Gwar - Hell-O
Classic first record by Gwar that is under appreciated but contained I'm in love with a dead dog which was the first song I heard by them and how can you not like a band then
I love that album. I miss GWAR.
there's a music forum on this site, now. you may want to move it over there.
Gwar isn't in regular rotation for me any more, but I still dust them off every now and then, or throw on a few YT vids at work. It's been so long since I got covered in fake blood and bile.I still listen to them a lot. It is upsetting how much the band hates this album. It is their best one followed by scumbdogs followed by american must be destroyed.
Pretty upsetting metallica got to play antarctica and GWAR did not
nah, fuck that noise
Do you have any relatively unknown, solid, or nearly solid albums with great lyricism,
instrumentation, engineering, musical innovation, theme, or concept to share?
All music welcome.
We have all had that moment in our lives when we are transcended to a higher place through great music. This is the place to post all those solid albums and hidden gems that for what ever reason, didn't make it to the forefront of our global collective conscience, or perhaps they did for only a brief instance and were swallowed by time once again to be a mere obscure pleasure for those that rediscover it in the recesses of their minds and attics. Maybe the album is only appealing to a micro genre, or perhaps it was buried under the releases of major hit pop albums and groups that pushed it to the fringes of the industry, perhaps they had poor distribution, or had major success in a small region of the world but nowhere else, or had no entry into the market, and just maybe they were ahead of their time.
For my first contribution to this thread, I present you with;
Tales of Mystery and Imagination Edgar Allan Poe is the debut album by the progressive rock group. The Allan Parsons Project, released in 1976. The lyrical and musical themes – retelling's of horror stories and poetry by literary genius Edgar Allen Poe. The title of the album is taken from a popular title for a collection of Poe's macabre tales of the same name, Tales of Mystery & Imagination, first published in 1908.
Album Reception & Legacy:
Critical reception of the album was mixed at the time of release, and it quietly achieved gold status pushed forward by "Tales of Mystery and Imagination" that peaked at No. 38 on Billboard's Pop Albums chart. "(The System Of) Doctor Tarr And Professor Feather" peaked at No. 37 on the Pop Singles chart. On July 2010, the album was named as one of Classic Rock Magazine's "50 Albums That Built Prog Rock"
Major Album Contributors:
Factoids:
- Allan Parsons Organ, Synthesizer, Guitar, Keyboards, Recorder, Vocals, Producer, Engineer, Projectron
- Eric Woolfson– Synthesizer, Harpsichord, Keyboards, Vocals, Vocals (background), Executive Producer
- Although termed a "group" this album was intended to be a "one off" studio project, and is a collaborative work between 44 top notch artists and musicians, that doesn't include any of the other studio & sound engineers.
- Parsons was also known to have been "the" engineer & director of Pink Floyd's Dark Side of the Moon LP. He later declined the invite to do the same for Pink Floyd's "Wish You Were Here" in favor of pursuing his own project.
- In October 1967, at the age of 18, Parsons went to work as an assistant engineer at Abbey Road Studios, where he earned his first credit on the LP Abbey Road, He became a regular there, and later ran the studio in its entirety. He also engineered many projects for Paul McCartney, five albums by The Hollies, Pilot, Ambrosia, and for Pink Floyd's "Dark Side of the Moon" which he received his first Grammy Award nomination.
- Orson "Fucking" Wells provides narrations to a few songs.
- The song "The Raven" was the first rock song to feature a digital vocoder. (according to liner notes)
Allan Parsons, Awards and nominations
- 1973 – Pink Floyd – The Dark Side of the Moon – Grammy Award for Best Engineered Album, Non-Classical
- 1975 – Ambrosia – Ambrosia – Grammy Award for Best Engineered Album, Non-Classical
- 1976 – Ambrosia – Somewhere I've Never Travelled – Grammy Award for Best Engineered Album, Non-Classical
- 1976 – The Alan Parsons Project – Tales of Mystery and Imagination – Grammy Award for Best Engineered Album, Non-Classical
- 1978 – The Alan Parsons Project – Pyramid – Grammy Award for Best Engineered Album, Non-Classical
- 1979 – Ice Castles – Original Motion Picture Soundtrack – Grammy Award for Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media
- 1979 – The Alan Parsons Project – Eve – Grammy Award for Best Engineered Album, Non-Classical
- 1981 – The Alan Parsons Project – The Turn of a Friendly Card – Grammy Award for Best Engineered Album, Non-Classical
- 1982 – The Alan Parsons Project – Eye in the Sky – Grammy Award for Best Engineered Album, Non-Classical
- 1986 – The Alan Parsons Project – "Where's The Walrus?" – Grammy Award for Best Rock Instrumental Performance
- 2007 – Alan Parsons – A Valid Path – Grammy Award for Best Surround Sound Album
Allan Parsons Billboard Top 40 hit singles (US)
No. 37 – "(The System Of) Doctor Tarr And Professor Fether" (1976)
No. 36 – "I Wouldn't Want to Be Like You" (1977)
No. 27 – "Damned if I Do" (1979)
No. 16 – "Games People Play" (1980)
No. 15 – "Time" (1981)
No. 3 – "Eye in the Sky" (1982)
No. 15 – "Don't Answer Me" (1984)
No. 34 - "Prime Time" (1984)
Main References
@BAM