstring curl, forcing some kind of armbar/shoulder lock submission. It looked cool but was totally absurd.


The hamstring curl of doom...

 

[Buff]

10/10 on the thread bro... Absolutely excellent, I'm bookmarking it for later.

Been a while since there were some really good old school info threads... @Buffmeister and @WaylonMercy5150 do some great ones from time to time too.

Apart from buying my merch, this is about as good a time as you can spend on sherdog.

Spoiler

My Merch:







PM Me for details.

 

[Mbetz1981]

*Vol.5 Continued*

ML: Having Fujiwara in the main event was just business. These were the two biggest names in the company, and this was the match that was going to sell the tickets for the big show. I can't disagree that if it were legit, it probably wouldn't take Funaki much longer to defeat Fujiwara than it took Jorge Masvidal to beat Ben Askren, but Japan is a respect your elders culture that believes the knowledge & experience of the codger is worth more than the physical attributes of his student.

We can extend that to the entire Asian martial arts community if we want to talk about all those movies where the seemingly 60-year- old big robed, long bearded teacher flies around by virtue of hokey wires taking out hordes of students that are in their physical prime. Anyway, one of Fujiwara's only defeats since leaving New Japan was to Funaki on 9/13/90, so this was a logical match, and one where Fujiwara either reestablished "order" or gave way to the next generation. In pro wrestling "logic", it was a match that Fujiwara had to win, even though that arguably wasn't the right thing for long term business.

The thing is Fujiwara should have put Funaki over at the year end show, but instead had a draw with Suzuki, and didn't fight either in 1992, in a seeming effort to maintain his role as psuedo top star of the company without pushing his luck and creating any more tension with the new guard. As far as the match itself went, part of the problem is they had no chance of following the great Suzuki/Sano match, this was so much more tepid & subdued. Fujiwara wanted no part of Funaki in standup early on, and was even okay with just kind of pulling what would be guard if he had one, and laying around, eventually trying a submission after too much inactivity given there wasn't a positional reason for neither to really be moving. Fujiwara did a lot of grimacing, but the big problem with this match is, unlike the previous bout, there was no sense of urgency & what little tension there was just seemed manufactured.

Fujiwara was playing the heavy underdog early, and Funaki is having his way with him in typical, cool, calm, and collected Funaki manner, though not really gaining any actual traction. Things seemed to change when Fujiwara caught a kick, and sort of used a Thai clinch to throw probably the best headbutt of his career, this one was short & quick, adapted for MMA rather than being the usual big windup comedy spot he made famous. Funaki quickly regained control, and Fujiwara did some really phony selling on a delayed knockdown spot from an up kick, but Fujiwara seemed more confident in taking Funaki on in standup in the 2nd half even though he mostly wasn't getting results. The standup was pretty good though, it was stiff & I liked the kick feints Funaki was using, you don't usually see just the quick hip fake in pro wrestling. The big issue is Fujiwara was undermining the credibility with very unsubtle pro wrestling overselling.

The surprise finish out of nowhere was meant to protect Funaki, but was pretty comical with Fujiwara literally running from Funaki's striking barrage rather than tying him up to slow him down then, when Funaki finally shot, Fujiwara somehow fell on top into this sort of legscissor armbar thingy. I guess this was creative, but I had to rewind and pause to even see what this nonsense Funaki somehow lost to even was, so I can imagine hoards of Funaki fans shaking their heads as they exited the building, still bewildered how their hero managed to lose. Overall, the match was better than the first two, though way more annoying.

Funaki is arguably the most talented if not also the best worker in PWFG, but whereas Suzuki, Sano, & Shamrock have each had two high level bouts between the first three shows, Funaki has yet to even exceed middling despite being the featured act. As much as I'm digging the top flight PWFG stuff, it feels really awkward to have to look to SWS to find some worthwhile Funaki. Sometimes gems manage to shine in the most unlikely places, and on 3/30/91 on a Tokyo Dome show co promoted with the WWF, a UWF rules worked shoot match actually followed the saggy bondage oriented version of KISS known as Demolition.


