Kakutogi Road: The Complete History of MMA *Mega-Thread*

Kakutogi Road Presents: Sayama’s Corner "The Story of Shooto Vol.14"




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Note: This is a continuation of where we left of last time, as we continue to rappel the depths of all shoot-mysteries. In this case, we are forging ahead with our translation of “Shooting: The Technical Shooting Fight” from 1986




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Chapter on the Basics—Let’s start shooting

Shooting requires that you extend your sensibility from head to toes so you can follow any kind movement.

This is necessary also for attack and defense and for the prevention of dangerous situations and becomes possible only after the accumulation of basic training day after day.




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  1. Stretching: Stretching the waist and hip muscles, crotch joints, and thighs
1.1: From this position inhale deeply
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1.2: While slowly exhaling gradually bend your torso and grab the left ankle with the left hand
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1.3 Return to position 1 and twist your body to the right and place your left elbow on your right knee.
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1.4 [Translator’s note: The following two pictures appear in the next page at the top but they seem out of place and I believe they belong here:] Return to 1 and bend your upper body sideways and grab your right knee with your left hand and your left ankle with your right hand.
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1.5: Return to 1 and, keeping your left leg stretched out, curve your upper body to the back. Keep your knee flat on the ground.
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2. Stretching the thighs, waist and hip muscles, knee joints, and calves

2.1:Stretch by placing the inner part of your whole left leg and the right heel on the mat. Even if you can do this all the way, stretch a little more each day.
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2.2: With the intent to stretch the thigh of your right leg, slowly bend your upper body to the front and place your chest snugly on to the right leg
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2.3: Return to position 1 and pulling the left hand behind you, turn your waist to the left. Keep your line of vision at the tip of your left leg
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  1. Stretching the shoulder muscles, waist and hips, glutes, crotch joints, spine, and neck (cervix):
3.1: Spread legs wide and place hands on mat at shoulder width.
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3.2: Enter your head between your shoulders and make sure your buttocks is behind your heals to the back.
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3.3: Pushup while stretching. This also serves as strength training.
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3.4: Skim the mat with your arms as if you are crawling the ground and stretch.
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3.5: Support your weight with both arms and flexibly stretch upwards.
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3.6: Stretch both arms and spine. Look straight upwards.
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4. Stretching the inner thigh muscles, back thigh muscles, and spine

4.1: Gradually spread both legs to the right and left.
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4.2: If you are stiff don’t overdo this.
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Volume 14 Continued....

4.3: In order to prevent curving your back at this position, raise your ankles.
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4.4: From the lower abdomen, slowly lower your upper body as if you are pressing your chest to the front
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5. Stretching the sides of the body, shoulder muscles, and shoulder joints:

5.1: Keep your feet shoulder width apart and with the left arm hold your right upper arm (tricep part). Slowly twist it to the left. Then do the same with the opposite side.
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6. Stretching the neck muscles, cervix, and shoulder area:

6.1: With chest forward, grasp your hands behind your head. As if hugging your head with both arms, slowly lower it with the elbows. When returning to the start position, raise with the head.
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6.2 Spread your feet a little wider than shoulder width and pressing your left ear with the right hand, lower the right shoulder. Do the same with the opposite side.
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6.3: Do not separate your heel from the mat. Keeping your spine straight, press your chin to the back.
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[Top of page:] Stretching in English means “to stretch” or “to pull.” About twenty years ago this exercise was developed by American sports medical scientists and then spread around the world and is currently being used in all kinds of sports as warm up and preparatory exercises.

Stretching trains to stretch and pull the muscles and tendons throughout the body in order to broaden or extend the scope of movement of the joints and prevent injuries.

[Side bar:] Point: “In order to increase the effect of stretching, relax the shoulders, inhale deeply, and while exhaling slowly stretch. Then while taking shallow breaths, maintain the stretched position for a while.”




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7: (In Pairs) Stretching the front thigh muscles, waist and hips, and lower spine:

7.1: Stand above your partner who is lying stomach down, facing the opposite direction.
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7.2: Holding your partner’s feet in your armpits, raise his knees with your hands.
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7.3: Sit on your partner’s buttocks and stretch his spine.
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7.4: Stabilize your partner’s feet with your armpits.
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7.5: Bend this part of your partner (pointed to in the picture).
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8. Stretching the waist and hips, shoulder muscles, nape of the neck, and upper spine:

8.1: Stand above your partner who is lying stomach and face down [but facing in the same direction].
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8.2: Grab your partner’s upper arms [biceps] and lift him.
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8.3: Place your hands on his chin and pull him up to make his face look up
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8.4: [continued in next page 35 out of order:] Hooking your partner’s arms on both of your knees, bend his upper back
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8.5: How to place your hands.
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8.6: Sit on this part of your opponent (pointed to in the picture).
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To Be Continued…


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*Volumes 15, 16, 17, and 18 are all available over at www.patreon.com/KakutogiRoad . Don’t miss any of our exciting misadventures!
 
Kakutogi Road Presents: Sayama’s Corner "The Story of Shooto Vol.15"


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*Note: This is a continuation of where we left of last time, as we continue to rappel the depths of all shoot-mysteries. In this case, as we forge ahead with our translation of “Shooting: The Technical Shooting Fight” from 1986. *




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Body Weight Training:

Leg training (1):

1.1: Relax your whole body, and stand with your feet shoulder width apart.
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1.2: Swing your arms from back to front while bending your knees.
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1.3: Spreading/flexing your chest, lower your hips, and push your butt out behind you. When doing this raise your heels while balancing.
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1.4 Increasing your speed, stand up with rhythm.
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1.5: Bad example: [in the photo] [Don’t] look down with back bent and not completely lowering your hips.
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Leg training (2):

2.1: Stand with your legs spread wide and your arms crossed.
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2.2: With your chest flexed, bend your legs left and right.
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2.3: By lowering your hips sufficiently and doing this for many repetitions, this exercise produces the effect of both strengthening the legs and stretching.
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Knee and abdominal muscle training:

1: Place the soles of both legs of your opponent, lying supine on the ground, on your left knee.
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2: With your left arm between your opponent’s knees, have him squeeze it with his knees.
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3: Left your opponent with your left arm. The opponent must tightly squeeze his knees and not lose the arm.
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Pushup (1):

1.1 Put your feet on a chair and your hands shoulder width apart [on the floor]. Look straight forward. Keep the body straight like a stick.
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1.2: Deeply bend the arms until your chest is about to touch the mat. Make sure your lower abdomen does not sink forward.
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3.3: Bad example: The lower abdomen has dropped and the arms are not completely bent. Pushups are not only for the arms but trains the abdominal and back muscles as well.
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Volume 15 Continued....


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[Top of page:]

There is no need to have muscles to the degree of a weight lifter or a body builder, but we do need muscles that would allow us to move the body freely without restriction.

Unless you do your body weight training in a balanced manner, training the upper body, lower body, front of the body, and back of the body, you will gain muscles that are just one-sided or unbalanced, so be aware of this.

[Side bar:]

Point: “Japanese people, compared to foreigners [non-Japanese], are strong in their lower body but weak in the upper body. There is no need for showy hard muscles, but increase your power with flexible and tenacious muscles [instead].”

Pushup (2):

2.1: Pushup to strengthen your wrists by placing your palms up.
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2.2: Place your hands a little wider than shoulder width and deeply bend your arms while looking forward.
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Pushup (3):

3.1: Do a handstand with your partner assisting (or you can do this alone against a wall).
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3.2: During the handstand, look straight below
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3.3: Pushup using only the strength of your arms. Deeply bend your arms so that your head almost touches the floor.
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Pushup (4):

4.1: Handstand pushups using chairs.
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4.2: Do a handstand on chairs with your partner assisting
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4.3: Bend your arms even more deeply than in pushup (3). Don’t overdo this when you first start. Rather than increasing the quantity it is better to attempt to do this [even once] completely.
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To Be Continued…
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Don’t be caught acting in a way that defies common sense or demeanor!

Join us over at www.patreon.com/KakutogiRoad

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Follow along with MMA from the beginning (in this case March of 1991)

Almost every column/post has 2-6 hours of rare bonus footage that is usually not available publically. (There is approximately 144 hours of footage on our Patreon, and more is added every month).

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Kakutogi Road: The Complete History of MMA Vol.43 "Birth of a Blue-Eyed Samurai"


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Mike Lorefice (of MMA/Puroresu mega-center quebrada.net) will have his comments be preceded by his initials. Also, special thanks to John Krummel for his help with translations!

It seems that in any major endeavor, there is a brilliancy that bursts forth once a generation that will forever alter the dynamics of how that undertaking is perceived by its subsequent followers. Yes, true legends only come along once or twice in a lifetime, and they tend to be stars that burn far too quickly, but will be felt for many years to come. Andy Hug was one such star, a ball of energy that didn’t last half as long as it should have, but burned far brighter than anyone that has come after. Of course, anyone that has followed 90s kickboxing knows of this incredible talent, but we are now reaching an era where much of what he and his contemporaries did are starting to be forgotten, and hopefully, we can help change that. When we started this road of motley misadventures, we began in March of 1991, and while the history of MMA will always be our primary focus, we have always made it a point to try and cover kickboxing as well, not only is it a shared passion between myself and my esteemed colleague, Mike Lorefice, but is in even more dire need of historical analysis than even early MMA is.

Andy Hug was born 9-7-64 in Zurich, Switzerland, but was raised in the Wohlen municipality of Aargau, Switzerland. He took a keen interest in sports at a young age, starting with football (soccer) until the Kyokushin karate bug bit him at the age of ten years old. He instantly took to it, and trained hard until he was able to win various regional titles in the late 70s in the middleweight category (176 pounds). He eventually made his way to the heavyweight division in 1984, and that same year made it to the fourth round of the Kyokushin World Cup. The next year, he won his first major title by taking the crown at the 1985 European Championships. He continued to compete at a high level in the Kyokushin karate tournament scene before joining Sediokaikan in 1992. As we will continue to cover/discover in the days ahead, Hug was an incredible talent in the karate/kickboxing arena. Although barely a heavyweight, he was able to frequently perform maneuvers rarely seen in high-level competition, most notably the ax-kick. He also made up for his lack of size with an incredible athleticism mixed in with a lot of unconventional lines of attack, which eventually led to him winning the K1 World Grand Prix in 1996, and almost winning again in 1997. Sadly, his life was cut far too short due to a sudden bout with leukemia at the age of 35 in the year 2000.

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The date is 7-30-92, and we now find ourselves with our first opportunity to look at Hug via his inclusion at the 2nd Sediokaikan Kakutogi Olympic. We witnessed the first of these events four months prior, which was an event co-promoted with RINGS and was essentially a full-blown MMA event minus the opening exhibition with Akira Maeda. This time around, though Akira Maeda is in the crowd, it does not appear that RINGS is involved, but it does appear that there will be some variance in the rules from bout to bout, and that grappling will be allowed in some of them.

The first match-up on this card is Yoshinori Nishi vs. Greg Douglas and will be contested under Karate Semi-contact Special Rules, which if I’m honest, I must admit I have no idea what that means. The first thing that we notice is that not only is RINGS not involved this time out, but neither is an actual ring. Instead, we are back to the Sediokaikan norm of using an absurdly large square mat for close-quarters combat. Nishi fought in a very cautious style, but was scarily accurate when he chose to fire. Douglas appears to be the faster fighter, but is apprehensive about committing to anything. Rounds 2 and 3 saw Douglas get a lot looser and more into the groove but like myself, he didn’t seem to fully understand the rules, and was penalized for punching Nishi in the face, which is illegal. He was penalized again for taking Nishi down and punching him in the stomach while in his guard. Apparently, grappling and submissions are allowed on the ground, but either no striking at all or just not to the head? The match was a draw after three rounds. Quite interesting, but also uneventful. I suspect that Douglas would have been very dangerous if he understood the rules more.

ML: Cautious fight. Nishi kept coming forward, but Douglas backed away from his attacks rather than engaging, which can make for a difficult fight when there’s maybe 50 feet to work with. Douglas mainly threw a quick low impact counter after getting hit with one or two strikes. Nishi landed more often, but never really connected with any solid blows. Douglas may have been the better fighter, but I’m not sure he knew the rules too well. He cut Nishi with a left hook in the 2nd round, the first good shot he landed, but punches to the face were illegal in this one. He caught Nishi’s leg and took him down, but failed to score due to an illegal punch. Douglas seemed to finally be getting the hang of taking Nishi down by the end of the fight. Fair but relatively uneventful.

