So far, so good
Hope you are well too
I love everything about it - the setting, the sound, the vibe, the instruments shining in the sun, the lyrics, that the drummer gets so much space and air-time and the dream-like weaving he does, their gorgeous young faces overlaid with a solemnity they probably can't even comprehend at that stage. Their sincerity.
I love how out of place they look - (i mean just look at Gilmour, beautiful like a newly-hatched Norse god) like timetravelling musical geniuses that also just happens to be polite Englishmen so they make for the most peculiar houseguests ever and the respect they pay, consequently, is of the utmost and supremely abstract respect. An amazing performance, and a wonderful requiem for lost souls.
I also love that
you love it in such a profound way
(OT, maybe, but I had some very intense mind-experiences with PF when i was 17-19 - the kind that are much much too big for a teenagebrain - and have been 'digesting' them, in layers. The haunting and intoxicating nature (you said it so well) of PF sound always brings me right back to that time, and it is always very healing.
So thanks so much for posting it, now, in this weird time.
Doesn't it just make you want to revise the list and go to Pompeii, though?