The first thing I noticed is while Funaki's UWF bouts always got a big reaction, this was decidedly not those fans, and surely a lot of the casuals who were there to enjoy the circus had no idea what to make of this. Stylistically, Funaki is a much harder sell than Suzuki because he's a lot more into controlling, and seizing small, often subtle advantages to set up the big spot. Due to Funaki being both so much better than his peers at controlling and also a lot more patient in staying with this aspect of competition, Sano felt a lot less competitive here. Even though Sano had his moments, he felt overmatched. The match picked up when Sano did a much better job with the up kick knockdown than Fujiwara, but then when Funaki came in for the kill, in a more deliberate and careful pre Pancrase scene, they threw a series of more powerful shots designed to miss until Sano finally buckled Funaki with a middle kick.


The match was just getting good, but instead of Sano now getting his run, Funaki came back from the knockdown by catching him with a palm strike & finishing with a released German suplex into an armbar. Fujiwara, Suzuki, & Fuke, still donning their UWF jackets, then burst into the ring & mobbed Funaki for a celebration more befitting of winning an Olympic gold medal. I liked this match, but it felt too patient early & too rushed late. It was wrestled as though they were going 20 minutes until they packed virtually all the action into the final 45 second explosion. They rematched two days later, and if there were ever a match that Sano had to win given that Suzuki & Fujiwara had already won earlier in the show, making PWFG 3-0 going into the final interpromotional match of the set, it was this one. This started better with a lot of standup, even though it initially felt like sparring.


Things picked up with Funaki dropping Sano with a palm strike, and it was almost a short night for Sano as they redid the finish from the previous match, but this time Sano defended the armbar. From here, the standup was more aggressive, but again, it never really seemed like Sano had anything to truly threaten Funaki. Sano had some top control, and could land a damaging strike now and then, but Funaki had more speed and more technique, and even a low blow couldn't slow him down for long. This was definitely the better match of the two, as it was not only much better developed, but also got going a lot quicker. However, it was almost as if Funaki was too good for the match to approach its potential. This should have blown Sano vs. Shamrock away, and while the striking was certainly better, it felt like Sano had answers for Shamrock and could win that match whereas this one he'd really have to get lucky. Sano was able to hit his German suplex, but Funaki took the top breaking Sano's clasp & swung into an armbar for the win. Fuke jumped in the ring to raise Funaki's hand, but at this point there was no need for a massive group celebration, as SWS had been thorougly dispatched of.

The final verdict: Great show.... This promotion is really starting to show that it has a gold mine with people like Shamrock, Sano, Suzuki, and Funaki, but is still plagued by Americans that would be better served at WCW's power plant, then trying to shoot with the stars. If they can manage to develop their bottom half of the talent pool, then they are ready to completely overshadow what Rings and the UWFI are doing right now.Here is a link to the entire event:

 

[Mbetz1981]

*Vol.5 Continued*

*In Other News: In other news: The UWFI held their 2nd event at the Korakuen Hall on 6-6-91. Some highlights include a fantastic kickboxing match at the beginning of the card, in which Makoto Ohe had an all-out war with his opponent, Rudy Lovato. This was a total slug fest from start to finish, as Ohe constantly attacked Lavato’s legs with punishing low kicks, but would expose his jaw in the process, and eat punches for his trouble. Both men completely gave everything they had, until they were both awarded a hard-fought draw.


On the same card we saw Kiyoshi Tamura put on an absolute clinic at the expense of Tom Burton, who looked completely lost in the ring with Tamura. Tamura gave him a few obligatory moments of offense, in which Burton just came across as slow and oafish, but most of this match was Tamura lighting the place on fire with his speed and slick transitions. Yamazaki may have to move over soon, as the true and credible star of the Shoot world, if Tamura keeps getting better.


Speaking of Yamazaki, this event continues to prove that he is perhaps the most underutilized and underappreciated talent on the scene today. He completely embarrassed his opponent Yuko Miyato with a constant barrage of great kicks, smooth transitions, slick submission entries, and great footwork. He gave Miyato a couple of brief moments of offense, but in reality, this was a total squash match to showcase Yamazaki’s fantastic skills. It’s probably an indictment of the hierarchical structure of Japanese politics, then anything else, but Yamazaki has seemingly been held back his entire career from really being allowed to be one of the very top guys, even though his talent is undisputed.