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Toshiyuki Yanagisawa vs Andy Hug:

Our very first glimpse of Andy Hug is in a behind-the-scenes vignette where he is AX KICKING HIS TRAINING PARTNER!! I apologize for my enthusiasm, but this was a truly glorious preview of what’s in store for the next 7 ½ years. Before the bout begins, we get to see Nobuaki Kakuda taking on the role of referee, which is something he would continue to do well into the K-1 era, and for this we are thankful. This will be under normal Sediokaikan karate rules. The fight starts, and right away the ax kick returns, which is just one of many reasons why Hug was such a special talent, as in almost anyone else’s hands (or feet as the case may be), this would be far too impractical a maneuver. This was a fast-paced 5 round slugfest that saw Hug throw just about every variation of a kick that you could think of. He put a complete clinic on Yanagisawa as almost every time Yanigisawa would try to enter into phone booth range, he would eat about three kicks for his trouble. Yanagisawa would get the occasional punch or low-kick to land but was probably on a 6-1 losing end of any exchanges. Still, he had tons of heart and just would not quit. This fight was tons of fun despite being so one-sided.

ML: I give Yanagisawa credit for going the distance with Hug in this fast-paced bout. Andy was putting on a clinic at his expense, but there was no quit in Yanagisawa. No punches to the face is probably to Hug’s advantage, as his kicking is so good he can be extremely effective essentially without throwing any punches, even just for the distraction/misdirection. Hug’s flexibility is tremendous, for instance he landed a left axe kick and kept his leg extended in midair, coming right back with a left high kick (which I believe missed). That kind of technique also requires super one foot balance, which Hug regularly displayed, even changing pivot feet so quickly the right leg would be up with a strike the second the left leg was down. Hug cut Yanagisawa’s left eye with a right high kick. At one point, he landed a left axe kick followed by a left high kick then put Yanagisawa down with a right leg sweep. Later he put him down with a spinning leg sweep. Good albeit onesided bout.
 
Volume 43 Continued...

Yoshihisa Tagami vs. Andrei Artamonov:

This match will be under “Karate Glove Rules” which I’m guessing is an esoteric way of saying “kickboxing match.” Tagami was a fighter most notably seen in the early K-1 era, whose powers probably peaked around 1993. His most important contribution was his unquestionably awesome mustache, by far the best in kakutogi history. Artamonov, however, is completely unknown to me. Right away, Artamonov is looking super impressive, almost like Bruce Lee, both in speed and taste in shiny black pants. He is effortlessly moving in and out, kicking Tagami at will. Tagami seems to be the more powerful of the two and occasionally bullies his way into close enough range to land some hard shots, but most of the time, Artamonov can flee away. Round 2 was more of the same, with Tagami barely being able to land anything. Round 3 is when it all turned around for Tagami. Up to this point, he was playing the role of a counter fighter, trying to time his kicks around Artamonov’s attacks. The speed discrepancy was too great for this strategy to work, so in this round, he just went full blast and kept bum-rushing Artamonov at every opportunity. This approach worked splendidly, as Artamonov wasn’t able to handle the constant aggression, and eventually ate a high kick to the jaw, which ended the fight. Good fight, and a great example of smart strategy winning the day.

ML: Tagami is a very aggressive fighter who keeps the pressure on, but unfortunately, Artamonov could run all night. Tagami got off to a quick start then Artamonov was just in retreat mode. Artamonov tried being the aggressor at the start of R2, but resorted to running after taking a few kicks. Artamonov’s big problem is he’d eat a left low or middle kick just about every time he tried to punch. Tagami eventually tired of Artamonov’s hiding, chasing after him and landing kicks. Even a swift kick in the Jimmy couldn’t slow Tagami down. In fact, it may just have made him more determined, as he knocking Artamonov out with a left high kick not long after. Surprisingly pretty good in spite of Artamonov’s best efforts to avoid contact.

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Manson Gibson vs. Taiei Kin:

This match will be held under “Karate Glove and Semi Contact Rules” which I’m guessing means that this is a kickboxing match with some degree of grappling/submissions allowed. Gibson is one of the mutual favorites of myself, and my esteemed colleague, Mike Lorefice, so any day that we get to see him in action is a good one. Taiei Kin, on the other hand, is perhaps one of the most underrated Japanese kickboxers when it comes to his importance in historical discussions. Never the flashiest, or most entertaining fighter, he was always a very tough opponent and one of the most consistently top performers out of the Japanese natives in the 90s K-1 era. He was also robbed of his rightful victory at a Sediokaikan 57-man kickboxing/karate tournament when Kazuyoshi Ishii (Sediokaikan/K1 founder) overturned an obvious judges’ decision in the finals. This travesty gave his golden boy, Masaaki Satake, another undeserved round and wound up tilting the contest in Satake’s favor.

The fight hasn’t even started yet, and Gibson is being both flashy and disrespectful. He went as far as to kiss him during the opening stare down while the announcer was speaking. We begin, and Gibson’s footwork and athleticism are off-the-charts. Here is a guy that once fought Ernesto Hoost with nothing but sidekicks and spinning back fists, and still managed to completely confound him in the process. Round 1 was weird in that no one really wanted to draw first blood. Gibson kept threatening a sidekick or spinning technique, and this seemed to befuddle Kin. Round 2 sees the gloves come off, which I can only assume means that there will be no face punches in this round. Kin was more aggressive in round 2, and landed a few good shots but spent most of his exchanges getting slammed. One spectacular moment saw Gibson just toss him over his back for some major hangtime. Gibson didn’t land much this round, but he didn’t have to, as every time Kin tried to do something he would either get taken down or slammed. Takedowns seem to be permitted, but they weren’t allowed to do anything on the ground once it got there, so I am still at a loss as to what format the rules are following.

Round 3 sees a lot more aggressiveness from Kin, who presses more of an attack and manages to duck a spinning head kick and follows it up with a great short punch to Gibson’s jaw. This change in fortunes made Gibson woozy, and it even seemed like he was in trouble, but he managed to regain his composure just in time to resume his sidekicks and slams. Kin was able to fare a little better here with a few strikes in the clinch before being tossed to the mat, but still didn’t have any reasonable answers to Gibson’s strange ways.

We are back to taped fists for Round 4. Gibson almost murdered Taiei with a head kick followed by a punch to the jaw, but this is now illegal as apparently, punches are illegal in even-numbered rounds (with no gloves). Kin recovers, only to get flatlined again with another closed fist punch. That’s game-over for Gibson, who is now disqualified. This is a hard fight to rate. On one hand, it’s always a pleasure to see Gibson operate, as he had to have been the most unorthodox kickboxer of his era to reach a high level of competition. However, this same uniqueness also led to an odd staccato rhythm in this fight where it was mostly a confused Kin trying to figure out what to do with him. Not much happened in the first two rounds, but it was a unique experience all the same.

ML: Gibson has excellent footwork, and is so light on his feet. He beautifully utilized his side stance to keep Kin off balance and on the defensive as he looked for his spinning kicks. Gibson would come in by repeatedly spinning, with Kin not even throwing as he was so baffled. Kin, who is normally one of the better counter strikers, backed away as usual, but was never able to go on the offensive out of his opponent’s miss, and thus barely landed anything in the first two rounds. Kin landed a high kick in the 2nd, and tried to press forward, but Gibson countered with a suisha otoshi. In the third, Kin avoided a spinning kick and put Gibson down with a short right hand to the chin, which was legal because they wore kickboxing gloves in the 1st & 3rd. Gibson put Kin down twice in round 4, but unfortunately for him they were both with illegal punches at the end of the combination because they both fought with karate taped fists in the 2nd & 4th, resulting in a DQ. Kin was hurt fairly badly the second time, his eye almost immediately closed, and was rather unhappy with Gibson after the fight, as there was also a low blow and a few really slow breaks. That being said, Gibson is a kickboxer whose instincts are to punch to the head, so it had to be really difficult to remember every other round that he couldn’t do what he always does. Certainly a disappointing finish, but the expected high level of fighting from two of the best. Entertaining fight, though more for people who enjoy quality defense and movement, as not that much really connected despite the aggressive high risk attacking.

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Dale “Apollo” Cook vs. Toshiyuki Atokawa

It’s Christmas in July over here, as another one of our favorites, Dale “Apollo” Cook, is here to surely show everyone else how this is supposed to be done. Cook was someone that always looks amazing, and has always looked about 60% better than his opponent in any fight I’ve seen him in. Sadly, many of his fights are lost to us, and one of our mission parameters at Kakutogi HQ is to locate more of his fights. This fight was 4 rounds of Atokawa getting owned by an excellent showcase of Cook’s skills. No mater what range of the fight it was, Cook was better than his opponent. Atokawa showed tons of heart, and to be fair, had some decent moments when he wasn’t wearing gloves, but this was almost a one-way show for Cook. Fun fight.

ML: Atokawa is one of those natives who seems to always fight a name foreigner who is more talented than him, but always gives his all, and that translates into a tough action packed fight. Atokawa was aggressive, especially in the final round, but Cook does such a nice job of making little movements that Atokawa rarely landed cleanly anywhere but to the leg. Cook is so great it doesn’t matter much whether he’s counterpunching or attacking to fill any lulls. He was way more accurate than Atokawa. Cook put Atokawa down early with a straight left counter, and had several good takedowns, mostly with the STO, but overall it was a lot closer than I would have expected. Atokawa didn’t wear boxing gloves, so he wasn’t supposed to be allowed to punch to the head, but of course, he accidentally did it anyway, with Cook punching himself in the chin twice to alert the ref to the infraction. Good match.
 
Volume 43 Continued....

Masaaki Satake vs. Ahmad Muhammad

This was just two minutes of Satake beating up some random dude that had no business being there. Muhammad seemed to barely be able to move his feet, which caused him to just be a stationary target for Satake.

ML: I realize Satake was “good” in these days, or rather the pet of promoter Ishii, but this slaughter seemed more due to Muhammad being past his prime. I don’t actually know anything about the guy, but his footwork stunk, and seemed to cost him the first knockdown. Satake then hurt him with a low kick for the second knockdown, resulting in Muhammad gimping around the rest of the bout. Satake kept the pressure on, and why not as he was hitting Muhammad at will.

Conclusion: Despite the bizarre and confusing rules this was a fun event. I wish it had more of the MMA feel that its predecessor did, but it was still a very worthwhile show, and it was a delight to see Hug in action.

ML: The fights were a bit all over the place with these weird rules that changed by the round, but there was a lot of talent of this show, with three all time greats in Cook, Gibson, and Andy all delivering typically fun matches. Especially given they weren’t even fighting in a ring, or under kickboxing rules, this event greatly exceeded my expectations.

*This entire rare event, along with tons of other priceless treasures can be found over at www.patreon.com/KakutogiRoad *

Also, thanks to our resident translator, John Krummel, we no longer have to wonder through life in a state of delirium, wondering what exactly the rules were to this event, or what some of the comments were that the fighters made. Here, in his own words, is a translation from Japanese to English of what was going on:

"Introduction Narrator: Douglas is a wrestler but has experienced some striking and is trying to form his own version of a complete fighting style. Nishi experienced Kyokushin karate and Daidojuku karate and is founder of Keishukai. Hug formerly from Kyokushinkai with his unbeatable axe kick; Yanagisawa of Seidokaikan has fought in many memorable bouts. Artamonov is full contact karate fighter from the ex-Soviet Union and is undefeated. Tagami from Seidokaikan, light weight figher, mainly in kickboxing. Gibson, is kickboxing world middle weight champion and the hawk weight champion in shoot boxing and has many other titles; Kin, a young hopeful fighter from Seidokaikan. Cook is UKF world middle weight champion, experienced in kickboxing but also in boxing with high KO rate. Atokawa from Seidokaikan, beat Satake in the karate world cup. Muhammad, former WKA super heavy wt. chamption; Satake of Seidokaikan, aiming for the top position on the martial arts road.

Ishii, Seidokaikan chairman’s opening speech: Thanks for coming, this is our 2nd Martial arts Olympics…We’re planning to continue doing these events every year over the next few years to make martial arts as popular as F1 [Formula 1 car racing… very popular in Japan at the time… inspiration for the term K1 he later comes up]… Please keep cheering and enjoy the show, thank you… Osu!

Karate Semi-contact Special Rule: Yoshinori Nishi vs. Greg Douglas 3R (3min rounds):

By “semi-contact” they mean Kyokushin/Seidokaikan type karate rules that is bare knuckle full strikes without punches/hand strikes to the head. Win by KO or referee/doctor stop or 3 downs in one round. Escaping out of the mat twice is considered one down. Grappling is allowed. No hand strikes to head and no striking on the ground.