Tatsuo Nakano defeated Yoji Anjoh in an exciting 15min bout, that saw plenty of kicks, slaps, blood, suplexes, ankle locks, and of course our favorite, the Boston Crab. Nobuhiko had his Gaijin of the week bout, this time with JT Southern, in what was your typical Takada match with an out of his league foreigner. The fight was moderately entertaining, but not great, thankfully it was over in 7min, so it didn’t really outlive its welcome.

Maurice Smith recently faced Australian sensation, Stan “The Man” Longinidis at the Australia Entertainment Center in Sydney. Round 1 saw Stan come out hyper-aggressive and was able to flatten Smith with a left hook/overhand right combination, for a knockdown. The knockdown didn’t seem to phase Smith too much going into round 2, but that changed when Stand hammered him again with another 2 overhand blows, which you could tell really messed with Smith’s equilibrium. Stan easily won the round but was perhaps too passive in the last thirty seconds, as he may have been able to finish Smith, had he really thrown everything he had at him, towards the end of the round.


Smith started to regain some composure in round 3. He still arguably lost the round but was starting to mesh back into his usual form, and then he started to turn it back around in Round 4. Smith was able to stifle all of Stan’s offense and completely control the fight in this round. Round 5 was pretty even with both men able to land some stiff offense, and Round 6 saw Stan able to continually slip Mo’s jab and penetrate Smith’s defense. Stan seemed to play things too cautious though, as he would back off as soon as he would land something. Still round 6 should be in Stan’s favor.


Round 7 saw both fighters unload flurries on each other, and while the round was probably close in terms of score, Stan seemed to take more damage then Smith did. Round 8 saw both fighters clobber each other, but now we are starting to see the weaknesses in Stan’s armor. While he has been scoring quite well up until this moment, he seems to have spent his gas tank by the end of this round, and Smith seems like he could go another 12 rounds if need be. Round 9 saw that conditioning is the most important attribute to any fighter, as Stan’s tools all but seem spent, now. His bloody, and barely moving, he basically just survived this round.


Round 10, and Maurice continues to pressure Stan. All hoped seemed lost, when Smith missed a turning kick, and Stan started to capitalize by backing Smith into the neutral corner and unloading a blitzkrieg of punches. This may have been the end if Stan’s cardio was sufficient, but it wasn’t, and Stan gassed before he could really break through. Still, it was a great showing from Stan, who managed to make it through this round. Rounds 11 and 12 saw Stan give all he had, but he simply didn’t have enough to follow up any of his punches with combinations. He was able to weather the storm and make it to a split decision, but it wasn’t his night. A great fight, and an impressive showing from both men.


Entire event:

Ex DEA agent Darnell Garcia was recently sentenced to 80 years in prison. Many know of Garcia as being a former Karate Champion and having been one of Chuck Norris's top students. He had also carved out a small space in the martial arts fabric of Hollywood, having been involved in 9 productions from 73-84. In his recently trial it was alleged that he was able to amass over 3 million dollars in an offshore bank account from drug trafficking, by leveraging his DEA connections, and from the collusion of other corrupt members of the agency. Garcia was fined 1.17 million dollars and will be eligible for parole after serving at least 27 years of his sentence.

And finally.... What did Dave Meltzer have to say about all of this? Let's see:
5-27-91 "PWFG ran on 5/16 in Korakuen Hall drawing a full house of 2,250 as Masaharu Funaki beat Jumbo Barretta in the main event in 9:40 with an armlock, Naoki Sano beat Wayne Shamrock (Vince Tirelli) in 26:15 plus Yoshiaki Fujiwara beat Wellington Wilkins Jr. and Bart Vail and Minoru Suzuki won over newcomers making their pro debuts. PWF announced its next show for 7/26 at Tokyo Bay NK Hall, a 7,000 seat building which means they need a strong line-up.


6-3-91 "


Satoru Sayama returned to pro wrestling, sort of. Sayama was the color commentator on the television broadcast of Akira Maeda's debut "Rings" show on the WOWWOW network (equivalent to HBO in the U.S., WOWWOW also airs SWS).


Takada's UWFI is having talks about bringing Bob Backlund back.


Jerry Flynn is headed to PWFG


UWFI on 6/6 in Korakuen Hall has Takada vs. J.T. Southern, Shigeo Miyato vs. Yamazaki, Yoji Anjyo vs. Tatsuo Nakano and Kiyoshi Tamura vs. Tom Burton.


Fujiwara's PWF on 7/26 at Tokyo Bay NK Hall as Fujiwara vs. Funaki and Minoru Suzuki vs. Sano.


Wayne Shamrock (Vince Tirelli) was very impressive on the last PWF show in his match with Sano, that went 26 minutes. Shamrock was an amateur wrestling champ and also won some tough-man contests in the states.


6-10-91 "This is how JWJ reported on the status of the various groups using the old UWF style: "UWFI consists of seven ex-UWF wrestlers and wanted the succession to the name and image of the UWF. However, to their regret, they couldn't obtain the right to use the Universal Wrestling Federation name so they called themselves Union of Professional Wrestling Force International for similar initials. They have enough Japanese wrestlers to run a promotion but they have no foreign talent that can really wrestle. to make matters worse, they have neither money nor television and they don't even have a training gym right now. Obviously, this group is the weakest one of the three. In the ring, they wrestle UWF style and rules basically. The only change is when the match begins, a wrestler has 15 points. A guy loses three points for a knockdown, one for a rope escape from a submission hold and one for a solid suplex. If the guys point total goes down to zero, he is declared the loser automatically. In addition, they have a doubles (tag team) category, in which case they start with 21 points. Considering there were no tag team matches in the UWF, that's something new. There is nothing wrong with that because they need something new, however if it "kills" the image of this being a "shoot" because a tag-team match is considered as a work here, problems will result. Their first card (5/10) drew a sellout of 2,300 fans at Korakuen Hall and all tickets were sold within 15 minutes of them going on sale. The crowd popped like crazy when wrestlers entered the arena with the old UWF theme song. With all ex-UWF wrestlers gone, Maeda was left alone to start his new promotion. Chris Dolman's help was the only strong point of this group. However, things turned when JSB decided to televise all of Maeda's shows. With the help of Dolman and JSB, he ran his first card at Yokohama Arena (capacity 17,010). The card drew 11,000 so the big arena was nowhere near full. In fact, the crowd was the same as when the SWS debuted at the arena last October, but the paid attendance was a lot more. UWF Fujiwara-Gumi changed its name to Professional Wrestling Fujiwara-Gumi (PWF) because they have to work with the SWS, so the UWF name was dropped. Their first show on 3/3 sold out all tickets within 30 minutes, but tickets didn't sell as quickly for the second show on 5/16. In fact, even ringside tickets were still available the day of the card, but the building ended up being packed full with a sellout crowd of 2,250. There is another sport in Japan called SAW (Submission Arts Wrestling) which is said to be a real sport under almost the same rules as the old UWF except that kicks are banned. A unique rule is that if a man uses a sleeper, if the opponent doesn't submit or is put out within 10 seconds, he has to break the hold.


6-17-91 "Actually the "hottest" show of the week was 6/6 at Korakuen Hall when the UWFI drew a huge throng of 2,400 (standing room everywhere) to see Nobuhiko Takada beat J.T. Southern with the wakigatamae (armlock) in 7:04, Tatsuo Nakano beat Yoji Anjyo with a facelock in 15:17, Kazuo Yamazaki won via TKO over Shigeo Miyato and Kiyoshi Tamura beat Tom Burton. An interesting note is that Masaharu Funaki of PWFG was at the show and when reporters surrounded him, he said that he wanted to have a match against Takada. After the match, reporters asked Takada who ignored the question. The 6/8 newspaper reported that Takada would be facing Bob Backlund down the road once again (they had a pretty famous match a few years back in Osaka) but that doesn't seem to be in the cards right now.