Nishi’s post-fight comments: “I could only use my left leg today, I’m not too happy.”

Seido Karate Rule: Andy Hug vs. Toshiyuki Yanagisawa 5R (3 min rounds)

Narrator: Any Hug, after transitioning to a professional fighter, has been further perfecting his axe kick. Yanagisawa would like to showcase his talent that he had shown in Seidokaikan tournaments.

“Semi contact” karate rules (meaning no face punches, full-contact); after a down if the fighter is unable to make a fighting pose within 5 seconds, he would lose (by ippon = full point); if he can make a fighting pose, he loses half point. No throws, no face punches, and grabbing is allowed for one second. Kakuda is the referee. [I think this was Andy Hug’s first public fight in Japan after leaving the Kyokushinkai organization, and being picked up by Seidokaikan to fight professionally.]

Post fight interview with Atokawa: About his thoughts on Hug: “He’s strong… very strong.”

35:50

Karate Glove Rule: Yoshihisa Tagami vs. Andrei Artamonov 5R (3 mins rounds) 1:58.

Glove rules; Win by KO, TKO, or 3 downs in one round. No headbutts, groin attacks, throws, or strikes to downed opponent. Leg kicks are allowed but no elbows and knees to head.

Post fight comments of Tagami: “I did it! Alright!” When questioned about his opponent, he says, “After he punched me, I felt I could take his strikes, so while letting him hit me, I went on the offense.”

Karate Glove & Semi-contact Rule: Manson Gibson vs. Taiei Kin 4R (3 mins rounds).

Mixed rules alternating between rounds: the gloved rounds are in muaythai rules, allowing elbows and knees; During the karate rounds [Kyokushin/Seido type rules, bareknuckle with no face punches], you can wear gloves if you want to.

Kin’s post fight comments… His seconds tell him “you won” and Kin says “I got one down from him!”

Karate Glove & Semi-contact Rule: Dale “Apollo” Cook vs. Toshiyuki Atokawa 4R (3mins rounds).

Mixed rules like previous fight (knock down bareknuckle karate (“kyokushin/Seidokaikan” rules) + kickboxing (“gloved karate”). Gloved rules is muaythai rules allowing elbows and knees. For karate rules the fighter can wear gloves he wishes (which is what Cook chose to do).

After the fight, narrator’s comment: Cook asks Atokawa for forgiveness for accidentally hitting his face during the karate rounds and they show mutual respect… And among the cheering spectators in the audience, there was also the face of Akira Maeda. Cook wins by decision.

Post-fight interview with Atokawa: “It’s true that in the first round I got knocked down, but for the rest of the rounds in content, my low kicks were hurting him and I hit him with my knees. But unfortunately he had already gotten me with a decisive down earlier. But in any case, for myself, I’m pretty satisfied [with how the fight went].”

Karate Glove Rule: Masaaki Satake vs. Ahmad Muhammad 5 rounds (3 min rounds)

Narrator before the fight: the martial arts road in unfolding in 1992 with this man Satake as the leading player. He is now in the process of treading the path to the peak. However for Satake, who is still uncertain about fighting with gloves, this fight weighs heavy as an anticipation of his many to come future bouts with formidable opponents. He cannot lose.

Full contact karate rules: Win by KO, TKO, and 3 downs in one round counts as a KO. No headbuts, throws, groin attacks, attacks to downed opponents; no elbows and no knees to head/face.

Post fight narration: The former WKA superheavy weight champion was no match for Satake. The fighter who had conquered the world on this day was lacking as an opponent for Satake. Responding to the “Satake” chant, Satake was already looking past the horizon of Muhammad.

Postfight interview with Satake: “The Seidokaikan fighters today were doing so so, so I wanted to make a big bang to end today’s event, so it was good. With this I will continue to improve [“step up”] and I’ll continue training hard for my next fights. Plus the younger fighters [in Seidokaikan karate] are coming up too, so it will become interesting…”

*Kakutogi Rewind*

Now, to end this month with a bang, we decided to go way back into our vaults and pull out the oldest footage we have of Andy Hug, at a karate tournament from 1989! The event in question was the 4th All Europe Karate Championship, which featured several talents that would become notorious in later years, most notably Gerard Gordeau, Michael Thompson, and of course, Andy Hug. I should also note that while going over this video, it was a lot of fun to notice Kyokushin Karate founder, Mas Oyama, hold a press conference, because of the unbridled joy that could be seen on his face, when he was talking about karate to the press and public. Both Andy Hug and British karateka, Michael Thompson, made it to the finals of this event. Both Thompson and Hug have been here before, Hug won this event back in 1987, and Thompson took 3rd in 1982 and 2nd in 1987. This time frame was probably at the peak of Thompson’s karate powers, whereas Hug wasn’t quite into his absolute best version of himself. As the 90s continued, Thompson continued to compete in both Sediokaikan karate as well as K1 kickboxing, and did very well, but never quite got to the top echelon.

Even as far back as 89, we can see that Hug is already a very special talent. He starts the fight by bum-rushing Thompson with an attempted flurry of punches (which Thompson was able to quickly avoid), and when Thompson started to press his attack, he was almost decapitated by an effortless spinning roundhouse from Hug. Thompson then spent most of the match trying to keep his distance and utilize well-time his attacks, which worked some of the time, but also served to give Hug distance, and play the role of the counter-striker. What it really came down to in this fight was Hug’s variety. He was constantly shifting his attacks and his range. Sometimes, Hug would fight from a distance, and then just as quickly, rush in to fire some offense off from the clinch. Hug’s continuing variations seemed to take Thompson out of his game, although he did manage to sneak in some of his game in, especially a brutal punch to Hug’s midsection, and a surprise high-kick to his face. The match went to a decision, which was awarded to Hug. Nice fun fight.

ML: Hug was fighting at 176 pounds here, which is reasonable, if these days even small for a fighter under 6 foot. He was certainly not one of the bigger fighters in the weight class, although he is about the same size as Thompson, who was billed at 5’11". Hug just has so much diversity though, and the speed and flexibility to incorporate a lot of kicks that other people wouldn’t be all to pull off in a competitive situation. One of the highlights of the tournament was a beautiful spinning high kick knockdown that Hug scored in his 2nd round match against Dejan Zelesov. Thompson was more than a worthy adversary, a 3 time British Open winner here, who also won the title again in 1990, and later joined forces with Andy in Team Andy Hug. He did a good job of using punches to the liver, and that eventually opened up a high kick, but he certainly didn’t have as many weapons as Hug. This was definitely an interesting and competitive match, but in the form that it was shown in here, I wouldn’t want to be in charge of picking the winner.

*This very rare Kyokushin Karate tournament, featuring a young Andy Hug, can be found over at www.patreon.com/KakutogiRoad *
 
The infamous hall of pre-UFC shoots that we've covered in these columns continues to grow, thanks to another Sediokaikan Combat Sports Olympic.The rules were confusing as they changed from fight to fight, and sometimes from round to round, but an actual mma format was present for one of these fights. (This list excludes any/all Shooto fights, as those were all-shoot.)

Here is the latest list:

Freek Hamakers vs. Charlie Lieveld (A Free-Fight that took place on 11-20-88 at a Dutch kickboxing event)

Gerard Gordeau vs. Dick Veldhuis (A Free-Fight that took place on 2-19-89 at a Dutch kickboxing event)

Yusuke Fuke vs. Lawi Napataya (PWFG 7-26-91)

Minoru Suzuki vs Lawi Napataya (PWFG 8-23-91)

Ken Shamrock vs Kazuo Takahashi (PWFG 11-3-91)

Nobuaki Kakuda vs Herman Renting (RINGS 12-7-91)

Gerard Gordeau vs. Mitsuya Nagai (RINGS 12-7-91)

Minoru Suzuki vs Takaku Fuke (PWFG 1-15-92) This was a shoot, but there were no strikes. It was similar to a ADCC match.

Billy Scott vs James Warring (UWFI 12-22-92)

Nobuhiko Takada vs Trevor Brebick (UWFI 12-22-92)

Mitsuya Nagai vs. Koichiro Kimura (RINGS 1-25-92)

Nobuaki Kakuda vs Rob Kaman (Rings 1-25-92)

Masaaki Satake vs Gerard Gordeau (Rings 1-25-92)

Adam Watt vs. Hans Nyman (RINGS 3-5-92)

Nobuaki Kakuda vs. Rudy Ewoldt (RINGS 3-5-92)

Masaaki Satake vs. Fred Oosterom (RINGS 3-5-92)

Gus Garcia va Richard Carle (PWFG 3-20-92)

Ozzie Alvarez vs Pedro Goderich (PWFG 3-20-92)

John Lana vs Herman Cicedo (PWFG 3-20-92)

Pieter Smit vs. Mikoki Ichihara (Sediokaikan/RINGS 3-26-92)

Herman Renting vs. Yoshinori Nishi (Sediokaikan/RINGS 3-26-92)

Naoyuki Taira vs. Eric Edlenbos, (Sediokaikan/RINGS 3-26-92)

Maurice Smith vs. Masaaki Satake (Sediokaikan/RINGS 3-26-92)

Yoshinori Nishi vs Willie Peeters (RINGS 4-3-92)

Kazuo Takahashi vs Yuki Ishikawa (PWFG 4-19-92)

Kiyoshi Tamura vs Mathew Saad Mohammed (UWF-I 5-8-92)

Minoru Suzuki vs Yuki Ishikawa (PWFG 6-25-92)

Yoshinori Nishi vs Peter Dijkman (RINGS 6-25-92)

Mitsuya Nagai vs Nobuaki Kakuda (RINGS 6-25-92)

Naoyuki Taira vs Eric van der Hoeven (RINGS 6-25-92)

Masaaki Satake vs Willie Peeters (RINGS 6-25-92)

Nobuaki Kikuta vs. Yukihiro Takenam (RINGS 7-16-92)

Chris Dolman vs Buzariashibili Ramaji (Rings 7-16-92)

Masaaki Satake vs Peter Oele (RINGS 7-16-92)

Yoshinori Nishi vs. Greg Douglas (Sediokaikan-Kakutogi-Olympic-II 7-30-92)
 
Kakutogi Road: The Complete History of MMA Vol.44 "Bad Times in Sapporo-Town"


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*Editor’s note: Mike Lorefice (of MMA/Puroresu mega-center quebrada.net) will have his comments be preceded by his initials.

We are about to experience some bad times in Sapporo, Japan, as Olympic caliber judoka, Allen “Bad News Brown” Coage, has been tapped by the UWF-I to thwart the incredible Albright-monster. This was an interesting acquisition, albeit one that was probably fifteen years past its expiration date due to Coage being 49 at the time. Coage was born on 10-22-43 in Harlem, New York, and was raised in the poor neighborhood of St. Albans, Queens. His life was changed on a New York subway, at the age of 15, when he saw an advertisement for Jerome Mackey’s judo dojo, but wasn’t able to fully dedicate himself to the noble art until the relatively late age of 22. Despite this, he took to it quickly and was able to start winning competitions as early as seven months into his training. He continued his winning ways all the way to the 1976 Olympic games, eventually winning a bronze medal in judo. He quickly quit the sport after his victory, citing frustrations with Olympic politics, and went on to have several odd jobs before landing in the bizarre world of professional wrestling. Thanks to already having several connections in Japan from his judo career, he was able to hook up with Antonio Inoki and was put through the New Japan Dojo system. He would then wrestle intermittently for them for the next 15 years.

In 1982, he found a long-term home in Calgary, Alberta, Canada, with Stu Hart’s Stampede Wrestling promotion. Over the next six years, he was a major player in that promotion before being promised a World Title run in the WWF by Vince McMahon. He jumped over to New York to become one of the most interesting late 80s heels, but as usual, was misused by the WWF and eventually became tired of Vince’s lies and broken promises, including never capturing a title of any sort. We are nowin its final twilight of Coage’s career. It is kind of an odd situation as he still has a lot of respect and weight in Japan due to his judo and NJPW fame, but his age would certainly be a hindrance. He could be an asset if booked properly and allowed to be built up to a main event run with Albright/Takada, but since this is the UWF-I, we are surely going to see Booker Miyato find a way to screw this up.

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Before the matches begin, Lou Thesz comes out and gives a speech that lays the gauntlet down, claiming that all of the other so-called “World Champions” are champions in name only and that the real wrestlers are in the UWF-I. This had to be a great credibility bolstering moment for this promotion as Thesz was known as the “God of Wrestling” in Japan, and surely had a lot of weight behind his words.

Hiromitsu Kanehara vs Yoshihiro Takayama

To say that booker Miyato is phoning it in would be an insult to anyone that works in telecommunications for a living. His performance is more like sleeping on the job at this point. This is the 3rd match between Takayama and Kanehara, which would have been the 9th match between Kanehara/Maeda if better Maeda had not retired. Worse yet, since they have never broken the formula, we already know who is going to win this, and now it’s only a matter of nuances from one match to the other. Kanehara came out like a ball of lighting right out the gate and looked fantastic. The first two minutes had my attention, as Kanehara put so much into chopping the giant redwood down that I thought that this was going to shape up to be a decent match. It quickly went sideways due to a combination of Takayama looking worse and worse the more energy he expends and him not looking good at all whenever there was a grappling exchange. Towards the end, it just starting to get painful watching Kanehara try and make something worthwhile out of this. Taken in a vacuum, it wasn’t all bad, as the fast pace, stiffness, and aggression that Kanehara was forcing kept it far from being boring. Still, when compared to the milestones that came before it, it’s a letdown. The problem is that Takayama is not physically suited to try and follow Maeda in this high-octane, go-for-broke, physical style. He has the build of a pro-wrestling special attraction, and would probably be better served in a more traditional pro wrestling format. **

ML: Takayama would have been more suited to the willing bleeder role of say Shoji Nakamaki or Hiroshi Ono in your favorite backyard level death match. Takayama was a little more aggressive and energetic than last match, but Kanehara can effortlessly land three solid shots in the time it takes Takayama to make a concerted effort to rush one shot that has little impact, and doesn’t come close to the proper location. Takayama kept landing, if that’s what you want to call his shots that couldn’t kill a bug, kicks with the bottom of his kneepads or the top of his kick pad. Overall though, Takayama was less inept than last time, as he at least dropped the uncoordinated dropkicks & such, and just stuck to making a mockery of legitimate strikes. Kanehara did his thing well, of course, but was lacking some of his usual enthusiasm. At this point he knows full well this is not going to be another match of the year, and has given up on being creative, given the opposition can barely handle the absolute basics.

Yuko Miyato & Masahito Kakihara vs Tatsuo Nakano & Tom Burton:

Now for another sequence in the random booking generator that booker Miyato has been keen on using. At least this is an interesting pairing on paper, as having two lithe and explosive workers like Miyato/Kakihara vs two burly monsters like Nakano/Burton could lead to good results if done correctly. Right away, I’m impressed as there is palpable electricity in the air when Kakihara unloads some lighting palms into Burton. Kakihara being impressive is standard, but what is remarkable here is how urgent and intense Burton is acting. The pressure that Kakihara is putting on him forces Burton to fight as if his life depended on it, and he does a good job of immediately closing the distance and slamming Kakihara, thus mitigating the damage he has to take. Kakihara gets up quickly, however, and shifts to rangy attacks, using incredibly stiff kicks from a distance. Seriously, it looks like he is going to imprint a permanent mark on Burton’s thighs, just like Pedro Rizzo did to Randy Couture several years later. The rest of this match was excellent, and may wind up being one of the sleeper hits of 1992. Kakihara was the real star here, everything he did just looked fantastic, but I don’t want to diminish anyone, as they all stepped it up and brought their best games. Even the pro wrestling styled spots (in which there were several), felt organic and looked good, which is a considerable challenge in a shoot-style context. Excellent! **** ¼

ML: Kakihara was just on fire here, making this match with his energy and urgency. He did a great job of fending off Burton’s takedowns, and making him pay with flurries of lightning fast strikes. He did great work against Nakano as well, pitting his Jeff Speakman of the East speed against Nakano’s power striking. This was by no means a shoot, but Kakihara was able to maintain that sort of life or death pace and reaction speed, both offensively and defensively. Even Kiyoshi Tamura may not be able to get Nakano & Burton to work at such a high pace to keep up with him. Miyato was his usual reliable self, and there was some really nice scrambling between him & Burton. Though Kakihara gave his best performance so far, and really came into his own this match, perhaps the revelation here was Burton, who showed a newfound ability to work the grappling sequences with some actual speed. Burton wouldn’t push a match in this direction, but if not for Burton’s suddenly being able to follow in this vein, this wouldn’t have been one of the best UWF-I tags we’ve seen. ****

Kiyoshi Tamura vs. Ray Lloyd

Now it’s time for a blast of arctic winds to engulf the Nakajima Sports Center! Yes, the man who would later become the pro wrestling embodiment of Sub-Zero from Mortal Kombat is about to face off against Kiyoshi Tamura several years before he was under the icy tendrils of Eric Bischoff. The question will be, does a glacier stand a chance against the might and agility of an angry Tamura? The match starts, and I find myself wondering if there is anything that Tamura can’t do? His low single-leg takedown is just as good if not better than the future Sakuraba’s, and after his flawless execution of said takedown, he effortlessly pulls out a slickly inventive ankle attack. This match was only about six minutes long, and mostly a one-man-show for Tamura, but what little we got to see of the human iceberg wasn’t good. He looked slow and painfully unsure of how to work within this style, but he is young and may be able to learn how to function in this format with enough time. Sadly, his knees are some of the worst we’ve seen so far. * ¾

ML: Despite Glacier arguably being the biggest much ado about nothing in the history of Monday NyQuil, Ray Lloyd was a good all around athlete, and had a lot of potential in this style. Tamura didn’t give him much opportunity to show any of his WKA United States Southeastern Super Heavyweight Championship skill though, mostly grounding him where he was more hit and miss. Overall, this was okay, Lloyd was already better than most of the random southern dudes they come up with, but that is a low standard. Obviously, he was fighting Tamura, and by Tamura’s incredibly high standards, this was terrible.
 
Volume 44 Continued...

Nobuhiko Takada & Mark Fleming vs. Kazuo Yamazaki & Mark Silver

It’s time for the battle of the Marks, and only Yamazaki can save us now. In what is another example of lazy Miyato’s style-of-booking by way of dice rolling, we have this random pairing. Also, one tag match per event is forgivable, but this is just absurd. Fleming/Yamazaki start this and have a pleasant run of strength vs. submission savvy. Yamazaki looked nice, but Fleming had a couple of good moments, most noticeably a pleasant Kimura throw. Unfortunately, Yamazaki left early to leave us with Fleming/Silver. They are both doing fine for the amount of skill that they have, but they both need a more experienced opponent to work with them, so what we’re left with is a battle between two guys with 0 striking ability and only crude attempts at an ankle lock for submissions. To sum it up, when you have a formula that consists of a lazy Takada, two inexperienced personnel members, and Yamazaki, you are left with a recipe for failure, as Kazuo can’t carry three people by himself. This match had a few good moments (especially when Takada/Yamazaki were paired together) and wasn’t terrible by any means, but was a major letdown when it had to follow such a dynamite showing in the aforementioned tag-match. The UWF-I have the talent to put out a dynamite event every month without breaking a sweat, but the infamous duo of Miyato/Anjo seem to be determined to kill this outfit’s potential at every turn with their inane booking. ** 3/4

ML: UWF-I chooses entertainment over realism, so while this match was just kind of there, it felt more like a failure because it was neither. Yamazaki installed a little life, as he was obviously thinking about what he was doing, and trying to set up his kicks. Takada vs. Silver was mostly just randomly grabbing one appendage and after the other though. Fleming vs. Silver was a lot of jockeying for position. Nothing was really bad, but they weren’t holding my attention, either.

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Gary Albright vs. Bad News Allen

Now that the Albright-monster is “Best in the World” there are going to be plenty of potential usurpers to his throne. The next in the latest list of would-be challengers is Allen “Bad News Brown” Coage. I admit that I find the inclusion of Allen to be intriguing as before he was attempting to put Hulk Hogan in the “Ghetto Blaster” he was a man of some serious judo credentials, having won a bronze medal at the 1976 Summer Olympics. He also successfully graduated from the New Japan Dojo system, which he once noted was easy for him because his Olympic judo training was more demanding. Still, he is almost 50 years old going into this, and I’m sure he has a long list of injuries. We start with a pre-interview with Allen, who states that he came here to the UWF-I because New Japan is looking more like New York (WWF) with all of its showbusiness. He also mentions that he is confident because of his many years of judo experience. Albright was also interviewed, and once again, has an awesomely articulate and understated interview style. He says that anyone that could come from a Harlem ghetto and accomplish as much as he (Allen) has is not to be underestimated.

Albright wastes no time in bum-rushing Allen, but is quickly taken down by a wonderful inside foot sweep from Bad News. The first few mins saw Allen dominate the fight with his strong judo, before eventually falling into the usual Albright suplex spree, thus ending the match. I liked this more than I was expecting, and felt that they were a good pairing. Allen is one of the few people that can stand next to Gary and not look out of place from the standpoint of his physical stature. Also, Allen’s technique was solid, and he carried himself credibly and intensely. The big problem, of course, is that he moves like molasses, again due to his age. I suspect that if they were able to get Allen in his prime, he would be a beast in this style, but he is too far past his peak to be much more than a special attraction. Short match, but good for what it was, and I doubt the bout going any longer would have benefited anyone. ***

ML: This was very odd booking because debuting Allen is a big star both in Japan for his 1976 Olympic judo silver medal and run in New Japan after being trained by Antonio Inoki, and in America for his tenure in the WWF as Bad News Brown, where his possum that they claimed was a “Harlem Mutant Sewer Rat” trained to eat snakes and dogs protected him from Jake the Snake’s sluggish python Damien. It would have made a lot more sense to build Allen up by having him run through at least a couple midcarders en route to this meeting of former Stampede headliners. In Calgary, Allen was the bigger star, but he was also in his heyday then, whereas Albright was quite inexperienced. At almost 49 years old, Allen was far from his prime, but he was still one of the most interesting heels in the WWF just two years earlier, so they may as well have done something with him if they were going to bother using him. Albright didn’t run over him the way he normally does, but Allen didn’t get to do much, and never got any one excited about him, or provided any reason for a rematch in two weeks. It seemed especially lame that he submitted to a full nelson, rather than getting overwhelmed by one of Albright’s monster suplexes. This was inoffensive, but a short, not particularly well worked squash is certainly no better than *.

Conclusion: If it wasn’t for the excellence of the Miyato/Kakihara vs. Burton/Nakano outing, then this would have easily gone down as one of the worst UWF-I cards in its history. It may still be one of the weakest ones we’ve seen so far, but that match is good enough to be worth anyone’s time. I would also say that the Coage match is of some marginal historical interest, but this was pretty forgettable, overall.

ML: I am really disliking Gary Albright’s run on top, as now the last two matches on every show have a good chance of being hopeless.

*This entire event along with over 168 hours of other rare bonus treasures can be found over at www.patreon.com/KakutogiRoad *

*Kakutogi Rewind*

As a bonus, my esteemed colleague and I will gaze into the misty haze of 1977, when a Mega-Battle between two Olympic judokas took place. The date was 12-8-77, and we will be reporting from a New Japan TV taping in Tokyo, Japan. The combatants will be Allen “Buffalo” Coage vs. Willem “Tarzan of the Tatami” Ruska.

This rare pro wrestling showcase between two Olympic judokas will be a “Judo Jacket Match". Unlike North America, where the average citizen would be hard-pressed to name even one judoka, this was surely a big deal in Japan at the time. Of course, Antonio Inoki had put himself in mixed “Marital Arts” matches before this (including wins over Ruska in mixed style matches on 2/6/76 & 12/9/76 with Ruska defeating Haruka Eigen, Makoto Arakawa & Masanobu Kurisu in a Handicap Judo Jacket Match on 10/7/76 to set up the rematch), but this would be the first time that two martial artists with such a high degree of legit accomplishments within their discipline would meet in a pro wrestling environment.

This was only 6th appearance from Coage, who had debuted in a similar match against Seiji Sakaguchi a couple of months prior. Ruska, on the other hand, already had 2 years of experience having non-stop matches both in Japan and stateside with the NWA/WWWF. He also had a taste of international controversy while embarked on an NJPW tour of Brazil, when a match between him and Brazilian vale tudo legend, Allen Gomes, went sideways and turned into an unplanned shoot. This caused a near-riot in Brazil, as Ruska was caught underneath the ropes in a rear-naked choke that Gomes refused to let go of. As a result, the referee counted Gomes out, thus giving Ruska a controversial win.

The match starts, and Ruska immediately assumes the role of the heel, attacking Allen from behind, just as the bell rings. It is also clear that Ruska has the crowd’s attention as Allen still is new to the Japanese audience at this point. After several minutes and 600 officials later, order is restored, and we get a brief glimpse of the incredible judo of Ruska. They start playing things like an actual judo match, and it was great to see how effortlessly Ruska found his grips and tossed the huge Allen to the mat. It then proceeded to look like a BJJ match with Ruska attempting a triangle off his back, only to find himself being stacked by Allen and having his guard passed. Once they were back on their feet, the judo continued, this time with Allen executing a tremendous Kobi Nage (neck throw). Eventually, the legit grappling gave way to standard pro wrestling territory when Ruska decided to start throwing a flurry of (poorly) worked punches at Allen. This shifted the rest of the match squarely into the theatrical, with Ruska doing his best Ric Flair imitation (complete with a blade job), and Allen taking on the role of the angered babyface. Allen looked much better on this side of the equation with his worked punches looking decent, and his headbutts looking better than anything Fujiwara ever came up with. While the camera angle made it hard to tell, it seemed to be that Allen eventually succumbed to some type of lapel choke, giving Ruska the win.

Taken in isolation with a modern eye, this would no doubt look silly, almost like two BJJ blue-belts decided to interrupt their rolling sessions to have a pro wrestling match. However, this doubtlessly has a lot of historical value. While Inoki’s motivations for bringing more legit martial artists into his company were self-serving in that he wanted to craft a fantasy narrative that he was the greatest living fighter, it did wind up setting the groundwork of what RINGS would later become. Maeda followed the tradition of hiring highly skilled (in their respective style) martial artists and putting them in a pro-wrestling spotlight, and had it not been for the precedent set by Inoki in matches like this, it’s hard to imagine all the ingredients being present for the catalyst that became the early 90s kakutogi boom. Taken by itself, this match might only be **, but it is worth viewing for the historical value.

ML: With this sort of match, you either have to go into it with the premise that you trust the judo or you don’t. Unfortunately, these two couldn’t make the decision, and that’s where pro-wrestling typically fails, assuming they have to spice things up, but just making it silly in the process. I was on board for a while because Ruska jumped Allen before the match, semi landing a series of knee drops, because once the match actually started, they just did a serious judo exhibition. This was admittedly kind of dry, but one would think it would have played out a lot better at the time than it does looking back all these years later, as this was definitely a lot more interesting than the usual lengthy armbars and chinlocks that were going on in these days, although my main issue is they weren’t struggling enough to make it compelling. At some point though, they totally abandoned the plot, and had Ruska throwing an elbow and a couple of slaps against the ropes, then Allen retaliated with a series of shoulders in the corner. Ruska tried to choke Allen even though they were in the ropes, and they both went tumbling over the top to the floor, where Allen got a few headbutts in before they were broken up. Ruska did a massive blade jab, and Allen continued to throw headbutts when he returned to the ring, but was distracted by Ruska’s second, which was just so much more cheesy in this context. This led to a bizarre finish where Allen escaped the armbar, then Ruska tried it again, but the match was eventually just randomly stopped without him ever extending it or anything. They played it as some sort of gi choke, but if Ruska ever changed out of the armbar grip, I totally missed that. In any case, it was more like they did two different matches that both had potential, except that they definitely didn’t add anything to one other, and arguably detracted quite a bit.

*This amazing piece of history can be obtained by joining www.patreon.com/KakutogiRoad *

*In other news*

It’s being reported that due to a broken jaw, Tommy Morrison will be replaced by Maurice Smith at an upcoming PWFG card. Morrison has been in talks to face George Forman in the future, and doesn’t want to take any chance risking his body for that upcoming payday.
 
Kakutogi Road Presents: Sayama’s Corner "The Story of Shooto Vol.17"


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*Special thanks to John Krummel for his awesome work in translating this historic tome! *




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Distancing [Positioning]

[top of page]

The first step in mastering the technical side of shooting is in accurately measuring one’s distance from the opponent.

Make sure you come to firmly recognize the fundamental distancing positions (the five body postures) and understand the intimate relationship between “distance” and “posture.”

Mutual separation [meeting distance] (1):

  1. Face each other with a natural posture. This is also the position before the beginning of a match.
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Mutual striking [distance] (long range) (2):

  1. The distance by which long kicks and long punches are effective. The posture is in the upright style with a low center of gravity.
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Mutual striking [distance] (mid-range) (3):

  1. The distance by which strikes like kicks, punches, leg trips are possible. The posture is in the upright style with a low center of gravity
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[Side bar:]

Point: “Offense must always be changing, from kicking, punching, tackling, throwing, and to joint submissions. An understanding of distancing is the necessary condition for being able effectively employ all the techniques “hitting, throwing, submitting.”




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Mutual striking [distance] (close range), grappling (4):

  1. The distance of striking techniques in close combat, such as the shooting short hook, shooting elbow punch [strike], shooting uppercut, knee kick, and so on.

  2. The range, in distinction from boxing, is also the range for grappling.
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No distance (5):

  1. & 7. Keeping the basics of the crouching style in wrestling (see p. 48), block striking techniques by sticking your chest completely to you opponent. This state of no-distance can also unfold into grappling such as throws and submissions.

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Posture [put in English here as “form”]

[side bar:]

Point: “Your gaze in your posture should be fixed somewhere between your opponent’s eyes and his chest. Look at his whole body while fixing on that point. This is similar to paying attention to cars moving in the opposite direction (the opponent’s punches and kicks) while looking at the car in front of you (the opponent) [when driving]. Don’t let your eyes be plundered by the opponent’s attacks.”

[top of page:]

The ideal posture would be one in which you can defend yourself without leaving an opening, can switch at any time to offense, and can attack in various ways.

In order to form a perfect posture, you need to thoroughly engage in repetitive training while imagining a real fight.

Natural posture (1):

  1. Face the toes of your left foot in the direction of 11:00 and take a half step forward with it. The toes of your right foot should face the direction of 2:00 and determine the position of your feet.

  2. View of 1. From the side. Relax your body and take an oblique stance while balancing yourself.


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Low center of gravity upright style (2):

  1. Place the toes of your left foot pointing towards 11:00 and the right foot in the direction of 3:00. Lift the heel of your left foot so that it can respond to any movement.

  2. Pull in your chin and be careful not to lower the palms of your hand in guard below your eyes. Turn your right knee a little inwards so that it can step forward at any time.

  3. If the space between your hand are too narrow, there is the danger of being kicked from above your guard. The space between your hands should be wide enough to allow you to clearly see the opponent’s body. Relax your body, tighten your arm pits but spead your elbows a little out in your posture.


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[Box in bottom left corner:]

Why low center of gravity ?

Shooting starts with striking. In order to defend against tackles and leg trips that are the key points in the transition from a striking battle to grappling, you need to keep your posture in a low center of gravity in the upright style to prevent easily being thrown.
 
Volume 17 Continued...



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Wrestling crouching style (3):

  1. Put the center of gravity on the big toes of both feet and position your knees in a pliant or loose way.

  2. Position your elbows above your waist and your gaze should be forward.

  3. Tighten/close your elbows and armpits.

  4. Thrust your arms to the front and your buttocks to the back.

  5. Bad example: the waist is too high and the arm pits are open.



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[side bar:]

Point: “If you face your opponent in the wrestling crouching style, you can be flooded by a concentrated line of kicks and punches. The wrestling crouching style in shooting is the basic posture strictly for grappling.”

To Be Continued…

 
Good news! I'm importing my entire video collection over to www.patreon.com/KakutogiRoad

It's just getting started, but when it's finished I estimate over 20,000 hours of mma/kickboxing/puroresu/ classic wrestling/etc to be available!
 
Kakutogi Road: The Complete History of MMA Vol.45 "Liars, Legends, and Lion-Kings"


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Sometimes, even the most seemingly minor pieces are critical to the operation of complex machinery. Major endeavors are no different, as there are always untold numbers of people and circumstances that had to be present for that undertaking to succeed. Unfortunately, the personalities that tend to get the most prestige and credit for innovation are usually standing on the shoulders of the unknown giants that preceded them. That is the exact scenario we now find ourselves in on 8-15-92, as Joe Malenko is set to debut within the PWFG. Although, I’m using the word “debut” loosely as Malenko had his hand in a lot of the behind-the-scenes affairs of this promotion.

Joe Malenko (right) with his brother, Dean. (Left)
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*Note: Mike Lorefice (of MMA/Puroresu super-center quebrada.net) will have his comments be preceded by his initials. *

Malenko (real name Jody Simon) was born to legendary Floridan pro wrestler Boris Malenko (real name Lawrence Simon). Unlike many 2nd generation wrestlers who get started by performing for the public, Joe instead got his start by helping run his father’s wrestling school. In 1980, Boris Malenko had retried from wrestling professionally and decided to parlay his knowledge into running a training school. This put himself into the orbit of legendary wrestler Karl Gotch, who in turn took Joe under his wing, and eventually helped him get a slot in the original UWF in time for a brief run during their 1985 year. Joe’s next big break was when he was recruited along with his brother, Dean, to join AJPW. It was there where he, perhaps, made his biggest contribution to MMA, when he and Dean befriended a young (and very green) Ken Shamrock.

Shamrock started training in professional wrestling in 1988 under Buzz Sawyer, Nelson Royal, and Gene Anderson. Royal instantly took to Shamrock, and despite him still being very inexperienced, decided to pull some strings and get him booked over in All Japan Pro Wrestling, starting in September of 1989. His first match saw Ken up against Joe Malenko, who could instantly tell that Ken was in way over his head and needed some guidance. Later, both Joe and Dean would take Ken under their wing and help refine his abilities and teach him how to better work with a Japanese audience in mind. Their friendship (especially between Ken and Dean) would continue to hold steady, even when Ken returned stateside, and eventually wound up working with Dean again in the American NAWA promotion. Eventually, Dean would introduce Ken to some footage of the NEWBORN UWF and encouraged him to try out for them. Thanks to the Malenko’s relationship with Karl Gotch, and his son-in-law Masami Soronaka, this gave them the opportunity to have Ken try out with Soronaka and Bart Vale to see if he had the potential for the shoot-style. The rest is history, as they say, and soon Shamrock was on a trajectory to being one of the most important figures in the formation of early American MMA history. Had Joe/Dean Malenko not taken an interest in the success of a young Shamrock, then he probably never would have made it very far within the Japanese professional circuit and certainly not have had the opportunities to be on the ground floor of the early 90s shoot-style boom, and of course, no inclusion in UFC 1. Without Shamrock providing an interesting foil to Royce Gracie in those early years, the UFC would have probably been regulated to a brief blip in the history of time as an infomercial for Gracie Jiu-Jitsu. Also, without Shamrock’s later feud with Tito Ortiz in later years, the UFC may have never even got out of the dark ages and into profitability. Either way, the presence of a 2nd generation professional wrestler, that never had any major success in North America, had an incalculable effect on MMA both existing, and thriving, in America today.

ML: Had Malenko not befriended Shamrock, I may have never realized he was that Vince Torelli guy I used to see in South Atlantic Pro-Wrestling when I was a kid, and if he went anywhere, he probably would have gotten a retarded gimmick such as his SAPW peers Chris Chavis aka Takanka, Curtis Thompson aka Firebreaker Chip, & Tom Brandi aka Johnny Gunn & Salvatore Sincere. Rather than becoming The World’s Most Dangerous Man, the only real fighting Shamrock may also have been notable for is his drunken brawl with The Nasty Boys, where the stinky duo double teamed him, breaking his sternum and caving in his eye socket, with Robert Fuller and the American Pit Bulldogs luckily preventing Kobbs and Saggs from tossing an unconscious Shamrock over the third floor balcony of their motel room.

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First up is Jerry Flynn vs. Yuki Ishikawa, and we must all continue to pour out our thanks to Fujiwara for giving us another month with a different opening match. This should be interesting as Flynn, even if it will fall short of the best, can always be counted on to give a very solid performance. Ishikawa, on the other hand, is still a bit of a wild card. He is about 50/50 in shoots/works, so far, and I have much preferred him shooting. To be fair, his main block of “working” was against the very green Diesuel Berto, so I am hopeful. The match starts, and instantly we can see that Ishikawa is having major issues dealing with the height/size difference between himself and Flynn. He is outclassed in the standup, and to make matters worse, his single leg is just too slow to be effective and gives Flynn all the time he needs to sprawl his way into a dominant position. Flynn is looking much more impressive on the mat than I would have expected, diving for a toehold, and when that didn’t work, he quickly shifted to an impressive arm triangle. The rest of this match saw Flynn bring his A-game, looking crisp, powerful, and imposing, whereas Ishikawa looked like Kakihara with about ¼ of the speed and coordination. Because of this one-sided display, the match fell short of its potential. Ishikawa has been entertaining when he shoots, as he has to bring an unforced intensity to the proceedings, but he needs to take a page out of Suzuki’s playbook when he works by adding a sense of urgency. This wasn’t bad, but could have been much, much, better. ** ¼

ML: I wouldn’t recommend having anyone go 30 minutes with Berto, especially a rookie, but Ishikawa has been entertaining so far, and right now my PWFG match of the year would be Kazuo Takahashi vs. Yuki Ishikawa 7/27/92. That match was super intense, this on the other hand was a glorified sparring match where an extremely nonchalant Flynn didn’t take the rookie the least bit seriously. Ishikawa had no chance in standup, especially giving up so much reach, but Flynn was clearly just toying with him rather than actually trying to hurt him or win. Ishikawa managed to get a few takedowns, and on the ground he posed some threat with his submission game, but it still just looked like they were practicing in the gym. I would say to add insult to injury, but that would imply that something damaging actually occurred at some point. In any case, Flynn actually beat Ishikawa at his own game, getting the submission with a belly down armbar. This wasn’t exactly bad, but very uninspiring.

Now for a match that absolutely no one was asking for, we have Johnny Barrett vs. Georgii Galdava. I am unfamiliar with Galdava, but judging by his awesome singlet, I foresee some amazing Greco-Roman skills in our immediate future. The good news is that Galdava appears to be the real deal, and could be PWFG’s answer to Steve Day. The bad news is that due to Barrett this was absolutely awful. Why anyone thought that having a debuting talent go against the worst shoot-wrestler this side of JT Southern is beyond comprehension. Barrett was so slow and uncoordinated that I found myself yearning for a marathon of Takayama, by comparison. While it’s hard to get an accurate read, I felt that we would have got a nice solid match if they had put Galdava against someone like Funaki or Suzuki, as he seems to be a bit more comfortable with the striking portions compared to Day, but as it stands, this was just terrible. DUD

ML: Galdava, who later competed in RINGS, may have made a good impression if they gave him a small opponent he could have tossed around, rather than someone who outweighs King Kong Bundy. Galdava still managed a nice belly-to-belly suplex though. This was world’s better than Barrett vs. Fujiwara, as it was a serious match that actually resembled real fighting. Barrett may not have been good, but he was able to manage the amateur wrestling sequences with Galdava, even if his “offense” was largely just lay and pray. This wasn’t impressive by any means, but it was rarely inept, so I wouldn’t say Barrett actively destroyed the match, just kept it from being at all useful.

That was one of the worst matches we’ve yet witnessed, and sadly I don’t think the next one will pull us back on course. It’s now time for Yoshiaki Fujiwara vs. Mack Roesch. Unsurprisingly, this was a mat-heavy affair as neither man likes to strike, with Roesch being the much stronger of the two and Fujiwara being the far more skilled submission artist. What did catch me off-guard was some nice judo from Fujiwara, at times pulling off some nice throws against Roesch. This wasn’t bad, as much as it was a little dry, in part due to the 18 min length, as well as that Roesch is lost once he gets the takedown. We are now at a juncture where the times are moving faster than what Fujiwara can offer, and his striking shortcomings, combined with his age and general lack of athleticism are now becoming a major liability. Takada may be lazy, but is both athletic and charismatic, and Maeda is still capable of putting out a good well-rounded performance if kept around the 3-4 min mark. Fujiwara, on the other hand, only has his name to bring to the table at this point. Thankfully, he is wise enough to not insist on being in the main event for every outing, but his presence does suck up a lot of oxygen out of the middle act. Not terrible, but not recommended, either. **

ML: Look out, old Macky’s back, and an interminable 17 minutes of him vs. Fujiwara seemed 10 times longer than G. W. Pabst’s 110 minute 1931 film version of The Threepenny Opera, which I’d certainly recommend over this PWFG show. When Fujiwara was good in the early to mid 1980’s, he was intense and dangerous, but now he is just a hokey joker, making the peace sign to the camera when Roesch had his back and was attacking the neck. When I can’t take a match seriously, I just want it to end, and this simply refused to cooperate, despite nothing actually happening. Bad, bad match.

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Now, for what will hopefully turn the tide of this evening, Ken Shamrock vs. Kazuo Takahashi! When we last saw these two in action, it almost resulted in a decapitation, as Ken Shamrock punted the cranium of Takahashi with enough force to have sent it flying to the back rows of the Hamamatsu Gymnasium. I’m excited to see if we will have another reckless shoot on our hands, or a more behaved outing from these two. Before the fight starts, Takahashi gives Ken the same death-stare that he gave Ishikawa a month prior before it turned into an everything-but-the-finish shoot. Things start with another amazing double-leg attempt from Takahashi that in almost any other scenario would have worked, but Ken was such an amazing physical specimen in these days that he simply managed to shove Takahashi from him, thus preventing the takedown. Then, in what was a clever spot, Takahashi shoots in with a low-single, only to eat a knee and suffer a ten-count. The rest of this exciting match hit the spot with some neat moments from both men. Takahashi would continue to use a front kick to test the distance between him and Shamrock before committing to a takedown, similar to what Royce Gracie did in the first UFCs. Ken gave us the first guillotine attempt from a full guard, which would later be used by fellow Lion’s Den teammate, Guy Mezger, to finish off Tito Ortiz at UFC 13. The match was only around 9mins long and did lag in some areas, as it was clear that they were both holding back, trying to play nice with each other. Still, despite that fact I felt that this was fresh and exciting. It is also easy to see why Takhashi has no chance against someone like Ken in a shoot. Size differences aside, Kazuo simply hasn’t developed enough of a skill set, yet, to put “The World’s Most Dangerous Man” in any kind of serious trouble. Unlike some of his contemporaries, however, Takahashi continued to improve, and on 9-14-98 he put an absolutely savage beating on Minoru Suzuki, which is something that he could only dream about in 1992. ***

ML: These two showed more intensity before they even locked up then we got from the other three exhibitions combined. There were several nice spots based on Takahashi trying to get inside for the takedown. Early on, Takahashi was trying to work his way in from side stance, but Ken countered his sidekick with a head kick and pushed him down. There was another good spot where Takahashi dove for a single leg, but Shamrock sidestepped and slapped him in the face. Shamrock also countered a single leg with a knee to the face, but Takahashi plowed through and finished the takedown. The key difference between Shamrock and Flynn is that Shamrock can hold back while still throwing so aggressively than it looks like he’s trying to murder the opponent, whereas Flynn may looked slick, but at the same time almost always appears to be pussyfooting around. This match kind of stalled out in the middle portion, with Shamrock having the mount, which hurt since it was somewhat short to begin with (especially given these guys are actually useful and Shamrock often has 30 minute matches), and ended abruptly. Not as good as it should have been, but well worth watching.

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Volume 45 Continued....

Now for Masakatsu Funaki vs Ryushi Yanagisawa. Last month, Funaki did the unthinkable and made us all believe in miracles when he carried Bart “America” Vale to a good match. Yanagisawa, on the other hand, is probably the best rookie of 1992 outside of the dynamic duo of Kanehara/Maeda, who are in a league unto themselves. On paper, there is no reason for this to be anything other than great, but Funaki seems to be very hit or miss, as will probably be the deciding factor here. Right away, this is the first match tonight that feels like a fight between two professionals. Great movement from both men, but Funaki is just too good and somehow manages to outshine Yanagisawa both on the feet and the mat. His being too good compared to everyone else continued into the early days of Pancrase, where he had to learn how to sometimes carry his opponent (This did occasionally backfire, most specifically against Jason Delucia where he let Jason put him in a kneebar but misjudged his distance from the ropes and wound up having to tap out and lose the match).

I hate to say it, but this wound up being quite the disappointment. The problem here was that Funaki, while not shooting on Yanagisawa, wasn’t allowing him to get away with anything, either. This succeeded in showing how much of a badass he is, but at the cost of giving us a lopsided experience. No matter what range the fight was in, Funaki almost always seemed to be about two steps ahead. Funaki was an excellent MMA fighter, but the more I think about it, I would have to say that he was a mediocre worker. He doubtlessly had some great matches, but part of the art of wrestling is being able to get the most out of our opponent, and you have to have a giving and selfless attitude to do that. We’ve only seen that from Funaki sporadically. Since this only amounted to another squash match, I can only award it **.

ML: This was one of those Pancrase quasi-shoot matches where they went more or less all out positionally, but didn’t try to hurt each other with their strikes. That was a huge advantage for Funaki, as standup was the only place Yanagisawa had the advantage. On the positive side, this match had urgency at points, and some quick, explosive movements. On the negative side, the only way it was going to be competitive is if Funaki allowed it to be, which in this scenario he had absolutely no reason to. In the end, it was worth watching, but Funaki had such a big advantage it was obviously a battle between fighters of different belt classes, and thus Funaki was largely his usual relaxed self, toying with the opponent.

So far, this has been a very underwhelming event, and now we must all look to Minoru Suzuki and Joe Malenko to save us. Malenko is coming into this having spent almost four continuous years in All Japan, so it would be interesting to learn what led to his appearing here. Surely, this had to have been a chaotic time period for the Malenko Gym in addition to the PWFG, with the passing of Masami Soronaka. It’s unknown if this was intended to be a long-term move for Malenko, or if he was just trying to help out in a pinch, but from this point forward he never stuck around in any one place for too long, doing stints here, WCW, UWF-I, Australia, ECW, and eventually back to All Japan. For some reason, this will be contested under a round system.

Round 1 shows us that both men came to give us their best. Malenko clearly has good balance, but Suzuki is just too quick and too slick to be denied and forces Malenko to the mat. Even though this isn’t a shoot, Suzuki is moving and acting like it is, bringing an excellent intensity and urgency that a newcomer like Ishikawa could learn from. There are all sorts of great subtleties, like how Suzuki acts when turtling out of danger or when he works for a toehold like his life depended on it. Malenko seems a bit out of his element, which surprises me as he is a Gotch protégé, but this is perhaps understandable, as he has never had a professional shoot-style match of this caliber before. Unlike his brother Dean, Joe has seen the inside of a weight room, but while this gave him the much better physique of the two, it seems to have put a damper on his mobility. The round ends with Suzuki having clowned Malenko for its entirety.

Round 2 sees a few takedowns from Malenko, but outside of that is still all one-way traffic for Suzuki.

Round 3 starts with Malenko getting caught in a weird neck-crank that almost worked until Suzuki managed to roll out of it. The rest of the round saw Suzuki kicking away at Malenko’s thighs until Joe botched a takedown and got an armbar for his trouble. This match was in a weird zone between work and shoot. I wouldn’t call it a full shoot, as they weren’t just trying to murder each other, but at the same time, Suzuki didn’t give Malenko any openings at all and the ending felt legitimate. Whatever it was, it was edgy and entertaining, unlike the Funaki match before it. Whereas Funaki came across as a bored cat toying with its prey, Suzuki is like a man fighting for his life and seems willing to die in the center of the ring, if need be. This was entertaining and had a lot of verve, despite being so one-sided. Also, the weird quasi-shoot nature of the contest gave it an interesting and tense vibe. This is a hard match to rate as it was a borderline shoot, but I would give it *** ½. It would have been higher had Malenko been competitive.

ML: Malenko was really made for this style, as what made him great was really his slick movement. Even though this was his first match in shoot style, his pro wrestling offense didn’t stray that far from what was a viable here, mainly using suplexes and submissions, though obviously of a more flashy variety. His perpetual movement made him the perfect opponent for Suzuki, who delivered a more interesting match than we’ve been seeing from him of late. As with the previous match, this was too far towards actual shooting to really approach its potential though. Suzuki posed a really tough matchup for Malenko, as he had a big advantage in foot speed in addition to having legitimate standup training and being 12 years younger. He could just use his movement to beat up Malenko’s legs while circling away, so Malenko really had to grab him in order to get anywhere. No matter who got the takedown, their wrestling and movement on the mat was comparable, but Suzuki had a big advantage training regularly in legitimate submission style, whereas Malenko knew them from his work with Karl Gotch, but rarely use them in practice, instead opting for a pro-wrestling moves such as the Texas cloverleaf. We didn’t see those type of submissions here, but it reminded me of being a kid play wrestling against my friend who was actually on the school wrestling team, and losing all the time because he would be doing things he practiced every day that worked, while I was busy trying to set up moves I saw on TV like the Boston crab and figure 4. This was a really intriguing contest, but it should have been longer, and they really needed to allow Malenko to do a few of his flashier things, throw in a suplex or two like Shamrock liked to do. Overall though, this continued the trend we’ve been seeing from PWFG this year of cooperating less and less, both positionally and offensively. Nonetheless, it was a good win for Suzuki, as Malenko was a familiar name in Japan, having scored all Japan regularly since 1988, where he was the standout worker in their junior division, and a critical performer in many of the best junior style tag matches, though he unfortunately never having run with the Asia tag title. ***

Conclusion: I hate to say it, as I want nothing more than to see this outfit succeed and dominate the airwaves, but it just isn’t going to happen. We got one exciting main event that was too avant-garde to really be the conclusion of a worked promotion, and one decent match in Shamrock/Takahashi. The rest was mediocre to awful. It isn’t all bad news, however. Malenko looks like he would be a solid addition to the roster in a more worked environment, certainly better than a Barrett or Wilkins Jr., but isn’t ready for the prime time of having to (almost) shoot it out with Minoru Suzuki. Galdava also looks to be very promising, but I would like to see how he pairs with anyone that can actually wrestle.

ML: Ultimately, we are to the point where we need to ask the question of how shooty we want shoot wrestling to be? PWFG is definitely differentiating itself from UWF-I by featuring less and less cooperation, but do we accept that the result is largely positional battles without much in the way of offensive highlights?

*This entire event, along with insane amounts of other priceless treasures, can be found over at www.patreon.com/KakutogiRoad

***Kakutogi Rewind***

Now as a palate cleanser, let us peer back into the hourglass of time and catch a glimpse of Joe Malenko in all of his glory. The date is 9-1-90 with Tommy Rogers/Bobby Fulton vs. Joe Malenko/Tsuyoshi Kikuchi. Malenko has spent the better part of two years mainly teaming with his brother Dean, but this time he’ll be pairing with a man who could arguably be described as the spiritual successor to the Dynamite Kid. Kikuchi was so hot in the early 90s that he even managed to snag the “Best Match of the Year 1992” award in the Wrestling Observer Newsletter (we can only assume that Uncle Dave wasn’t paying any attention to the Kanehara/Maeda wars).

These four don’t waste any time, and the energy that’s coming from this crowd is insane. Kikuchi seems to be the nexus point for everything being charged into the atmosphere, and transfers that into pure kinetic energy. Malenko offers a perfect compliment to this with a fast paced mat style that keeps things just grounded enough to stay serious, without hindering the flow. This match is a textbook example of why 90s era AJPW produced some of the best wrestling in history. **** 1/2

ML: This match touched on a number of styles, but certainly contained some awesome technical, stiff, intense, fast-paced, high flying junior action. The Fantastics, who were easily the best American team of their era, a time when tag wrestling meant something & specialists were a respected commodity, were at the very top of their game here, though, as usual, Rogers greatly outshined Fulton. I was more impressed with this match that last time I watched it. It actually began somewhat slowly, and was a bit rough around the edges. Kikuchi blowing a swandive spot by slipping off the top to the floor was the most obvious miscue, with Rogers giving him a piledriver on the outside for his blunder, but the sequences didn’t always flow as well as you’d expect from a match with such tremendous talent. All four of these guys are super underrated, at least when they were good (which Kikuchi wasn’t for very long), and this was a pleasure to behold. The match really took off after Rogers bodyslammed Kikuchi off the apron, and there was a lot of good planned action on the floor, including dives, suplexes, and a heated strike exchange between Malenko & Rogers. Everyone was working with a sense of urgency, with even Malenko wrestling a more modern, action oriented style, though he was also able to pull off totally shifting the contest from a junior spotfest to a “real fight”, exchanging middle kicks with Rogers then taking out his leg only to have Rogers try to throw up a triangle from the bottom, leading to a series of intense punches with Malenko on top. Kikuchi was certainly the spark plug, pushing the pace, taking psycho bumps, getting huge responses from the crowd. He’s so reckless it’s hard to tell when he’s risking injury on purpose, and when it simply comes naturally, but it makes for even wilder action. It’s just a spectacular spotfest, possibly a great match in it’s entirety, as you could see the Fantastics had great chemistry with Malenko on the mat, but little of that portion (if it even took place) made TV, and it’s also possible that the early portion was just kind of there and they saved the insanity for the 2nd half. The crowd was inarguably super into this though, really going nuts for Kikuchi, a fighter who was impossible not to love because he gave you everything he had, for better and (often for his body) for worse (hence his career sadly flaming out so early when his body betrayed him). ****
 
Kakutogi Road Presents: Sayama’s Corner "The Story of Shooto Vol.18"




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This is a continuation of where we left off last time. Again, special thanks to our resident translator, John Krummel for his immense efforts. *




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Quarter position (4):

  1. The posture when thrown by your opponent. Put your toes together, draw in your chin, place your hands firmly on the mat wider then shoulder width.
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  2. Position yourself in a way that you can see your opponent from anywhere, such as over your shoulders or from your sides.

  3. Bad example: This makes it easy for your opponent to hook [joint lock] your ankle.


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  4. Bad example.
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Overturn position (5):

  1. The posture when turned over onto your back by your opponent. Lift your head and make sure to watch your opponent.
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  2. By always directing both your feet towards the opponent and controlling him with your hands and feet, do not let him inside.
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  3. Bad example: If you are not watching your opponent, not only will you be unprotected against his joint locks, you will be unable to freely move.
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Exercise – 1

Theory of Footwork:

In both real fighting and in practice in shooting, in order to go forward by slipping through the opponent’s counters, you need a good command of feinting and sliding techniques. For this you need to completely master basic vertical and horizontal footwork.

Vertical footwork is for mastering solid attacks and guards, and horizontal footwork is indispensable for using techniques that go forward while swaying the body left and right, as in sliding or the shooting swing hook, tackles, leg trips (leg sweeps), and so on.

But just because you’ve been training the vertical footwork for 3 minutes and the horizontal footwork for 3 minutes each day, can you use them in matches? The answer is “NO.”

The basics are strictly nothing but basics. The footwork used in real fights that are just like the basic footwork are very few, and what is required is an applied footwork that can respond to any situation.

Every rhythm has a beat. For example, let’s assume that the rhythm of the footwork we have been practicing comprises 4 beats. In a real fight, if you only used this footwork of 4 beats, you would be KO’d. That’s because the opponent can easily read your movement. Matches are not made of simple movement. Instead you need to remind yourself that a match is a living thing whereby every element becomes intertwined with complexity.

In a real fight, there will be times when one must use 8 beats, 16 beats, or even 32 beats. You need to be able to move freely in accordance to the circumstances.

To practice repetitively the basic footwork everyday is for the sake of grasping your own rhythm.

Once you’ve mastered the basic footwork, next learn how to feint in order to approach the opponent.

The most basic of these is the sliding feint. When you do this don’t forget the stepping technique. By this I mean a forceful step forward.

Enter into the opponent’s left or right inner side by swaying not your head but the shoulders. Or while shifting your shoulder to the right as if you are entering the right side of the opponent, enter into the left side. Or sway your body left and right with 4 beats and then suddenly enter with a 32 beat rhythm. There are various patterns like these.

In a real fight, feinting that skillfully and properly employs such sliding steps with irregular beats exhibit tremendous consequences.

Grasp your own timing and rhythm on the basis of completely mastering the basic footwork.




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Forward and Backward footwork—the knack of training (1):

1. Never lower the guard:

The repetitive practice in footwork is monotonous and simple. When you get tired, the tendency is to lower the guard, but think of this as strength training and do not lower the guard even for 1 millimeter.

2. Keep the knees relaxed:

In the same way explosive punches and kicks come from a relaxed body, if the knees are stiff you cannot move rhythmically.

3. Move not only the feet but the body:

The cause of an unbalanced footwork is often in the dis-alignment between feet’s movement and the upper body. During practice, imagine your opponent and do move over and over with the correct posture to gain a sense of balance.

4. Do not put too much weight on one foot:

If you put too much weight on either of your feet, you can easily fall victim to your opponent’s leg sweep. No matter what stance you end up in, you need to be able to transition your weight smoothly.

5. Balance with your toes :

Forward and backward footwork is done with both feet on your toes. So make it a habit to practice balancing with your toes.

[photo caption:]

  1. Take a ready stance by drawing-in your chin and putting yourself in the lower-center of gravity upright style.

  2. Take care to stabilize your guard firmly so that it will not get lower.
Return your left foot that you stepped forward with. Do this with both feet on their toes


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Left/right footwork—the knack of training (2):

1. Draw in your chin and face the opponent:

Draw you your chin in and sway the upper body with balance. Never face sideways. Make your jaw hard to hit effectively even if you do get punched and always face the front with your forehead.

2. Left/right footwork to move forward:

To leap into the opponent’s inside, you need to lower the guard and be able to move your upper body to the left and to the right. When you can do the footwork, you can check your timing to transition to a tackle.

3. Sway the shoulders, not the head:

The point here is shared by sliding techniques (see p. 69). If you sway your shoulders in order to balance your entire body, your head and body will also sway without exaggeration.

4. Grasp your own timing:

Practice, strictly speaking, is of the basics involving a particular rhythm. Once you’ve mastered the basics, you can grasp how to handle your upper body or keep balance, and grasp your own timing.

[photo caption:]

  1. From the lower center of gravity stance in the upright style, take the ready stance by lowering both arms a little.

  2. Plunge with your right foot while guarding with your left hand and move to the left.

  3. Solidly guard your chin with your right hand, and sway your shoulder and move to the right. The plunging foot is the left foot. The hairline of your forehead should always be facing the opponent’s front.


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To Be Continued…
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Kakutogi Road Presents: Sayama’s Corner "The Story of Shooto Vol.19"

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*This is a continuation of where we left off last time. Again, special thanks to our resident translator, John Krummel for his immense efforts. *




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Martial Artists Who Influenced Shooting: Karl Gotch

Scientific = wrestling. Theoretical = training. Animalistic = idea. Perfectionist in combat sports [martial arts].

I learned about the “essence of combat sports” from Gotch.

His teachings extended far in scope, from wrestling, submission holds, tackling, suplexes ( salts ), to boxing, from technical matters such as the offensive moves of various martial arts [combat sports] and their defenses to the theoretical commentary of techniques.

Gotch is a person who was thoroughly thinking about combat sports, not only wrestling. So he continued exploring the good points of other combat arts and impressively arranged them in the Gotch-style.

An example would be throws. The basis would be the Greco-Roman style of throwing in wrestling that involves bridging. He applied it in a way that could be tied to the next move.

Once you grab the opponent, you throw him in any way possible. Once you throw him you immediately create the situation to put him into a submission hold. In this way he tied the various combat arts together so that they would flow, to build up something syncretic.

Gotch’s way of thinking is alive in my basic idea of shooting.

And Gotch thoroughly researched and knew all about what sorts of attacks on what parts of the body are effective. So regardless of the move, and not limited to joint locks, if he gets you he really got you.

He was also good at teaching. Until you master a technique he will not allow you to advance to the next technique. If you want to progress, you need to master the technique. This was a teaching method unique to Gotch who was a perfectionist.

I learned [from him] not only techniques. Without knowing it I was being taught mental things such as the way to think about, or the attitude towards, a regulated life and practice and combat sports.

Gotch’s lifestyle was strictly focused on the combat arts.

Naturally this included training, but also from the menu for meals to how to spend your private time were all tied to combat arts.

When he had time, Gotch would go to the zoo. He said the muscles of tigers and gorillas give a lot of hints helpful in engaging in combat sports.

For myself, it would be certainly impossible to just copy everything. But I would like to approach Gotch’s lifestyle and indeed I would like anyone who aims at the combat arts to make an effort to do so.

[box:]

Daily Physical Training Method I: To think about things theoretically.

“Learn with the body!” “Listen to the advice of others!” These are words that beginners often hear, not only in the martial arts. Of course, these words are meaningful and I do not intend to deny their importance. But I also want you first to make it a habit to think about things theoretically. For example, to think in your head, “If I grab his left arm with my right arm…. and he tries to escape, I’ll take his right foot… like this…, etc.,” is very important.

When saying this, someone might argue that “if it’s possible to calculate all the moves on a desk, then there’s no need for practice.” But if one routinely thinks about techniques theoretically, when one falls into a slump one can easily understand the cause and the recovery becomes quick and one can also judge whether the advice of others is good or not.

Daily Physical Training Method II: You can practice the footwork anytime anywhere.

It is necessary to train in footwork not only for beginners but also those [already] in the shooting class and shooters.

The more one advances to the advanced classes, high level techniques with rapid movements, like feinting and sliding, become required. And what serves as the foundation for these is the footwork.

And footwork as foundation also makes possible the explosive power to sway the body left and right in an instant and with the correct weight transition.

There should be plenty of places around you that you can use to practice your footwork, such as the platform while waiting for the train or on a busy street. Running as if you are threading through the crowd, while drawing your chin in and balancing your upper body, is also one method.

Daily Physical Training Method III: You can have fun developing your reflexes with games.

It’s often thought that reflex is an innate talent, but from my experience, depending on your habitual efforts you can sufficiently train it. You can foster your reflexes by consciously executing your move quickly, such as suddenly jumping up from a lying position, or suddenly turning around when reading a book.

When doing this you need to take care to move quickly by relaxing your whole body.

It’s also effective to do this with friends. For example, by sounding/clapping the hand; or agreeing on a sign, and once one makes the sound to shift immediately to the next movement. At first this is difficult, but eventually your reflexes get developed. [translator’s note: It’s very unclear even in Japanese what sort of game he’s talking about…]




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Course on Practical Fighting, Section on Technique: “Hitting” Punching:

Needless to say the punches in shooting are based on boxing techniques.

But there is a difference in the character of punching techniques between shooting that allows all forms of attack, including “striking, throwing, submitting,” and boxing in which the competition for skill is limited to offense and defense in punching only.

Let me comment on what the punching techniques unique to shooting are.

TO BE CONTINUED…

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Run!

Don’t walk, but run over to www.patreon.com/KakutogiRoad where thousands of hours of mma/kickboxing/puroresu/lucha/combat-sports footage, detailed historical reviews/analysis, interviews, and translations are availble! Volumes 19-24 of these Shooto adventures await you!

Volumes 20-24 are available over at www.patreon.com/KakutogiRoad

For only $10 a month you get to:

Follow along with MMA from the beginning (in this case March of 1991)

Gain access to the Kakutogi Video Archive, which once completed, will have over 20,000 hours of various combat sports footage.

We also cover a lot of kickboxing history along the way, and of course, add footage of those events whenever possible.

We include a lot of contemporaneous media/news sources to coincide with our columns, so you can follow along with the media coverage of that era, also.

Every Tue we include translations of rare MMA materials into English. Right now we are translating Shooto: The Technical Shooting Fight from 1986 into English, and when that is complete we have many other treasures that will be translated.

We have exclusive interviews with figures that were there, and one of the major goals of this project is to interview many of the Japanese/Dutch/Brazilian personalities that were important to the development of MMA, many of which, have been ignored by western media.

You also get a warm fuzzy feeling, knowing that you are helping MMA history to be adequately covered by people that actually care about it.
 
Kakutogi Road: The Complete History of MMA Vol.46 "Axis Mundi"

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*Special Thanks to John Krummel for his help in translation. Also, Mike Lorefice (of MMA/Puroresu mega-center quebrada.net) will have his comments be preceded by his initials. *

Axis Mundi: A term often used in many 20th century religious or mythological works which denote a region, location, or in some cases, a special artifact that can serve as a portal between “Heaven and Earth” or “the higher and lower realms.” One of the most preeminent examples of this would be the Foundation Stone, located in Jerusalem, which in Orthodox Judaism is considered the focal point where the celestial (Heaven) converges with the terrestrial (Earth). This example is not unlike where we are now, as FIGHTING NETWORK RINGS is about to give us a similar landmark, which will serve as a nexus between the higher planes that we are collectively striving for (shooting) vs. the baser/more ordinary realities (working).

Yes, it is 8-24-92, and the latest Rings event is upon us with the most apropos name possible, ISHIZUE (礎, which can mean cornerstone, foundation, base, foundation stone, plinth, or substructure). This Japanese word is a wonderfully appropriate description as RINGS itself is serving to be one of the landmarks that will forever put us into remembrance of the early origins of modern MMA. When we first started this in March of 1991, RINGS was by far the weakest of the three shoot-style promotions, but things changed around the beginning of 1992, and now they are offering the most compelling product in the combat-sports world from this period. Since their last event in 91, each of their cards has been offering a blend of shoots/works, sometimes going as high as 4-shoots in a single event. This discovery has been eye-opening and further proof that most of what constitutes general MMA wisdom does not hold up to intense scrutiny. For example, most internet sources will claim that RINGS didn’t start offering shoots until late 1999. Then there are a few in the minority that will say that they started having a mix of shoots and works starting at the beginning of 1995, which is what I had believed before starting this project. I never would have guessed that they not only had shoots as early as late 1991 but that they had as many pre-UFC shoots as they did. This discovery, along with any/all further work that we accomplish, will offer complete documentation of just what was and was not real during this time frame. This endeavor will be the first time that anything like this has been attempted with any seriousness.

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After a montage where Akira Maeda emotes to us the utter graveness of what’s in store for the Yokohama Arena, we start with our first match, Koichiro Kimura vs. Masayuki Naruse. Naruse is breaking away from his seemingly never-ending series with Yoshihisa Yamamoto to face the always interesting, Kimura. Back in January Kimura gave us a fascinating early shoot against Mitsuya Nagai, and I’m hoping those same shoot energies will be present for this opener. Things start with Kimura cautiously testing the waters to try and set up a takedown, but Naruse doesn’t seem to share his patience and pelts him with some swift low-kicks for his trouble. Another minute into this and I feel confidant that we have a shoot on our hands, which again amazes me that MMA was this prevalent in 1992. Kimura has a nice arsenal of super-slick takedowns, but Naruse’s small size is working for him, as he is able to ball up and quickly deflect submission attempts from the slower Kimura. Most of this match proved to be a stalemate as Kimura had trouble dealing with the speed of Naruse’s kicks but easily negated Naruse anytime the fight entered into the clinch range. About halfway through, it was clear that Kimura was getting frustrated and allowed that to prompt him to just start throwing caution to the wind and start aggressively barging into the phone booth and ragdoll Naruse to the mat. Sadly, while Kimura may have savant-like skills with the sheer variety of his takedown, his submission game is too armature-hour to put Naruse in any serious trouble. The end came when Kimura attempted to power his way into a very awkward ankle-lock attempt, which only served to give the much more submission-savvy Naruse his own opening to torque a nice toehold of his own. Interesting shoot, and a nice way to open the event.

ML: I enjoy the all out of aggression of Kimura. He fights the old school Japanese submission shoot style where control is not really part of the equation, almost to the point he is really just doing everything in one big burst of energy. His takedowns are good, and he can even get you with a suplex, as he did to Naruse here, then it’s right to the arm or the neck. The problem with this style, obviously, is when your opponent knows you are immediately going for a submission, it becomes exponentially easier to defend because options are extremely limited when nothing has really been set up beyond maybe by the takedown. I thought Kimura did a good job of putting Naruse in danger given the limitations of his submission style, especially with the rear-naked choke, and this was an intense shoot where Naruse was fighting for his life as soon as he got taken down, and almost any time they were on the ground, unless he was able to escape the initial submission and take control, as his ground style was more open to amateur wrestling, and generally slowing things down for a second. Naruse was clearly the better standup, but Kimura applied so much pressure with his takedown/throw game that these portions were generally pretty brief. Kimura did his best to mix his submissions upe, switching to trying for the kneebar when the armbar and rear-naked choke had been exhausted, but this is a lesser option because it is so much easier to counter, and Naruse immediately began shredding Kimura’s ankle. Kimura realized he was losing the footsie battle, and tried to kick Naruse and roll for the ropes, but Naruse wasn’t distracted, and was able to adjust his pressure in a manner that forced Kimura to roll back towards the center, leaving him with no option but to tap to the ashikubi gatame. Good match.

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Nobuaki Kakuda vs. Yoshinori Nishi

Now for a matchup that I’m very excited about, Nobuaki Kakuda vs. Yoshinori Nishi! These two are an excellent pairing on paper as both are skilled strikers, and both are now a bit past their prime. Nishi is also a very strong judoka, whereas Kakuda is the more accomplished karateka. If this is another shoot, I would assume Nishi is the odds-on favorite, but I know better than to ever discount the savage heart that beats with Kakuda’s frame. I’m not sure what the rules are (I assume that they are normal RINGS rules), but one thing is certain, this will be contested under five 3-min rounds.

Round 1 shocks us all with Kakuda going in right away for a takedown, perhaps, opting for the element of surprise, but to no avail. Nishi’s ne-waza is too solid from years of judo, and he both easily recoups a favorable position as well as deflect a poor Kimura attempt from Kakuda. Nishi dominated most of the round, both on the ground (gaining two submissions) and surprisingly on the feet as well. Outside of a couple of nice counterstrikes from Kakuda, this was almost all Nishi.

Round 2 saw Kakuda get completely manhandled until his naked aggression pulled thru and allowed him to score a nasty head kick on Nishi. I thought that we may have been witnessing our 2nd shoot of the night until the end of the round where Nishi put Kakuda in a benign ankle submission, only to see Kakuda give us some Mr. Perfect level selling before the bell rang.

Round 3-5 continued to give us an ultra-stiff work that was similar to the recent borderline shoots that the PWFG has put out, for better and for worse. Better, because we had two strikers that weren’t afraid to really lay into each other, amping up the realism, and worse due to Kakuda not having anything to offer the mat outside of overselling for convoluted leg submissions. Overall, this was stiff and interesting, but with these two I would much rather see them in a proper shoot. ***

ML: It was kind of frustrating that this wasn’t a shoot because these are two of the notable real fighters of the era, and it was also an interesting stylistic match up because Kakuda is the better striker, but Nishi has the reach advantage as well as a huge skill advantage on the ground. As a work, this was decent, but lacking intensity and kind of inconsistent when it came to the impact of that strikes. For the most part, it was average, though Kakuda’s lame selling was really took me out of the match a few times. While it was surprising that Kakuda got an early takedown, now that he is training in a style that allows him to do more with catching the opponent’s kicks, it is way too tempting not to test his new skills, even if Nishi is the better ground fighter. Kakuda rarely had an advantage on the ground after the opening seconds though, and the way the match played out, you kind of felt like it may not have been a shoot because Nishi had such an advantage in all the round training that it made more sense to get Kakuda some time rolling on the mat rather than put him in a situation where his only chance was to stay off it.



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Mitsuya Nagai vs. Cvetlan Paolov.


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Based on this headshot, it would appear that the Russian Federal Security Service was kind enough to forgive Pavlov’s 1930’s attempted train robberies and allow him to compete this evening. He may have wished that he stayed in the gulag as he is going to have a tough time dealing with Nagai, who has been in a mostly shooting mood these last several months. Right away, Nagai charges in with some wild flamboyant kicks that instantly scores a knockdown, and we are firmly in worked territory. Most of the match was Nagai spamming Pavlov with a ton of these showy kicks and Pavlov attempting crude ankle-locks whenever given an opportunity. This was one of the fakest fights we’ve yet seen from RINGS, made worse by the complete lack of chemistry between these two. Nagai’s boundless energy helped, but the only thing that Pavlov seems to be good for is a suplex or two. Nagai shamefully lost to one of the worst armbar sequences in shoot-style history, as you could have easily taken a smoke break with the amount of time it took for Pavlov to figure out how to apply the hold. *

ML: Pavlov is notable for being the first member of RINGS Bulgaria to compete. I was momentarily excited because we had another sambo practitioner in the company, but unfortunately he wasn’t that notable otherwise, as this match really didn’t come off, and he never reappeared, despite surprisingly getting the win. Nagai was just spamming movie kicks, which wasn’t helping any, especially against an opponent who didn’t seem to have much experience on his feet. These two really didn’t seem very capable of working together in any productive manner, as Pavlov was slow and not confident or perhaps even competent. Nagai got Pavlov to his final down then Pavlov hit a belly-to-belly suplex, mounted, then took over 20 seconds just to roll Nagai over and extend his arm for the submission. Even with that amount of time, the submission just looked ridiculous as there was so much space between Pavlov’s legs, the angle of the armbar was wrong, and he was basically just holding Nagai’s wrist rather than actually attacking the elbow joint.
 
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