 

[Mbetz1981]

*Archives of this series can be found at https://www.patreon.com/KakutogiRoad *

Kakutogi Road: The Complete History of MMA Vol.6 Seidokaikan Strikes Back!"

When we last convened, we were enjoying the thrills and spectacle that only human combat can provide, courtesy of Disneyland Tokyo. Now we shall turn back the clock about a month, and to the humbler setting of Japan’s epicenter of all things Kakutogi: the Korakuen Hall. The date is 6-6-91, and we find ourselves witnessing the 2nd event from Nobuhiko Takada’s upstart UWFI promotion. After the usual preliminaries, rules demonstrations, and awesome theme music, we are underway with a kickboxing match between Shootboxing alum Makoto Ohe vs an American Kickboxer whom I’m wholly unfamiliar with, named Rudy Rabord. Before the fight we were treated to some pre-match interviews that offer a fascinating glimpse into the byzantine situation that was the state of Kickboxing in those days, in which Rudy explained that he had been doing his usual Kickboxing training, but to prepare for this match he was really working on how to use knees. Such a thing seems elementary in our post K1/Muay Thai familiar world, but in 1991, the only time an American was likely to have to deal with low-kicks, knees, or clinch fighting, was when he fought abroad in Japan, Europe, etc.


In any event, we are underway, and this is GOOD. Immediately both fighters start tearing into each other with no let up. After a steady barrage from both men, we begin to see that Rabord’s seeming lack of experience with a more Thai style of fight is becoming a in his armor. Ohe was able to really take advantage of the clinch and work a steady stream of knees into his opponent, which mostly garnered a response of Rudy putting up his hands and having the ref break it up.


By the time the 2nd round was underway though, Rabord had seemingly come up with an answer, and started tirelessly working stiff/short uppercuts to punish his clinch-happy adversary. Rudy wasn’t out of the woods entirely, as Ohe continued to spam Rabord with low kicks that he was ill equipped to check properly. After a while the pattern of the fight started to shift into what was basically a battle of foot vs fist, with Rabord having the edge in boxing skills, and Ohe with the experience with low-kicks and knees. That’s not to say that there weren’t plenty of punches from Ohe, or kicks coming from Rabord (there were), but we did wind up getting a great snapshot of the disparity between Western/Eastern styles of kickboxing from this era.


Round 3 had hardly started when Ohe delivered a devastating thigh kick to Rabord, which almost took him out of the fight for good. Somehow Rudy managed to hang on, but after this he was pretty much forced to rely on his boxing, and his legs were pretty much out of the equation at this point. To his credit, Rabord continued to chip away with uppercuts, when Ohe wisely shoved his opponent into the corner and delivered a straight punch that would have resulted in a 10-count, but when Rabord fell, his leg fell inbetween the ring ropes, which caused the ref to consider it a slip instead. Rudy spent the rest of the round just surviving and hoping the bell would ring.


The Sidekick...if done properly...none can defend

Round 4 starts, and immediately Ohe throws a kick into Rabord’s midsection, which leads to a knockdown. Rabord was able to get up quickly though, only to suffer more punishment for his efforts. All seemed to be lost, when miraculously Rudy was able to turn the tide of the fight by throwing a couple of perfectly timed sidekicks into Ohe’s solar plexus, as he was charging in. It would figure that the most American of all kickboxing staples, the sidekick, would be the key that could potentially unlock victory here, and makes me wonder if he should have been using this technique a lot earlier in the fight.


The rest of round 4 and round 5 saw more of the same, I.E. Rabord continuing to throw combinations, and eating nasty kicks from Ohe, but amazingly at the end of round 5, it was Ohe that was barely walking, and needed help back to his corner. The fight was declared a draw and a great fight it was!


This also leads to my observation that this was a very shrewd strategy by the UWFI to have a kickboxing fight open things up, (it didn’t hurt that it wound up being a super entertaining bout at that) as having an obviously real fight to set the tone for the show, only added to the illusion that the rest of what the audience was going to see would be real as well. And since the rest of the format was pro-wrestling instead of kickboxing, that could be used to justify, or explain away, any possible holes in the logic that may occur later.


Next up is Kiyoshi Tamura vs Tom Burton. There is an old cliché in Pro Wrestling that says a great wrestler should be able to wrestle a broomstick, and make it look good, and here, lo and behold, we appear to have found the broomstick. That may be a little harsh, as it’s obvious that Burton is a powerful guy with some amateur wrestling experience. In fact, had this been mid-90s UFC as opposed to 91 UWFI, Burton may have had some potential to be a nasty threat, but here, he simply served to showcase how awesome Tamura was. Burton had his obligatory offense, but he only wound up looking slow and oafish to Tamura, who was able to showcase slick escapes, smooth transitions, and always maintained a fast tempo. The match wasn’t bad, but that more to do with how great a talent Tamura is, than anything else.


Yuko Miyato vs Kazuo Yamazaki


Yamazaki was my favorite of the Original UWF roster, as he always brought a great psychology to his matches, used proper feints and footwork, and had a demeanor that always suggested that he was in a real fight, which is sadly a rarity in pro-wrestling. He may have been misued a bit in the Original Uwf, but at least he was given equal status to Nobuhiko Takada, (even having a win over him) but as time went on it seems like the powers in charge became content with him basically being a mid-card act, which was well beneath his talents.


This match breaks from the high-octane approach of the prior bouts, with an almost subdued, methodical performance from both men. As both men spend several mins feeling each other out, Yamazaki comes across as a cat waiting for the perfect moment to pounce on its prey, whereas Miyato seems to know this, and is cautiously looking for an answer. About halfway into the bout, Yamazaki just decides to start kicking Miyato into oblivion, which forces a rope escape, and sets a new tone for the match. Miyato returns the favor and in the course of these exchanges we learn the true counter to an achilles hold, which is simply to kick your opponent in the head with your free leg. So simple, and yet so elusive. Well played, Miyato.


Sambo's silver bullet?

This was Miyato’s final act of defiance, as Yamazaki proceeded to use him for target practice for the rest of the match, effective kicking him to shreds. Both myself, and the crowd at the Korakuen hall loved enjoyed every glorious min of it, as truly, Yamazaki does not seem capable of turning in a bad performance.


Yoji Anjo vs Tatsuyo Nakano: A somewhat odd match in that it alternated between explosive striking exchanges on the feet, to a meandering affair once it hit the ground. This contrast had the affect of being somewhat jarring in terms of the overall pacing, but the stand up was total fire, and its amazing how the fakest of the shoot-style leagues, seems to outclass the others in this department. (Compared to PWFG which there is very little striking comparatively, and the last Rings event in which the striking was all over the place).


An entertaining if uneven affair.


Lastly, we have Nobuhiko Takada doing his Monster-of-the-week routine, this time with J.T. Southern as the guest star. Up to this point JT had been mostly a journeyman wrestler, having plied his trade in the AWA and Windy City Wrestling, and really seems like an odd choice to bring in, but here we are. Right away we can see that JT isn’t comfortable in the striking exchanges, and does very poorly, with what can only be described as some pitter-patter palm strikes. Perhaps, he just didn’t know how stiff he needed to be, and that was probably part of it, but you could also tell, that he was out of his element on the feet.


He was able to acquit himself on the ground, to some extent, even going for a kimura from what could loosely be called a half-guard, and did wind up looking passable in the grappling exchanges. The match was mildly entertaining, and was thankfully short at the 7min mark, but really did nothing to add to the credibility of Takada, or the promotion for that matter.


Final thoughts: This didn’t really move the needle much in terms of revealing what could be achieved, (either in the shoot-style, or shoot realms) but it was consistently entertaining, and that has to count for something. To be fair, while PWFG and RINGS seem to aspire for a greater plane of existence, outside of the mere chicanery of pro-wrestling, the UWFI seems very content to be just that, albeit a stiff variation. The main roster is solid, but Takada seems hopeless, as far as establishing any sort of legitimate fighting credibility. Time will tell, as to how long he can get away with squash matches against clueless Americans who would be better off sweeping the arena, as opposed to actually performing in it.

Here is the event in full: